Jesse Rae - three 12-inch singles

Look! There's Jesse Rae before he had his steel helmet and five-foot Claymore (sword)! 1985 was the year of Jesse Rae's career-defining single, "Over the Sea", the extravagant video for which established the helmeted, kilted, sword-wielding image he maintains to this day. But he must not have had the helmet and sword yet in 1982, as that is the year of the record pictured above, the Columbia release of the double-A-side 12" single of "Rusha" b/w "Desire" (the first of the 12-inch three-pack offered here). This is a different version of "Rusha" than the one on The Thistle; it's about a minute and a half longer, and is an earlier recording, though both of them feature Bernie Worrell on keyboards. "Desire" was a single for Rae in 1979 on Bold Records; I have never seen or heard that record, so I don't know if this is the same recording or not. It is a bizarre electro piece with funny sampled voices providing much of the rhythm track and goofy lyrics; its seven-minute length may be excessive, but once you hear it you will never forget it.

Next up is the 12-inch single of "Over the Sea", again signficantly different than the album version. In addition to the hotter mix (which my PC recording setup can just barely handle, sorry for the distortion on the sibilants), there is a more active rhythm synth, no instrumental indtroduction, and an additional 30 seconds of music. The real gem on this record is the first track on the B side, "Party Crackers", a wicked eight-minute funk jam. Closing the B side is an instrumental verion of "Over the Sea", with an extended Bernie Worrell synth intro in his distinctive freaky style.

Rounding out the 3-pack is the 12-inch single of "Hou-di-ni" b/w "Idio-syn-crazy", both of which appear on The Thistle in more or less the same versions (though "Idio-syn-crazy" is decoupled here from the album's "Scotland the Brave" instrumental intro). I've packaged all three 12-inch vinyl rips in separate folders in a single archive file; get it here or here.

Melon - Serious Japanese

Melon, the Japanese synthpop group founded by ex-Plastics Toshio Nakanishi and Chica Sato, released the "Serious Japanese" single in 1985, between their albums Do You Like Japan? and Deep Cut. A couple odd things about the single are that the song title is actually called "Serious Japan", and it did not appear on any of the group's albums. Another interesting fact about the song that I just learned today is that it is a reworking of the Plastics song "Diamond Head"; visit the Picnic Land blog to hear the original version. On the back cover thanks are given to, among others, "Angie for telling me dirty words", and the dirty words abound in this song, with Toshio and Chica rapping lines like "What's happening bitch", "Too much much shit", "Don't be so fucking serious", etc. An earlier version that included a sample from the movie Rumble Fish was recalled, though samples from The World According To Garp ("Don't you dare say 'sperm' in this house") and other films remain. As on Deep Cut, Nakanishi and Sato are joined by Gota Y (EMU-2 operator & rhythm programmer) and Prince Kudo (DJ & keyboard player). The 12" contains two extended versions of "Serious Japan"--Tokyo Mix (by Franswah) and San Francisco Mix (by Joseph Watt)--and a single edit by Franswah. This record is Melon's most fully-realized foray into the electro genre; get the vinyl rip here or here (new links 1/3/2010). And here is a live performance from YouTube (with the dirty words replaced with clean ones):

The Bridge - Love Dance

Before founding UK alternarock band Zerra One, Paul Bell released an electro single called "Love Dance" as The Bridge on the Second Vision label in 1984. It is about as close a copy of New Order's "The Beach" as you can get without being sued. The over-8-minute "Love Mix" (vocal) is on the A-side, with the almost-8-minute "Industrial Mix" (instrumental) on the B-side. The "Industrial Mix" should really have been called the "Dub Mix" or "Instrumental Mix" as there's nothing particularly industrial about it. Apparently there is another version of the 12" that adds a 7" mix and is titled "Industrial Love Dance"; I suppose that was the one for UK release, while this one is labelled "Export Only" on the sleeve (because people outside the UK didn't deserve a shorter version of the song?). You can probably recreate the 7" mix by stopping the Love Mix after about four minutes. All that aside, this really is a great dance record, and if you like "The Beach" but don't necessarily want to hear it again, "Love Dance" should do quite nicely. Get the vinyl rip here or here.

The Jackal - Underneath the Arches

I was going to write "Here's another source record from the Heavy Duty Breaks megamix LP," but it actually isn't, and it's not even on the same label (Criminal Damage instead of Illuminated). The Jackal's mix of sampled and electronic breakbeats with sampled vocal fragments and crunchy guitars would fit right in, though, and it came out around the same time (1986), hence my confusion. So if you liked Heavy Duty Breaks, download this small set (just two tracks, "Underneath the Arches" and "Thunder Machine", nine minutes total) here or here. As with my previous post, the artist is a cipher, real identity unknown, any clues supplied in the comments will be appreciated.

