Peter Hope returns!

One of the most-represented artists on this blog has been industrial soul growler Peter Hope: as the frontman for Sheffield skronkmeisters The Box, in partnership with David Harrow for the Sufferhead EP, lead singer of Chain and Flex 13, and in collaboration with Jonathan "Jono" Podmore, about which he writes, "I am proud to say that, for my money it remains one of the most compromising & uncommercial albums of all time." (You can listen to it here... and then buy it!) Noisy, visceral, and vital, Peter Hope's music marries punk, free jazz, and electronic avant-garde, and is some of the most exciting music of the late 20th century. But this is all by way of introduction to the following announcement:

I am overjoyed to report that Peter Hope is back! The short version is that he is once again excited about the music scene and has moved to Glasgow from a self-imposed exile in the Outer Hebrides to start his own label, Wrong Revolution, for the purpose of reissuing music from his own extensive catalog (under the Exploding Mind moniker) and also releasing "material by NEW & ESTABLISHED bands & artists with a focus on the EXPERIMENTAL & CHALLENGING end of the Sonic Spectrum" (as Wrong Way Up). (See Pete's full statement here.) The first two Exploding Mind releases are out now: a cassette called Loud/Wrong/Proud (about which more later), and a CD called Hoodoo Dance. Hoodoo Dance is a generous 17-track sampler of both released and unreleased material spanning Pete's entire career (so far), with tracks from Hoodoo, Soup, The Box, Peter Hope/David Harrow ("Too Hot", one of the best songs of the 80s IMO), Flex 13, White Trash, Chain, and two solo tracks. A lot of the material on it I have never even heard before! Hoodoo, Soup, and White Trash are all new to me, and it's great stuff! I can't help thinking this is what Tom Waits thought he was doing on Bone Machine. Anyway, Hoodoo Dance is up for streaming and digital download purchase on Bandcamp, and a CD is available from Klanggalerie. And since Bandcamp streams are embeddable, here it is to listen to right here:

David Harrow twelve-inches

As a supplement to the previous post of David Harrow's 1983 solo album, The Succession, here are a couple 12-inch singles from his 80s solo career. "Our Little Girl" is taken from The Succession and extended by about a minute via the rather abrupt insertion of a drums-and-slap-bass break; the B-side is the non-LP "Reflections." From 1984, on Ink Records, we have the "No Easy Targets" 12-inch. On "Targets" Harrow adopts Stephen Mallinder's recitative vocal style and adds a snarl to it which makes for his most effective vocal performance, in my opinion. Pinkie Maclure contributes backing vocals. The B-side, "Complete Control (Night-Time Sleaze)" is a long instrumental with samples of movie dialog, and bass played by Mik Corr. Get both vinyl rips zipped together here or here. (Links removed at artist's request: look for reissues!)

David Harrow - The Succession

Before coming up with his James Hardway and Technova aliases in the mid-90s, David Harrow had already been recording under his given name for about 15 years. According to obscure.co.nz:

His first recordings were created in Berlin in 1981/1982 when he was working with a woman called Anne Clark. The sound they created was soon termed new beat or industrial and along with DAF they kick started the European electronic dance scene. When Harrow visits Germany today, he is still hailed "The Godfather Of Techno".

Later in the 80s and into the 90s, Harrow would collaborate heavily with Genesis P-Orridge, Jah Wobble, and Adrian Sherwood. He also recorded an EP with singer Peter Hope of Sheffield band The Box in 1985, posted here. Often overlooked, though, is the solo album he recorded in 1983 for release on Red Flame/10 Records , The Succession. Harrow assembled quite a band for the occasion: John White, a.k.a. U.V. Pop (!), on guitar and saxophone, Roger Quail (of The Box and the original ClockDVA lineup) on drums and percussion, Gary Malkin on bass (who? can't find any more info on him), and Janice Chaplin (?) on backing vocals. Harrow is credited with vocals, keyboards, guitar, and percussion. He is obviously not very comfortable as a singer: he tries out several different singing styles throughout the course of the album, but none quite fit. His compositional and instrumental skills, on the other hand, are already fully developed even on this early record. The track listing is:

• A1 Introduction
• A2 Without Sin
• A3 Driving Force
• A4 Our Little Girl
• A5 Here
• B1 Kick
• B2 Still Optimistic
• B3 Civilised
• B4 Belief

Get the vinyl rip here or here. (Links removed at artist's request: look for reissues!)

Peter Hope & David Harrow - Sufferhead EP

After the demise of The Box in 1985, vocalist Peter Hope embarked on a number of one-off collaborations. I'm not positive of the chronology, but I think the first one was the Sufferhead EP (Ink Records, 1985), his project with synth whiz David Harrow (now known as James Hardway). The A side, "Too Hot," features a slamming breakbeat and some memorable lyrics from Hope, and is a genuine Lost Classic of 80s industrial dance music. The B side contains three songs: the rhythmic (but undanceable) "Buckle Down," and the more abstract pieces "(Excerpt from) Bright Boys" and "Snakes Washed In." Get it here or here. (Links removed at artist's request: look for reissues!)