Aeneas tells Dido the misfortunes of the Trojan city. Oil on canvas, 1815. (Photo credit: Wikipedia)
This post continues my notes from Adam Winn’s book that he produced from a Postdoctoral Research Fellowship at the Dominican Biblical Institute, Mark and the Elijah-Elisha narrative : considering the practice of Greco-Roman imitation in the search for Markan source material. The first post explained why Winn believes a study of the ways in which the Roman poet Virgil imitated and rewrote Homer’s epics, the Iliad and the Odyssey, in order to compose his own epic, the Aeneid, has potential relevance for a study of how the author of the Gospel of Mark might have used his written sources.
We outlined two of Virgil’s techniques of imitation in that first post, conflation and reversal, and in this post we look at the other techniques. A third post will list and explain criteria Winn will propose to assist us in analysing the Gospel’s literary sources.
Diffusion
Diffusion refers to Virgil’s technique of taking a single episode or character from his source (Homer) and dividing it into multiple episodes or characters. To illustrate this technique Winn points to the way Virgil has based three different characters on aspects of the life (or rather death) of one person in Homer’s Odyssey, Elpenor.
- Elpenor was the youngest of Odysseus’s crew. While on Circe’s island he climbed up to a roof-top to sleep, but in the morning he forgot where he was and fell to his death.
- Odysseus, leaving in haste to carry out his mission to visit Hades, was unaware of his fate. In Hades Elpenor’s ghost was the first one Odysseus met. Elpenor explained how he died and begged Odysseus return to where he died and give him a proper burial.
- Odysseus carried out Elpenor’s wishes. He returned to Circe’s island to carry out Elpenor’s wishes. Odysseus mourned, cut logs for a pyre, burned the body and erected a grave marked with an oar.
1. Virgil used the Elpenor narrative as his template for the death of Palinurus.
- At sea Palinurus, the helmsman, fell asleep and thus fell to his death in the sea.
- When Aeneas, like Odysseus, visited Hades, Palinurus was the first to meet him. Like Elpenor, Palinurus told Aeneas how he had died and also begged for a burial. But Virgil never recounts Aeneas burying Palinurus.
2. In Virgil’s epic, the Sybil oracle instructed Aeneas to bury Misenus before he attempted to enter Hades. This Aeneas did. He found the body, mourned, cut logs for a pyre, then erected a grave marked with an oar.
3. Homer’s epic portrayed Odysseus returning from Hades to bury Elpenor. Virgil did not depict Aeneas burying Palinurus, but he did have Aeneas, on his return from Hades, burying his nurse, Caieta.
In Virgil’s imitation of the Homeric episode of Elpenor, we see Virgil using imitative techniques we have not yet seen . . . He essentially turns one Homeric character into three, i.e., Elpenor becomes Palinurus, Misenus, and Caieta. He also takes the events of one Homeric episode and diffuses them into three different episodes. (p. 29)
Compare what we find in the Gospel of Mark. (more…)