Out - Tough Enough

I had planned to offer up the Sunfeast/Craving 12" by Play Dead offshoot M.A.D., but it turned up just last month on the Ad Nauseum blog; if you like Play Dead or the Danse Society then you shouldn't be without M.A.D. I don't know how I missed that blog before, but there is a lot of good music there. So, moving on to my next 12", here is "Tough Enough" by Out (1984). "Tough Enough" is one of the songs from the Illuminated catalog mixed into the Heavy Duty Breaks megamix LP; this 12" has the vocal mix on the A-side (6:36) and a dub version on the B-side (7:06). It's not as good as the only other track I know of by Out ("Business As Usual" on the Breaking the Back of Love comp), but it's a serviceable bit of midtempo 80s UK electrofunk. And for crate diggers there are plenty of useable drum breaks and synth and bass fills. Once again I have no idea who the band members are besides the songwriting credits of A. Sharkey and P. Butcher. My Lethal Poor post was wildly successful in drawing two of the three band members out of the woodwork; can lightning strike again? Please leave any info on this band in the comments. Download the vinyl rip here or here. (Sorry about the high levels and clipping on the A-side, my soundcard can't attenuate the phono preamp input enough on some of these hot 12" mixes. Guess I shouldn't have cheaped out and bought a preamp without an output volume control.)

Solar Enemy - Dirty vs Universe

Here's another album from Gary Levermore's Third Mind label, which you may have already realized is a Fantod Favorite. Portion Control, longtime purveyors of "hard, rhythmic electronics", greatly expanded their pallette on their 1987 album Psycho-Bod Saves the World (even recording a ballad, "H.O.T. Matter"), and then disappeared. They regrouped in 1990 as Solar Enemy, a "side project" that just happened to contain only members of Portion Control and sound just like Portion Control. Solar Enemy released an EP in 1990 (Techno Divinity), an album in 1991 (Dirty vs Universe), and one more in 1993 (Proceed to Beyond--Rape of Europa). Offered here is Dirty vs Universe, unfortunately just the 10-track US version and not the German version with several extra tracks. Still, if you like the danceable Portion Control of "The Great Divide" (let's hear it for punchy sequencers!), then these ten tracks will be sure to please you. They are:

1. Universe
2. Welcome To Hell
3. Inca Pisco
4. Burm-Up
5. Dark Angel
6. Massive Radiation
7. Carcajou
8. Trojan
9. Rotator
10. Sundown

Get the CD rip here or here. Portion Control reactivated and began releasing new material, and new packages of old material, in 2004. Their latest album, Slug, was released earlier this year; you can sample it (and buy it!) here.

400 Blows - Pressure, Runaway/Breakdown

A recent visitor left some enthsiastic comments about 400 Blows, who are part of the Illuminated megamix album Heavy Duty Breaks, so I thought I'd offer up some more. 400 Blows may be best known today for "Black and White Mix Up" (a rather ridiculous remix with Mad Professor of "Groove Jumping") on Andrew Weatherall's exquisite Nine O'Clock Drop anthology of eclectic 80s dance music, but they left a pretty decent body of work beyond that. I have always thought of 400 Blows as the poor man's 23 Skidoo, following in their footsteps from dub to electro-soul and being almost but not quite as good. Which is still really good! 400 Blows' first album, If I Kissed Her I'd Have To Kill Her First, is already available on Rho-Xs (with great albums by A Certain Ratio, Rip Rig + Panic, This Heat, and more in the same post!), but I have a couple of 12-inch singles to supplement the album. The first is "Pressure" from 1984 (and the first LP), a mostly-instrumental song with a killer dub bassline presented in three versions plus the found track "Perspective 2". The second is from 1985, the electro-soul double-A-side of "Runaway" (a Rockwell cover, of all things!) with lead vocal by Cheryl Lucas, and the original "Breakdown" sung by Linda Duggan, in two versions each (remixed from the Look LP). That's eight tracks in all, packaged in a single zip file; get it here or here.

Melon - Deep Cut

Back to Japan: Deep Cut, released in 1987, was the second album from ex-plastics Toshi Nakanishi and Chica Sato as Melon. (See here for their first album, Do You Like Japan?) On this album the band also includes Kudo (turntable, keyboard) and Gota (drums, computer programming, keyboard, guitar, backing vocals); guest musicians appearing on some tracks are Guy Pratt, bass; John L. Walters, Lyricon; Preston Heyman, percussion; Frank ricotti, percussion; and Colette, backing vocals. (See the discogs.com listing for specific track credits.) Deep Cut opens with a cover of Les Baxter's "Quiet Village" (made famous by Martin Denny), and the whole album has a loose "techno-exotica" theme, as evidenced by the song titles:

1. Quiet Village
2. Uptown Downtown
3. Hard Core Hawaiian
4. Hawaiian Break
5. Time Enough For Love
6. Somewhere Faraway
7. Faraway
8. Pleasure Before Your Breakfast
9. Funkasia
10. The Gate of Japonesia

Also notable is the electro vibe that Gota brings to Melon's sound (which was state-of-the-art back then), with "Pleasure" and "Funkasia" being real dancefloor contenders. Get the vinyl rip here or here.