Various Artists - Live at the 101: Band'its at 10 O'Clock

Here is another album from 101 Records via Polydor, documenting live performances at Clapham Junction's 101 Club. Also from 1980, the track listing on this one is:

01 The Scene - All People Go Mad
02 The Hit Men - She's All Mine
03 The V.I.P.'s - Causing Complications
04 The Piranhas - Yap Yap Yap
05 Real To Real - White Man Reggae
06 Holly and the Italians - Chapel of Love
07 Electric Eels - Thoroughly Modern
08 Jane Kennaway & Strange Behaviour - Catch Cool
09 Thompson Twins - Squares and Triangles
10 Huang Chung - Baby I'm Hu-Man
11 Comsat Angels - Independence Day
12 Wasted Youth - Jealousy

I have determined that The Scene is an early name for the band Giants, who released "All People Go Mad" as a single in 1982. Giants featured guitaris/songwriter Gordon Reaney and singer Paul Cox. The Hit Men soon consolidated their name to The Hitmen, the first band on Ben Watkins' road to fame. The Hitmen's two albums are also available on this blog (with "She's All Mine" appearing on the first); see here. The V.I.P.'s formed at Warwick University in 1978; lead singer Jed Dmochowski left in 1980 to pursue a solo career, the rest of the band forming Mood Six. See below for a vintage video of "Causing Complications." The Piranhas went on to some success, with their song "Tom Hark" becoming an enduring football anthem (I am told). Real To Real included a pre-Depeche Mode Alan Wilder. Holly Beth Vincent/Holly and the Italians had a couple alternative hits with "Tell That Girl To Shut Up" and "Dangerously." I can't find any information on the Electric Eels (they are definitely not the 70s punk band from Ohio); the "Thoroughly Modern" songwriting credits are for Methane Wernick and Mad Molecule, which I am pretty sure are aliases. They are obviously big fans of Eno-era Roxy Music, and their musical chops are far above most of the other bands included here. Jane Kennaway put out a couple singles and has a band now called A Different Kind of Honey. The Thompson Twins really date-stamp this record with a live version of their single "Squares and Triangles" and its repeated chorus of "one-nine-eight-o," bearing little resemblance to their later hit material. Wang Chung appear as Huang Chung; Sheffield's Comsat Angels put in a version of "Independence Day," a song they later recorded for two different studio albums; and Wasted Youth's "Jealousy" sounds like a twisted remake of "Crimson and Clover." Get the vinyl rip here or here.


I've got one more Live at the 101 comp to rip and share, then it's on to other things.

The Hitmen - Torn Together

The Hitmen's second album, Torn Together (1981), is a big step forward from the first. The songwriting is more distinctive, the arrangements are more imaginative, and the production is a lot punchier (courtesy of Rhett Davies this time). The album's best song, the opener "Bates Motel," was actually written by the drummer, Mike Gaffey, one of three songs that he wrote or co-wrote. There's an excellent fan review of Torn Together here. This would be the last release from The Hitmen; get it here or here. Ben Watkins would appear as a guest vocalist on guitarist Pete Glenister's next project, Gates by the studio concoction "New Asia" (1982). That postpunk masterpiece is available on Mutant Sounds.

The Hitmen - Aim for the Feet

From way back in 1980, here are the first released recordings of Ben Watkins, as far as I know, as the lead singer and secondary guitarist of The Hitmen (not the Australian band). This first album, Aim for the Feet, was released on Urgent Records, a division of Columbia (in the U.S., at least, where my copy of the album comes from). Let's first take a look at the promo sheet for the album (click image for full size and readable text):

Sounds great, doesn't it? Who wouldn't want to listen to an album produced by Rocky Burnett's producer? They needn't have worried about being buried in platinum: unfortunately it's rather generic-sounding New Wave, and barely New Wave at that. There are a few hummable tunes, but overall it's pretty ho-hum. Still, it's essential listening for the Ben Watkins completist. Get it here or here. The second Hitmen album, coming soon, is a great improvement.