Arthur Blythe - Illusions

The CD reissue of Arthur Blythe's 1980 LP Illusions is out of print and selling for high prices on the secondhand market, so here is a vinyl rip for anyone who would like to hear it without having to shell out $50-200 for a CD. This album is part of my James Blood Ulmer collection, as his guitar playing is all over it. Ulmer's guitar is also the only electric instrument in this album's lineup, the full list being:

• Arthur Blythe, alto sax
• Fred Hopkins, acoustic bass
• Steve McCall, drums
• John Hicks, piano
• James Blood Ulmer, electric guitar
• Abdul Wadud, cello
• Bob Stewart, tuba
• Bobby Battle, drums

The tuba gives the tunes a heavier beat and grounding in traditional jazz than the average avant-garde jazz session, and Blythe switches easily between lyrical leads and free wailing. Illusions was the third in a string of nine Blythe albums released by Columbia between 1978 and 1987, and came at the same time as Ulmer's brief tenure at the label, which resulted in the fiery Black Rock and Free Lancing LPs as well as the classic trio set Odyssey. If only Columbia had managed to push this jazz subgenre into the mainstream! The track list of Illusions is:

1. Bush Baby
2. Miss Money
3. Illusions
4. My Son Ra
5. Carespin' With Mamie
6. As Of Yet

Get the vinyl rip here or here.

The Brains - Electronic Eden

After months of fruitless searching for a rip of the Brains' second album, Electronic Eden (Mercury, 1981), I discovered I still have my vinyl copy, so I've ripped it myself and present it here for your enjoyment. From Atlanta, Georgia, the Brains are best known for their song "Money Changes Everything," which appeared on their first album in 1980 and was made famous by Cyndi Lauper's cover version in 1983. The Brains played solid new wave rock, with a lyrical quirkiness and intelligence (courtesy of lead singer Tom Gray) that gave them more new wave credibility than many of the North American "new wave" bands at the time that were actually AOR bands with a bit of a new wave sheen (e.g. Loverboy, Huey Lewis and the News). There is a lost masterpiece on this album: "Heart in the Street" is an impassioned anthem to the diminished dreams that come with growing up. Stylistically it prefigures the sound of Collective Soul, a band that would spring from the Atlanta area ten years later and achieve much greater success. "Collision" is a rather macabre song about a girlfriend's not-quite recovery from a car accident. The full track list is:

01 Dream Life
02 One In A Million
03 Hypnotized
04 No Tears Tonight
05 Eyes Of Ice
06 Asphalt Wonderland
07 Little Girl Gone
08 Ambush
09 Heart In The Street
10 House Of Cards
11 Collision

For a more in-depth look at the band and its history, see R. Smith's excellent blog post. (Short version: after being dropped from Mercury Records, they released the Dancing Under Streetlights EP on the independent Landslide label in 1982, underwent some personnel changes, then broke up. A couple members joined the Georgia Satellites. Tom Gray now leads the blues/roots band Delta Moon.) Electronic Eden was produced by Steve Lillywhite (as was their first album) and engineered by Mark Richardson, and contains lots of that gated snare sound that was all the rage in those days. Get the kind-of-noisy vinyl rip here or here.

Monkeyspank - Demons Flew Out Of My Mouth

Here is an artifact from the Baltimore music scene in 1990: Monkeyspank's first album, the 7-song Demons Flew Out Of My Mouth on Merkin Records. The last.fm entry on Monkeyspank reads:

Monkeyspank was a Baltimore hard rock/funk band active in the late 1980s and early 1990s. Monkeyspank featured an unusual lineup of three drummers/percussionists, two bass players, and a guitarist.Monkeyspank’s sound owes equal debts to guitar-driven heavy rock and polyrythmic funk, in some degree similar to the Red Hot Chili Peppers (albeit with a much darker edge) and local Baltimore contemporaries The All Mighty Senators. They released two albums, the vinyl-only Demons Flew Out of My Mouth and Blue Mud.

The band lineup was: Bill Corsello, Allison Futeral, Dave Kahle, Kevin Keelty, Kendall King and Brian Rice. The track listing of Demons is:

1 Snakejuice
2 1000 Dead Jim Backuses
3 Akio's Dad
4 I Am Sam
5 Dr. Omar
6 Hero
7 I Shake My Stick

Get the vinyl rip of Demons here or here; see the Monkeyspank MySpace page here; get some "where are they now" information here.

