I am overjoyed to report that Peter Hope is back! The short version is that he is once again excited about the music scene and has moved to Glasgow from a self-imposed exile in the Outer Hebrides to start his own label, Wrong Revolution, for the purpose of reissuing music from his own extensive catalog (under the Exploding Mind moniker) and also releasing "material by NEW & ESTABLISHED bands & artists with a focus on the EXPERIMENTAL & CHALLENGING end of the Sonic Spectrum" (as Wrong Way Up). (See Pete's full statement here.) The first two Exploding Mind releases are out now: a cassette called Loud/Wrong/Proud (about which more later), and a CD called Hoodoo Dance. Hoodoo Dance is a generous 17-track sampler of both released and unreleased material spanning Pete's entire career (so far), with tracks from Hoodoo, Soup, The Box, Peter Hope/David Harrow ("Too Hot", one of the best songs of the 80s IMO), Flex 13, White Trash, Chain, and two solo tracks. A lot of the material on it I have never even heard before! Hoodoo, Soup, and White Trash are all new to me, and it's great stuff! I can't help thinking this is what Tom Waits thought he was doing on Bone Machine. Anyway, Hoodoo Dance is up for streaming and digital download purchase on Bandcamp, and a CD is available from Klanggalerie. And since Bandcamp streams are embeddable, here it is to listen to right here:
Tuesday, September 13, 2011
Peter Hope returns!
I am overjoyed to report that Peter Hope is back! The short version is that he is once again excited about the music scene and has moved to Glasgow from a self-imposed exile in the Outer Hebrides to start his own label, Wrong Revolution, for the purpose of reissuing music from his own extensive catalog (under the Exploding Mind moniker) and also releasing "material by NEW & ESTABLISHED bands & artists with a focus on the EXPERIMENTAL & CHALLENGING end of the Sonic Spectrum" (as Wrong Way Up). (See Pete's full statement here.) The first two Exploding Mind releases are out now: a cassette called Loud/Wrong/Proud (about which more later), and a CD called Hoodoo Dance. Hoodoo Dance is a generous 17-track sampler of both released and unreleased material spanning Pete's entire career (so far), with tracks from Hoodoo, Soup, The Box, Peter Hope/David Harrow ("Too Hot", one of the best songs of the 80s IMO), Flex 13, White Trash, Chain, and two solo tracks. A lot of the material on it I have never even heard before! Hoodoo, Soup, and White Trash are all new to me, and it's great stuff! I can't help thinking this is what Tom Waits thought he was doing on Bone Machine. Anyway, Hoodoo Dance is up for streaming and digital download purchase on Bandcamp, and a CD is available from Klanggalerie. And since Bandcamp streams are embeddable, here it is to listen to right here:
Sunday, February 8, 2009
Nort - G.O.D.A.M.B.
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- Justin Bennett - drums, percussion, violin, samples, treatments, keyboards
- D. I. Anii - drums
- D'Silva - saxophone, keyboards
- Sara - Voices
- Alan Fisch - samples, treatments
- Barry Harden - bass guitar
- Dave Heppinstall - keyboards, voice, treatments, percussion
- Sarah Morrell - trumpet
- Alan Russell - guitar
- Phaedre Selmes - voices
- Phil Wolstenholme - kazoo
It's not quite a Great Lost Hula Album, but about half of it could be: the opener "It's A Dream" could almost fit on Voice, the short "Luther's Scream" sounds like Murmur-era Hula, and there are a couple ambient tracks that would sound at home on Hula's improvised Shadowland LP. Three other rhythm-oriented tracks are in the distinctive Sheffield funk vein but are more akin to Workforce's uptempo "Back in the Good Books." Which leaves a few tracks of odds and ends somewhere between ambient and rhythmic. G.O.D.A.M.B. is thus an essential record for, well, anyone who follows this blog! Get the vinyl rip here or here.
Nort has been active in two bands of late, Yonni and The Cherokees. He has also published an autobiography, A Kill Ease, through Lulu.com.
The cover of G.O.D.A.M.B., while it has some interesting elements, is a bit of a mess. It was designed by Metroviral Visuals, which was Anthony Bennett, now a respected sculptor (and MBE awardee) whose bronze tribute to Beatrix Potter now stands in Bowness-on-Mere.
Monday, January 26, 2009
Peter Hope - Kitchenette, Leather Hands, Surgeons 12-inches
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Peter Hope & the Jonathan S. Podmore Method - Kitchenette (1986)
- Kitchenette
- Toilet (non-LP track)
- The Unknown Industrial Fatality
Peter Hope & Richard H. Kirk - Leather Hands (1985)
- Leather Hands (Master Mix) (ten minutes long!)
