Showing posts with label illbient. Show all posts
Showing posts with label illbient. Show all posts

Sunday, September 7, 2008

Killer Moses

Slab frontman Stephen Dray put out some records under the name Killer Moses in 1995-96. As he tells it on the Unfit For Print blog (and I recommend you read the whole thing for the Slab history and to see the Slab resuscitation unfold):

Following SLab Paul [Jarvis] and I wrote a lot of stuff together largely based on the slab third album ( never released or even properly recorded but very diverse and way ahead of its time.... again!) At the same time I was writing with Sherman [a member of the last, unrecorded Slab lineup] who had basically single handedly got the NME to write about dance music and championed the Orb and Andrew Weatherall etc in his guise of Sherman at the Controls. He basically introduced electronic music to the NME audience. He was djing a lot and he and I wrote some tracks around 1990 one of which was released on Guerilla Records which was just about the leading dance label at the time. we chose the somewhat dubious name of Euphoria and the track was called Mercurial. It sold bucketloads and is on about 20 compilations....Anyway Euphoria sold and is still coming out on compilations... and me and Sherman got the princely sum of £150 each and a t shirt....After that I became Killer Moses and released 4 eps on Shermans own label called CLoak and Dagger. again it got lots of good press and reviews but the label went bust before an album came out. There are various Moses tracks on compilations... not sure how you categorise it really but the albumm was heroically dark.... a very narcotic Slab....


I would categorise it as instrumental dub/breakbeat, and "heroically dark" definitely fits; something like a cleaner Scorn or Ice. Offered here are three of the EPs:

Seizure EP (1995)
  1. Insomniac
  2. Drive In
  3. Big Wheel

Unseen EP (1995)

  1. Killer Moses
  2. The Hanging Garden
  3. Bogeyman

Succubus EP (1996)

  1. Icarus
  2. Sea of Fear

With tracks ranging from six-and-a-half to nearly twelve minutes, there's plenty to listen to. The A-sides are especially seductive: they gain intensity as they wear on, and you might find yourself headbanging without realizing you'd started. Get the vinyl rips here or here.