Jon Butcher Axis - Stare At The Sun

The All Music Guide entry for Jon Butcher reads:

Jimi Hendrix disciple Jon Butcher achieved some moderate chart success in the mid-'80s as the singer/guitarist for the Jon Butcher Axis. Coming out of the Boston club scene in the early '80s, the Butcher Axis (which also included members Chris Mann [Chris Martin, actually] on bass and Derek Blevins on drums), issued such albums as 1983's self-titled debut, 1984's Stare at the Sun, and 1985's Along the Axis (Butcher dropped the Axis for such releases as 1986's Wishes and 1989's Pictures From the Front), opened for local Boston heroes the J. Geils Band in addition to other harder-edged bands, and issued a few singles that enjoyed some success on radio and MTV -- "Wishes," "Goodbye Saving Grace," and "Life Takes a Life." Butcher continued issuing solo albums in the '90s -- Positively the Blues (1995) and Electric Factory (1996) -- while a hits compilation (1998's The Best Of: Dreamers Would Ride) and an archival concert (1999's King Biscuit Flower Hour Presents) were also issued. In addition to his musical career, Butcher founded the Electric Factory Recording Studio, which focuses primarily on film, TV, and multimedia work. (Greg Prato)

According to Wikipedia, "Jimi Hendrix disciple" is a bit of an overstatement:

"If you grew up in the era of Jimi Hendrix as I did it would be nearly impossible NOT to be influenced by his brilliance and amazing facility as a guitar player. To be sure, my early impressions of the Jimi Hendrix Experience were completely life altering, but so too were my impressions of Albert King. Jeff Beck was and remains a constant source of inspiration, and working with Jeff on the MTV/ VH-1 video Ambitious remains an all time high." Jon also lists among his influences Richie Havens, John Lennon Bob Dylan and Keith Richards. While Butcher is humbled by the Hendrix comparisons he emphasizes that they may be superficial. " Being black and playing a Stratocaster might lead one to assume Jimi was my sole influence but that wouldn't be true. Like most musicians, in fact like most people we're a complex mix of a lot of things."

The 1984 album Stare At The Sun contains nine original compositions and a cover of Bill Nelson's "Eros Arriving" from his groundbreaking album The Love That Whirls. Get the vinyl rip here or here.

John Fred and his Playboy Band - Love My Soul

John Fred and his Playboy Band had their biggest hit in 1968 with "Judy In Disguise (with Glasses)", which satirized both the Beatles and the huge sunglasses that were a fad at the time. (Everything old is new again!) John Fred Gourrier was from Louisiana and his band excelled at Southern R&B grooves, but this style never translated into a national hit for them. It was only when they went for a pop gloss that their songs broke through. After three albums on Paula Records, the label dropped them and they disbanded. Fred got a new band together and signed to MCA/Uni, releasing a few more singles and one album, Love My Soul (1970). The new band did not include Fred's former saxophonist and songwriting partner Andrew Bernard; he wrote most of the songs on the album with his manager, Lynn Ourso. There is a distinct Beatles influence throughout the album, evident from the first track, "The Big Show", which not only sounds like "Sgt. Pepper's Lonely Hearts Club Band", it also references it in the lyrics, along with "Judy In Disguise" (but which was written by outside songwriters). Side one closes with a Memphis-style cover of "Back in the U.S.S.R.", previously released as a single. In the middle of side two, the title track sounds like Fred's "Let It Be": a downtempo ballad that builds to an anthem, at which point the horns play the "Judy In Disguise" riff (co-written with Bernard). Sprinkled through the record are three more obvious singles: "Three Deep in a Feeling" (previously released). "Candy's Candy Kisses" (a dead ringer for Tommy James), and "Sadie Trout" (the album's other Bernard co-writing credit). Robert Christgau evaluates the album thusly:

With his sharp, nasal drawl, Fred was born to pop, and though he's lost collaborator Andrew Bernard, he's keeping Shreveport's Sgt. Pepper's Lonely Hearts Club Fan Club going all by himself. Would anyone but a genuine eccentric rewrite "Sweet Soul Music" as a tribute to Johnny Winter, Pete Townshend, and Nilsson? "Agnes in Disguise (With Blanket)": "Sadie Trout." B-

The full track list is:

01 The Big Show
02 He Was My Friend
03 Where Will You Be
04 Three Deep in a Feeling
05 Sweet Soul Music-Can't Be So Bad
06 Back in the U.S.S.R.
07 Where's Everybody Going
08 Open Doors
09 Candy's Candy Kisses
10 Love My Soul
11 Leo Our Hero
12 Sadie Trout

Get the vinyl rip here or here. It's not from pristine vinyl so be prepared for some clicks and pops; if you like it you should be able to find a sealed copy for $40 or so.