- Leather Hands (Radio Mix)
- Leather Hands (Crash Mix)
Peter Hope & Richard H. Kirk - Surgeons/N.O. (1988)
- Surgeons (12inch mixxx)
- Surgeons (Beats)
- Surgeons (Resurgancy)
- N.O. (12inch mixxx)
- N.O. (Dub Beats)
- N.O. (Giant Dub)
Each record is in its own folder, all three folders in one .zip file: get it here or here. Links removed: Kitchenette to be reissued soon!
Friday, December 5, 2008
Surface Mutants - You Take Me Somewhere Strange
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smalltime Sheffield combo Surface Mutants only managed one standalone EP, but nonetheless warrant special mention as one of the better obscure bands to record at Cabaret Voltaire’s legendary Western Works studio.it’s hard to resist confirming that ‘You Take Me Somewhere Strange (and you leave me there)’ does anything else than just that. the Cabs’ tinny, scratchy production gives the EP a quite pleasant, if decidedly dissonant, ambiance. the simple bass lines, frequent drum fills and taught guitars of ‘Train’ and ‘Help Below’ rely heavily on varying degrees of phaser, delay and reverb, with additional electronics hissing randomly in and out of the mix. the creepy title track, by contrast, abandons the undanceable funk for something that sounds nothing short of the early Cabs attempting to cover ‘Bela Lugosi’s Dead’, complete with anguished, largely indecipherable, vocals. complete with ill-fitting goth cover art to (somewhat) mislead you, this record is certainly far from superficial.The year of release was 1982. "You Take Me Somewhere Strange" has always reminded me of "Bela Lugosi's Dead," so I'm glad to see someone else feels the same way about it. Band member Pete Mutant replied to the blog entry:
Blimey. Just for verification, Kent had left to join the Chant, Nort [later of Hula] was with us on Drums and noises, Jules had left, Christine Parker was on sax, Angie Birkett on keyboards (and very good too). Richard [Kirk] was responsible for many of the indecipherable vocals.
Another reader found that Angie Birkett (now Holmes) is now active in the band Siiiii. Get the Surface Mutants vinyl rip here or here.
Thursday, November 27, 2008
John Stuart - Summer Breeze
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Richard Hawley is currently riding a wave of popularity in the UK as the "Sheffield Sinatra," but in 1987 he played guitar behind velvet-voiced ex-Chakk singer John Stuart on Stuart's only solo single, a cover of Seals and Crofts' "Summer Breeze." You will never hear a lusher version. (There's that unmistakable Designers Republic graphic style again.) Rounding out the backing band, billed as The Heavenly Music Corporation, are Dee Boyle (drums, also from Chakk), Darrell de Silva (sax), Jon Quarmby (keyboards), Justin Bennett (percussion), and Heather Allen (backing vocals), with production by Rob Gordon. Alas, that was all from The Heavenly Music Corporation as such. Stuart would go on to be a member of the Lovebirds (with Hawley) and Magic Bullets. He now lives in Barcelona and continues making lovely music as one-half of Forgetting, and on his own as, once again, The Heavenly Music Corporation.
Monday, June 23, 2008
Flex 13 - Candy
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- Listen Doctor
- Nothing Starts
- Birdman Falling
- Uptown Crank
- Grease Junkie
- Picking Up Speed
- Your Drugs Are Killing Me
- Leader of the Pack
- Ditch I'm In
- Back of Your Mind
Saturday, May 17, 2008
Flex 13 - Paint My Legs
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- Blind
- Trip To The Root
- Schizophrenic Lover
- Give Me Wings
- Ghost Run
- Nuthin'
- Burning Arms
- (conscious withdrawal)
- Lucky
- Black Air
- Wheelhouse
- 5:53 Madness
- (broken)
(This is the most recent recording of Peter Hope I've been able to find. If you know of any newer material, please let me know in the comments.)
Sunday, May 11, 2008
The Box - Great Moments In Big Slam
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Sunday, May 4, 2008
Peter Hope & the Jonathan S. Podmore Method - Dry Hip Rotation
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Friday, April 25, 2008
Workforce
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Paul Wheatcroft: Vocals Guitar Violin Keyboards
Alan Fisch: Drums Percussion Tapes/Treatments
Rod Leigh: Guitar Keyboards Tapes Voice
Tim Owen: Wind Instruments Percussion Keyboards
Special thanks to Adi Hardy Bass Guitar
The throbbing bassline really makes the song tick; Workforce comes across as a harder-edged Chakk. I found an interesting post on the Sheffield forum from Tim Owen about Amrik Rai, the NME music writer who co-founded FON Records:
He always seemed to have some project or other up his sleeve when I briefly knew him. I played in Chakk rivals, Workforce for a while [sax, percussion, keys, tapes]. Rai interviewed us for NME after our first Peel Session and single, but the NME interview mysteriously never saw the light. I put it down to the fact that he was also the manager of Chakk, and didn't want similar [although more experimental] bands such as Workforce and Hula to steal Chakk's thunder.
