With a concussive sound and a deceptively lean setup, the doom duo returns to terrifying basics on a macabre and strangely exhilarating album about anguish.
The Australian producer's latest project creates a sense of spaciousness, tracing the almost forgotten flutters and rushes of a good night out.
The charged debut from the UK post-punks evolves from a band you think you’ve heard a million times before into one you feel like you’re just getting to know.
On his second album for Barcelona’s Lapsus Records, the Tbilisi producer brings a rhapsodic melodic sensibility to rhythms that pay tribute to the golden era of IDM.
Singer-songwriter Tamara Lindeman talks about confronting the emotional fallout of looming environmental disaster on her new album, Ignorance.
By publicly identifying and discussing unlicensed samples, hip-hop fans on websites like WhoSampled and YouTube may be unwittingly putting their favorite producers at risk.
Sam Smith breaks down some of their favorite vocal performances in this episode of “Under the Influences”
On his collaborative album with Four Tet’s Kieran Hebden, the producer, multi-instrumentalist, DJ, and archivist remains masterful by simply turning what he hears into something new and revelatory.
On his solo debut—assisted by Sufjan Stevens, Justin Vernon, and Yo La Tengo’s Georgia Hubley and Ira Kaplan—the multi-instrumentalist rethinks the horn’s role as an album’s driving creative force.
With ceaseless, snarling brutality, the Texas post-hardcore trio’s second album finds a new level of confidence to express the pointlessness of existence.
The neoclassical-ambient duo of Adam Wiltzie and Dustin O’Halloran offers a gorgeous, towering, and apposite score for a dance theater production based on the Italo Calvino novel of the same name.