Gary O'

Canadian singer/guitarist Gary O'Connor had been in the bands Cat, Liverpool (a Beatles tribute band), and Aerial before going solo as Gary O', releasing his first solo album on Capitol Records in 1981. Anyone who listened to AOR radio in the early 80s will be familiar with "All the Young Heroes", as perfect an example of that genre as was ever made. About the Gary O' album, Wikipedia says:

The first single "I Believe in You" became a smash hit in Canada, and the follow-up, a remake of The Hollies' song "Pay You Back With Interest" even reached the Billboard Hot 100 Charts, where it peaked at #70.

I never heard either of those songs on US radio; it was "All the Young Heroes" that was a hit with fans of what is now known as "melodic hard rock." The full track list is:

01 All The Young Heroes
02 Pay You Back With Interest
03 California Goodbye
04 I Believe In You
05 Suzanne
06 The Way You Look Tonight
07 Just A Little Love
08 Nightrider
09 Been A Long Time

And the musicians are:

• Gary O': vocals, guitars
• David Landau: guitars
• George Doering: guitars
• Peter Wolf: keyboards, synthesizers
• Jai Winding: keyboards
• Richard Landis: keyboards
• Bryan Garofolo: bass
• Craig Krampf: drums
• Jim Haas, Stan Farber, Jon Joyce: backing vocals
• Charlie Calello: string arrangements, conducting

"The Way You Look Tonight" could have been a single as well, though it's awfully close to the Raspberries' "Go All the Way." Gary O' released his second and last album, Strange Behaviour, in 1984; since then he has worked as a songwriter. Get the vinyl rip of Gary O' here or here.

House of Schock

Of the three members of the Go-Gos to release solo albums, drummer Gina Schock was the last, her House of Shock album appearing in 1988. Although it's technically not a solo album, as "House of Schock" is the name of the partnership between Schock (drums, vocals) and Vance De Generes (bass, backing vocals, brother of Ellen). Then backing up House of Schock is "The House Band" of Chrissy Shefts (all guitars, backing vocals), Steven Fisher (drums--I guess Gina didn't play all the drums), and Jim Biggs (keyboards, backing vocals). The album leads off with the sublime single "Middle of Nowhere"; I was going to post the video here, but it seems to have disappeared from the web. Nothing else on the album rises to the same level, but Schock makes it clear that she is by far the rockingest of the Go-Gos. The full track list is:

01 Middle Of Nowhere
02 Just To Dream
03 Walk In My Sleep
04 Love In Return
05 Where Love Goes
06 Never Be Enough
07 This Time
08 Seems Like Forever
09 The World Goes Round
10 Walk Away

The CD format of this album must have had a very small run, as it's now a collector's item fetching upwards of $50. If you would like a vinyl rip @192kps to listen to while you save up for a CD, get it here or here.

Jeff Sturges and Universe

And now for something completely different! I have ripped and posted just about all of my postpunk rarities (i.e. out of print and not already served up on another blog), so for the time being I'm going to take a side journey into other odds and ends that fall outside of the stylistic tone of this blog to date. The first such oddity is the 1971 album by Jeff Sturges and Universe, a hard-rock big band recorded live at Caesar's Palace in Las Vegas. Sturges is the arranger and conductor; the mammoth band he assembled comprised:

• Trumpets: Bobby Shew (lead), Tommy Porrello, Jon Murakami, Rich Cooper, Derek Watkins
• Trombones: Jim Trimble (lead), Bill Booth, Dan Trinter, Stan Nishamura (bass trombone)
• Saxes: Archie Wheeler, Burt Esterman, Don Menza, John Phillips, Gary Freyman
• French Horns: Art Maebe, Dick Perissi, Aubrey Bouck, Ralph Pollock
• Lead Guitar: Dean Parks
• Bass: Dennis Kelly, Don Baldwin
• Organ, Electric Piano: Hal Stesch
• Percussion: Roger Rampton
• Congas, Bongos: Mike Lewis
• Drums: Jimmy Manone