In 1986 Workforce released their second and last record, the "Back in the Good Books" 12-inch on Rorschach Testing.
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Again, there are two mixes of the title track (which cranks the tempo up a couple notches from "Skin"), and one more song, "This Is the One," which sounds uncannily like Chakk. The lineup is the same but now three members have "programming" in their credits, and special thanks go to Terry Todd (of The Box) who I presume played bass. And that's all there is from Workforce, except for another remix of "Skin Scraped Back" from Abstract Magazine 6 (Audio/Visual), which I have included for completeness' sake. Get it here or here.
Sunday, April 20, 2008
Chain - Banging on the House/Chains 12"
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The Box - Muscle In
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Peter Hope & David Harrow - Sufferhead EP
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Saturday, April 19, 2008
Chakk - 10 Days In An Elevator
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Saturday, April 5, 2008
The Box - Secrets Out
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Sunday, March 30, 2008
The Box
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Despite the critical success of ClockDVA's 1981 album, Thirst, bandleader Adi Newton (Gary Coates) sacked the rest of the band and assembled a new one with the intention of going in a funkier direction. As Mick Fish tells it in Industrial Evolution:
One of Newton's new lyrics was the appropriately titled song "Bone of Contention". That's exactly what the newly proposed direction became. "We're not fucking playing that sort of stuff," was the reaction from the rest of the band. Newton, being from the same Sheffield soul boy clique as Oakey, the Cabs et al, was still obsessed with white boy funk. It was obvious that there was no way Newton was going to drag Paul [Widger, guitar] or Charley [Collins, sax] away from Captain Beefheart and towards James Brown. The end, when it came, wasn't so much a firework display as the fizzling of a spent sparkler. "Oh look, we've got a gig in Brighton," Paul noted on browsing the music papers. What the singer had in fact failed to tell them was that Clock DVA did indeed have a gig, but that a whole new band of musicians were being invited along for the ride.Widger, Collins, and drummer Roger Quail recruited bassist Terry Todd to form The Box. Fish again:
The Box tried a number of singers, one who sort of whooped like a Red Indian chief but couldn't sing in tune. They even played two gigs with Mal [Stephen Mallinder of Cabaret Voltaire] on vocals -- a marriage of styles that was quite successful in its own way.... The Box eventually advertised for a singer. By far the best response came from Pete Hope from Hertford. Vocally somewhere between Tom Waits and Howlin' Wolf, he moved up to Sheffield with his young family.(See Destroyed By Gods on Noise Heat Power for an amusing anecdote about Pete Hope in the notes to Track 14, and be sure to download the Sheffield mix from the same page.) Skronk may have originated in New York, but no one did it better than The Box. They became the first band signed to Andrew MacDonald's Go! Discs, which would later find great success with the Housemartins, Billy Bragg, and Portishead, among others. There is no Peter Hope or Box material available on the web other than a four-song live set on Pandora's Music Box, so I'll take it upon myself to remedy that by offering up the first release by The Box, a self-titled five-song EP from 1983 (Go! Discs VFM1). Also highly recommended to fans of The Pop Group. Get it here or here.
Saturday, March 29, 2008
Abstract Magazine 6: Audio/Visual
A1 In The Nursery Breach Birth (Blockade Mix)Get it here. For a better view of the cover art and packaging, see discogs.com.
A2 Workforce Skin Scraped Back (Remix)
A3 Xymox Moscoviet Musquito (Remix)
A4 Blurt Gravespit (Live)
A5 Clair Obscur Smurf In The Goulag
B1 A Certain Ratio Sounds Like Something Dirty
B2 Anti Group, The Ha (Remix)
B3 Chakk Theme
B4 Hula Motor City Nightmare
B5 A Primary Industry They're Biting
Saturday, February 16, 2008
Chakk indie label singles
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Pre-MCA:
Out of the Flesh 12" (Doublevision, three mixes)
You 12" (the first release on FON, two mixes of "You" and two of "They Say"),
Chakk Theme from Abstract Magazine 6 (Audio/Visual) on Sweatbox
Post-MCA:
Timebomb 12" (FON, three mixes)
Bloodsport 12" (FON, three mixes, as backing band for South African band the Swanhunters; sounds just like Chakk, though)
14 tracks in all, mp3@128, 70.2 M.
According to discogs.com, Chakk put out an album-length cassette in 1982 called Clocks and Babies. If anyone could hook me up with a copy (or a rip) of that, I would be eternally grateful!
New links: Get zip file here or here.
Chakk on MySpace.