On his collaborative album with Four Tet’s Kieran Hebden, the producer, multi-instrumentalist, DJ, and archivist remains masterful by simply turning what he hears into something new and revelatory.
On his solo debut—assisted by Sufjan Stevens, Justin Vernon, and Yo La Tengo’s Georgia Hubley and Ira Kaplan—the multi-instrumentalist rethinks the horn’s role as an album’s driving creative force.
With ceaseless, snarling brutality, the Texas post-hardcore trio’s second album finds a new level of confidence to express the pointlessness of existence.
The neoclassical-ambient duo of Adam Wiltzie and Dustin O’Halloran offers a gorgeous, towering, and apposite score for a dance theater production based on the Italo Calvino novel of the same name.
Singer-songwriter Tamara Lindeman talks about confronting the emotional fallout of looming environmental disaster on her new album, Ignorance.
By publicly identifying and discussing unlicensed samples, hip-hop fans on websites like WhoSampled and YouTube may be unwittingly putting their favorite producers at risk.
Sam Smith breaks down some of their favorite vocal performances in this episode of “Under the Influences”
Rivers Cuomo pays tribute to his hermit orchestral-pop heroes, name-checking Harry Nilsson, Serge Gainsbourg, and Pet Sounds. But of course, it's all Weezer in the end.
The German band’s first album since 2014 revives their introspective blend of indie rock and electronica, while simultaneously looking outward for new voices and perspectives.
The hotly tipped 20-year-old singer-songwriter debuts with a cool, confident record that occasionally blends into pleasant monotony.
Availing himself of his formidable array of modular-synthesizer components, the Depeche Mode songwriter indulges his darkest instincts.