That's eighteen horns, mostly playing full blast; this record is anything but subtle. Apart from one Sturges original, all the tracks are covers, the most recognizable today being Mountain's "Mississippi Queen"; "bombastic" hardly begins to describe it. The full track list is:

1. Junior Saw It Happen (Jim Pulte via the Steve Miller Band)
2. Sin's a Good Man's Brother (Grand Funk Railroad)
3. Never In My Life (Mountain)
4. Clown (The Flock)
5. Rice Pudding (Jeff Beck)
6. Mississippi Queen (Mountain)
7. Acid West (Sturges)
8. Keep On Burnin' (credited to Ryan/Devers, Berwill Publishing... ???)

I can't find any information on whatever happened to Jeff Sturges after this, but if you like to rock out with horns turned up to eleven, he left a nice artifact for you to enjoy. My vinyl copy is in pretty sad shape, and while I did run a click removal on the whole recording, there is still noticeable surface noise. But for now it's the best (i.e. only) rip available, and hey, surface noise adds character! If someone puts up a better one, I will gladly redirect to that one. For now, get the vinyl rip here or here.

Vigil - FLAC

This entry is a repeat of one of last month's posts, but with a key difference. The original post linked to a standard 192kbps mp3 rip from vinyl. An alert reader turned up a copy of the CD release, however, and a quick order made it mine. So I am breaking with my normal policy to present a FLAC rip of this special CD, one of the first rock CDs to be digitally recorded, mixed, and mastered. The archive is spread over three files (join with HJSplit or 7Zip):

RS: File 1

MU: File 1, File 2, File 3

BD: File 1

DF: File 1

HF: File 1

This rip eliminates the distorted sibilants in my vinyl rip, and of course the surface noise; it is pristine. (CD ripped to FLAC with Exact Audio Copy.)

For those who missed the band info the first time around, here it is again:

Continuing our brief musical tour of Baltimore in the 1980s, here is the sole major-label release of Vigil, previously known as Here Today. Here is the capsule history of the band from the Vigil MySpace page:

Vigil was a modern rock band that recorded and performed in the mid to late 1980's. Once upon a time in the "Land of Pleasant Living" aka Baltimore there was a group of musicians known as Here Today: Jo Connor, Andy R, X Factor and Gregg Maizel. They recorded a classic song called "Whistle in the Yard" and soon signed to CBS records, changed their name to Vigil and were promptly dropped. Vigil was quickly signed by Chrysalis Records and recorded their debut lp in glorious digital. It was released in 1987 and sold enough copies to allow them to record another lp but only one track, "Therapist", was released by Chrysalis, appearing on the Nightmare on Elm Street 4 soundtrack. Eventually the second album was released on cassette only as Onto Beggar and Bitter Things.

Vigil was influenced by UK bands, particularly those of the Gothic persuasion, and as a result their expansive, dreamy sound was quite different from most of the other Maryland bands of the era. "I Am Waiting" was released as a 12-inch single, but it was the wah-wah-guitar-fuelled B-side, "I Love You Equinox", that garnered all the airplay on WHFS:



I have never found a copy of the self-released, cassette-only second album, but I presume that the first three songs on Vigil's MySpace player come from it, since they are not on the first album. The full track list of the first album is:

1. Until the Seasons
2. I Am Waiting
3. White Magic Spell
4. Gargoyles
5. I Love You Equinox
6. Whistle in the Yard
7. The Celiba Sea
8. The Garden
9. Born Again
10. The Benefit of the Doubt

Vigil singer Jo Connor now fronts the Jo Connor Band, which "performs classic Vigil songs along with new faves."

