Expanding from a duo to a trio, complete with saxophone, the Manchester group embraces newfound production gloss without sacrificing its indie-pop roots.
After 2019’s celebratory, cathartic album Resonant Body, this 20-minute EP cleverly subverts club convention in pursuit of higher states of consciousness.
The Massachusetts-based trio featuring guitarist Wendy Eisenberg is a gnarled, shred-heavy, meta-comment on indie rock that also creates some pretty great indie rock songs along the way.
Rallying against aggravating, absurd political realities with passion and humor, the Leeds post-punks offer a tongue-in-cheek counterpoint to dourer contemporaries.
Singer-songwriter Tamara Lindeman talks about confronting the emotional fallout of looming environmental disaster on her new album, Ignorance.
By publicly identifying and discussing unlicensed samples, hip-hop fans on websites like WhoSampled and YouTube may be unwittingly putting their favorite producers at risk.
Sam Smith breaks down some of their favorite vocal performances in this episode of “Under the Influences”
Working in isolation, the Paramore leader extends the healing narrative of last year’s Petals for Armor with a sparse, unadorned album that casts a mournful glance to the past.
The Detroit rapper’s latest EP is more polished than anything he’s made before but shines best when he sticks to his Midwest roots.
The Lockhart, Texas band moves easily between folky Americana and Renaissance-esque ditties, conjuring strange stories as if through a Ouija board.
The reggaeton of the Colombian pop star meets the reggae of Jamaica on a short and sleek album that, as far as cross-cultural projects go, just barely skims the surface.