A Quietus Interview:
Annie
Features
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The Lead Review
Back To The Future: The Body's I've Seen All I Need To See
Today, for the first time, I found it difficult to listen to The Body. Two days ago, on 6 Janua...
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Baker's Dozen
Time Portals: Sophie Ellis-Bextor's Favourite Albums
On 27th March 2020, as Britain entered its first lockdown and Boris Johnson tested positive for...
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Rum Music
Rum Music For January Reviewed By Jennifer Lucy Allan
Alina Kalancea This month I’ve got a lot of music to catch up on, so there’s as much in my int...
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Strange World Of...
The Strange World Of... Pere Ubu
Pere Ubu live at CBGB 1978 I’ve been a Pere Ubu fan for over 30 years, having first been intri...
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A Quietus Interview
The Metal Gods At Fifty: Judas Priest Interviewed
Judas Priest today: fifty not out It’s perhaps hard to comprehend at this distance, but Judas ...
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Escape Velocity
Something Of Substance: An Interview With Billy Nomates
The Quietus speaks to Tor Maries, who records as Billy Nomates, in the middle of lockdown three...
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Tome On The Range
The Ear Of The Other: Colonialism & Decolonial Listening
The sensory faculties – seeing, hearing, touching, smelling, and tasting – played a crucial rol...
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Craft/Work
Xs & Ys: Cindy Sherman At Sprüth Magers, Berlin
Cindy Sherman, Untitle #609, 2019. © Cindy Sherman. Courtesy Sprüth Magers and Metro Pictures, N...
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Tome On The Range
The Vigour And The Oh: 6 Poets On Toothgrinder Press
Reading Six Poets from London’s independent poetry imprint Toothgrinder, it is of great assurance...
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The Lead Review
Digging Through Plastic: Tiziano Popoli's Collected Recordings
In Inferno, his recent book on 1960s trash culture, Ken Hollings cites how Andy Warhol listened...
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