Vigil

Continuing our brief musical tour of Baltimore in the 1980s, here is the sole major-label release of Vigil, previously known as Here Today. Here is the capsule history of the band from the Vigil MySpace page:

Vigil was a modern rock band that recorded and performed in the mid to late 1980's. Once upon a time in the "Land of Pleasant Living" aka Baltimore there was a group of musicians known as Here Today: Jo Connor, Andy R, X Factor and Gregg Maizel. They recorded a classic song called "Whistle in the Yard" and soon signed to CBS records, changed their name to Vigil and were promptly dropped. Vigil was quickly signed by Chrysalis Records and recorded their debut lp in glorious digital. It was released in 1987 and sold enough copies to allow them to record another lp but only one track, "Therapist", was released by Chrysalis, appearing on the Nightmare on Elm Street 4 soundtrack. Eventually the second album was released on cassette only as Onto Beggar and Bitter Things.

Vigil was influenced by UK bands, particularly those of the Gothic persuasion, and as a result their expansive, dreamy sound was quite different from most of the other Maryland bands of the era. "I Am Waiting" was released as a 12-inch single, but it was the wah-wah-guitar-fuelled B-side, "I Love You Equinox", that garnered all the airplay on WHFS:



I have never found a copy of the self-released, cassette-only second album, but I presume that the first three songs on Vigil's MySpace player come from it, since they are not on the first album. The full track list of the first album is:

1. Until the Seasons
2. I Am Waiting
3. White Magic Spell
4. Gargoyles
5. I Love You Equinox
6. Whistle in the Yard
7. The Celiba Sea
8. The Garden
9. Born Again
10. The Benefit of the Doubt
11. Enclosures (I have added this as a bonus track, it is the second track on the "I Am Waiting" B-side and did not appear on the album.)

The CD version of this album is a bit of a collector's item as it is one of the first (possibly the first) rock albums to be recorded, mixed, and mastered digitally ("DDD"). I don't have the CD, though, so I can only offer a vinyl rip for now; get it here or here. (I goofed a little on the track numbers in the tags and filenames, but everything still plays in the correct order.)

Update: I got the CD and have posted a FLAC rip here.

Vigil singer Jo Connor now fronts the Jo Connor Band, which "performs classic Vigil songs along with new faves."

Billy Sheets' Undercover - Weekend In Dubrovnik

On This Record!

A MOSQUE IN THE ETHIOPIAN OUTBACK beams a message clear to the Pomona Freeway...

A BASS-PLAYING VAMPIRE stalks his prey in the heart of the Carpathians...

BOSNIAN YOUTHS BENT ON REVENGE besiege the ancient bathing houses of Dubrovnik...

BELEAGUERED TEEN-AGERS pursue masochistic sports... while

A ROVING MINISTER puts aside the cloth for matters of the heart!

So reads the copy on the back cover of this batch of six amusing songs from singer, keyboardist, and accordionist Billy Sheets and his band, produced by Devo's Bob Mothersbaugh and released in 1982 on Big Clock Records. The joke is played out in full on the first track, "Skanking in the Trailerpark," a hybrid of ska and eastern European folk styles. The European vein continues with "Gypsy Camp," and then comes the highlight of the record, the superb faux-spy-movie instrumental "Weekend In Dubrovnik." Side two's three songs ("Skating On Thin Ice," "Love That Lasts," "Downtown B.B.Q. (Shakin' It)") are in a more conventional party-rock mode, a la Joe King Carrasco and the Crowns. The full band line-up is:

• Billy Sheets: lead vocal, accordion, keyboards, harmonica
• Kent State: guitar, tambourine, vocals
• Ricardo de Mayo: bass, keyboards, accordion, vocals
• Sammy "Vic" Flores: drums (side A), vocals
• Gajate: percussion
• Alan Lyle: drums (side B)

Nothing astounding here, just a good solid slice of American new wave with a novelty bent. Get the vinyl rip here or here.

