Each Sunday, Pitchfork takes an in-depth look at a significant album from the past, and any record not in our archives is eligible. Today we revisit Katy Perry’s second album, a sugary pop juggernaut with big misses and even bigger hits.
On the duo’s generation-spanning double album, Fela Kuti leads in spirit while the baton gets passed down the family tree.
Filled with people, stories, and dialogue, the New York songwriter’s second album flows like an emotional breakthrough, tying together disparate observations into a serene and unified vision.
The British producer’s detailed yet frictionless house bangers are full of reverence for the dancefloor, though too controlled to match its catharsis.
The rule-breaking pop experimentalist talks about the differences between major and independent labels, and how she ended up signing with indie rock stalwart Merge for her new album.
Jilian Medford, who records as IAN SWEET, talks about facing her trauma and making the mightiest music of her life in this Rising interview.
Neneh Cherry talks about the one song she wishes she wrote, “Across 110th Street” by Bobby Womack.
Stripping back the gentle folk of last year’s Solid Love, the New York guitarist writes drifting, mostly instrumental songs marked by a profound sense of interiority.
The electronic composer’s first album in 33 years is also her final one—she passed away in December. The synthesizer pieces here are the lightest and most playful of her career, like beacons of hope and change.
The soundtrack to the Shaka King-directed film, featuring heavyweights like JAY-Z and Nas alongside newer stars like Polo G and Pooh Shiesty, exploits Hampton’s image to peddle liberation-lite Billboard hits.
The Manchester quartet is still stuck as an imitation act, but their love for 2000s-era singer-songwriter pop—and their star potential—comes through.