Paul Roessler's Pandemonium Shadow Show

I always thought of Paul Roessler as the keyboardist for L.A. glam-punk-horror-metal-kitsch band 45 Grave, but he was also a member of techno-punk band The Screamers, and has played keyboards for about a zillion other acts, including Dead Kennedys, Nina Hagen, DC3, Saccharine Trust, Geza X, and many more. In the 80s he formed his own band, Twisted Roots, which featured his sister (and Black Flag bassist) Kira Roessler and at one time Germs guitarist Pat Smear. For the 1983 album Pandemonium Shadow Show (title used by permission of Ray Bradbury) Dix Denney is the guitarist, Michelle Bell sings, Gary Jacoby plays drums, and producer Paul Cutler plays guitar and percussion here and there. The liner notes mention that "Pat Bulsara contributed to guitar arrangements on It Must Be The Weather, White Limousine, Fill Your Heart." I'm guessing that "Pat Bulsara" is actually Pat Smear, who recorded a song called "Holy Bulsara" on one of his own albums; Smear and Jacoby also made music together as Death Folk. There are two fantastic tracks on this album, the closers on each side. "Fill Your Heart" closes side one, and could be a song by "White Rabbit"-era Jefferson Airplane, with its psychedelic lyrics and expansive chorus. Bell's voice does not have the fullness of Grace Slick's, but on the other hand, the band creates a groove here much more compelling than anything the Airplane ever did. The side two closer, "You're Perfect," is a sci-fi number about loving a robot that also works up a killer groove. Of the eight other songs, four are instrumentals and four are not; they're pleasant enough, but for me they are the appetizers leading up to the main course at the end of each side. Get the vinyl rip here or here.

Stranger To Stranger - Casting Shadows

While I'm at it, here's another 1980s album from Philadelphia, Stranger To Stranger's Casting Shadows from 1984. With a title like Casting Shadows, you probably won't be surprised at the heavy 4A.D. influence in evidence here. Lead singer Gary Eshbaugh is now in the band Rose Parade, but one page of their website is devoted to Stranger To Stranger, from which I have taken the following text:

From 1984 until 1991 Stranger To Stranger produced seven recordings. Stranger To Stranger's music was alternative in its flavor, borrowing from the early Cure and Echo and the Bunneymen. They played clubs and venues from Boston to Virginia, but experienced their greatest success at the 9:30 Club in Washington D.C. The title song from 1985's The Child in Me experienced particularly heavy airplay on college and commercial stations in that area. Subsequently, record sales in the area were very good and the shows at the 9:30 Club drew a good audience. Recently, an amalgam of The Darkest Dreams and Shatter the Night was produced as a CD by drummer Eric Carlson. That was the impetus for creating this page... I hadn't listened to the material in a very long time. I felt compelled to put up this page so some of our friends could get their hands on some vintage STS in MP3 format. We hope to come up with a good copy of The Child in Me in the not-too-distant future.

Stranger To Stranger was:

• Gary Eshbaugh - Vocals/Guitar/Keyboards
• Sean Hopkins - Bass/Vocals (1983-1987)
• Rand Hanson - Guitar
• Eric Carlson - Drums/Percussion
• Steph Lentz - Bass (1988-1992)

The track list for Casting Shadows is:

01 Easter Night
02 Crowded Room
03 In Your Eyes
04 Voices Calling
05 Flux
06 Cry To Dream
07 Evening Opus (Pts 1, 2 & 3)
08 Lonely Winter
09 Wind On Skin

The aforementioned "The Child In Me" came after this album, but I have included it in the archive file as a bonus track because it's simply exquisite. (It's a copy of the file offered on the band website.) In the words of one of my favorite song blogs, it should have been a hit. Get the vinyl rip here or here.

Ballistic Kisses - Wet Moment

New York-based Ballistic Kisses released two albums: Total Access in 1982 (available at Mutant Sounds), and Wet Moment in 1983, both on the quirkily-named UK label Don't Fall Off The Mountain. Trouser Press doesn't think much of this one:

Wet Moment is a tedious cross between the B-52's and Gang of Four: minimal melodies, propulsive rhythms and bleak vocals. It's easy to believe freaked-out tunes like "Emotional Ice" and "Everything Leaks," but how alienated do you really want to feel?

But it's really better than that. True, there are not many melodies to speak of, and no real hooks to linger in your mind, but if you just like the sound of 80s minimal synthpop then there's plenty here to enjoy. There's so much, in fact, that it wouldn't all fit on a single record: the 54 minutes of music was spread out over a 33rpm 8-song LP and a 45rpm 3-song 12". The band lineup is:

• Michael Hrynyk: keyboards, vocals
• Richard McClusky: percussions, vocals
• Michael Parker: vocals
• Jeff Freund: guitars, vocals

There's some pretty cool bass guitar on several of the songs, too, which I presume is one of the "guitars" credited to Jeff Freund. Get the Wet Moment vinyl rip here or here.

Richard Bone - Joy of Radiation 12"

Another small file for you this time, I'm afraid. I was all set to rip the Abstract Magazine #5 LP, with Colourbox, The Jazz Butcher, Cindytalk, etc., when I did a quick blog search and found that, once again, someone has already posted it, this time on the Waves of Champaign blog. He's also scanned the magazine into a separate file, much more thorough than I would have been, so hurry on over there and download it if you don't have it already. Another record I've been meaning to post is Richard Bone's classic 1983 album of minimal synthpop Brave Tales, but I still can't find my copy. I did, however, find the 12" of "Joy of Radiation", with an extended version of "Joy" on the A-side and three tracks on the B-side: "Sordid Affair", "Do Angels dance", and "A bit of Joy", so I hope that will do for now. Get it here or here; click the Survival tag for other records from the great Survival label available on this blog.

Ronald Shannon Jackson - Mandance

Very few drummers are also bandleaders, but the bands that Ronald Shannon Jackson has put together (as The Decoding Society) are smokin', and none moreso than the lineup of 1982's Mandance:

Henry Scott, trumpet and flugelhorn (tracks 3-7)
Zane Massey, saxophones (tenor, alto, soprano)
Vernon Reid, guitars and banjo
Melvin Gibbs, electric bass
Reverend Bruce Johnson, electric bass
David Gordon, trumpet (tracks 1, 2, and 8)
Lee Rozie, saxophone (tracks 1, 2, and 8)

And of course Jackson on drums throughout. As someone who grew up listening mostly to rock music, when I ventured into jazz I naturally gravitated toward jazz with a rock edge, and this is one of the rockingest jazz albums I've ever heard. They just don't let up! The list of musicians that Jackson has collaborated with is a veritable Who's Who of free jazz and its modern variants: Ornette Coleman, James Blood Ulmer, Albert Ayler, Bill Frisell, Peter Brötzmann, Bill Laswell, and Albert Mangelsdorff, to name a few, not to mention the players on this spectacular disc. The tracks are:

01-Man Dance
02-Iola
03-Spanking
04-Catman
05-The Art of Levitation
06-Belly Button
07-Giraffe
08-When Souls Speak
09-Alice in the Congo

Originally released on vinyl by Island's Antilles imprint, this rip is from the Japanese CD release on Polystar @192kbps; get it here or here.

James Blood Ulmer - Part Time

Recorded at the Montreux Jazz Festival in July 1983 (but not released until 1984 on the British Rough Trade label), Part Time documents the Odyssey trio of Ulmer, drummer Warren Benbow, and violinist Charles Burnham in a live setting. It's heavy on the Odyssey material, and the high point is some righteous jamming back and forth between Ulmer and Burnham on Odyssey's "Swings & Things." Here is the complete track list:

1. Part Time
2. Little Red House
3. Love Dance
4. Encore
5. Are You Glad To Be In America?
6. Swings & Things
7. Mr. Tight Hat

The album is unfortunately short, clocking in at just thirty-two and a half minutes. But it's a great thirty-two and a half minutes! Get the vinyl rip (not pristine, sorry) here or here.

New Models - Sight and Sound

Boston-based new wave band New Models released one single ("Permanent Vacation") and a five-song EP, Sight and Sound (PVC Records, 1983). I've never managed to find a copy of the single, but I've had the EP for twenty-odd years. The band was led by Casey Lindstrom (guitar, vocals, synthesizer, songwriting) and also included Steven Thurber (synthesizer, machines, vocals) and Michael Johnson (drums). Lindstrom was already a veteran of the Boston club scene, having previously been a member of The Jets, Easy Action, and others. (There are some fun pics of those early years on his sister's website, Boston Groupie News.) He would later be part of Ric Ocasek's touring band, and then went on to form punk/metal band Shake the Faith. But in 1983 "new wave" was the order of the day, and Sight and Sound is a competent stab at it. The hooks are undeniable, and while the whole thing threatens to slip into AOR cliché at any moment, it never quite does. The overall sound bears a strong resemblance to John Foxx-era Ultravox (especially Systems of Romance), though Lindstrom can't touch Foxx's visionary lyrics. Get it here or here.

Update (4/1): I found mp3's of "Permanent Vacation" on two blogs:
Reckless Country Soul
Killed By Death Records