Here Today (Vigil) - The It/On Me

A generous reader has donated a rip of an early single by Vigil, back when they were called Here Today: "The It" b/w "On Me". The Bauhaus influences are on full display here: "The It" has a beat similar to Eno's "Third Uncle" (by way of Bauhaus), and Jo Connor echoes Peter Murphy's vocal cadences (but not his voice, their timbres are totally different) on "On Me". It's quite exciting to hear something from so early in their career! I can't find a solid date for it, but I would guess it's from around 1983. Get the vinyl rip here or here. (See here for a FLAC rip of the Vigil CD.) And many thanks to our benefactor!

Living In Texas - Beautiful/Television 45

I haven't had any time for ripping lately, so this installment features another reader contribution. Marco provides us with the Living In Texas single "Beautiful" b/w "Television," which was released in 1985 on the French label Comotion Musique and did not appear on any of their albums. Once again this is the band in their prime, featuring the two-guitar lineup of Daniel Glee and Jeff Wallace. Marco has lovingly ripped the 45 at 320kbps and scanned both sides of the sleeve and both sides of the label as well! Get the archive file here or here. Thanks, Marco!

Living In Texas - An Assortment

Here are some more Living In Texas tracks from a CD-R compilation sent to me by frontman Stephan James (now known as Stephen J. Munson of Spacegirl and the Cowboy). The eight songs in this batch come from three records:

My End of Heaven (1983)

• My End of Heaven
• Awaken

God Bless America (1984)

• God Bless America Part 1
• God Bless America Part 2
• The Day of All Days

The End of the Beginning (83-89 compilation?)

• Mexican Nun
• I'll Always Remember You
• She Lives Inside My Head

If you were a fan of Living In Texas, or if you have come to know them through this blog, you know what to expect and these tracks will not disappoint! I am tantalized by the possibility that the 2-CD The End of the Beginning collection may hold tracks yet unheard (and unshared); anyone have that? There is still more Living In Texas in the queue; the next to appear will be the 1991 album Believe. In the meantime, grab this set here or here.

Living In Texas - Kingdom EP

From a fan's perspective, one of the worse practices that the major labels refined in the 80s was a long wait between albums, the limitation of bands' releases to a mere trickle to be dispensed every few years. In the 60s it was not uncommon for bands to release two or more albums per year, then the 70s ushered in the one-album-per-year schedule. But in the 80s the labels found they could keep working an album for years, gradually releasing songs as singles to prop up sales of the album. (I blame Michael Jackson's Thriller for this practice.) The flip side was that independent labels found another way to compete with the majors: in addition to releasing fresher, more adventurous music, they could release it at a faster pace, without necessarily waiting for an entire album's worth of material. A band could produce a steady stream of singles and EPs (4-6 songs) to keep put music in front of the public several times a year. (And with the impending demise of the CD we may see that model come back.) That was a double-edged sword for fans: more music from favorite bands is a good thing, but the vagaries of independent distribution also made it easy to miss something. Thus it is that twenty-odd years after the fact I am still finding music by Living In Texas that I missed when it was new. One of those records is the Kingdom EP, released by the band on their own Chainsaw label in 1984, consisting of four songs:

1. Department Store Graveyard
2. Kingdom 2
3. Lollipop Sperm
4. Godemocrafasc

"Department Store Graveyard" is an odd gothic dirge; "Kingdom 2," previously presented here in a live version (as "Kingdom III"), benefits from a studio recording. The long jam is similar in structure and rhythm to the great early Modern English B-side "The Perfect View" but with more energy. The two songs on the flip side bring in the "jungle" drums for the band's trademark "voodoo gothic rock" sound. Kingdom is another top-notch release from an overlooked band; get the rip here or here, and check back for more archival material from Living In Texas.

Vigil - FLAC

This entry is a repeat of one of last month's posts, but with a key difference. The original post linked to a standard 192kbps mp3 rip from vinyl. An alert reader turned up a copy of the CD release, however, and a quick order made it mine. So I am breaking with my normal policy to present a FLAC rip of this special CD, one of the first rock CDs to be digitally recorded, mixed, and mastered. The archive is spread over three files (join with HJSplit or 7Zip):

RS: File 1

MU: File 1, File 2, File 3

BD: File 1

DF: File 1

HF: File 1

This rip eliminates the distorted sibilants in my vinyl rip, and of course the surface noise; it is pristine. (CD ripped to FLAC with Exact Audio Copy.)

For those who missed the band info the first time around, here it is again:

Continuing our brief musical tour of Baltimore in the 1980s, here is the sole major-label release of Vigil, previously known as Here Today. Here is the capsule history of the band from the Vigil MySpace page:

Vigil was a modern rock band that recorded and performed in the mid to late 1980's. Once upon a time in the "Land of Pleasant Living" aka Baltimore there was a group of musicians known as Here Today: Jo Connor, Andy R, X Factor and Gregg Maizel. They recorded a classic song called "Whistle in the Yard" and soon signed to CBS records, changed their name to Vigil and were promptly dropped. Vigil was quickly signed by Chrysalis Records and recorded their debut lp in glorious digital. It was released in 1987 and sold enough copies to allow them to record another lp but only one track, "Therapist", was released by Chrysalis, appearing on the Nightmare on Elm Street 4 soundtrack. Eventually the second album was released on cassette only as Onto Beggar and Bitter Things.

Vigil was influenced by UK bands, particularly those of the Gothic persuasion, and as a result their expansive, dreamy sound was quite different from most of the other Maryland bands of the era. "I Am Waiting" was released as a 12-inch single, but it was the wah-wah-guitar-fuelled B-side, "I Love You Equinox", that garnered all the airplay on WHFS:



I have never found a copy of the self-released, cassette-only second album, but I presume that the first three songs on Vigil's MySpace player come from it, since they are not on the first album. The full track list of the first album is:

1. Until the Seasons
2. I Am Waiting
3. White Magic Spell
4. Gargoyles
5. I Love You Equinox
6. Whistle in the Yard
7. The Celiba Sea
8. The Garden
9. Born Again
10. The Benefit of the Doubt

Vigil singer Jo Connor now fronts the Jo Connor Band, which "performs classic Vigil songs along with new faves."

Vigil

Continuing our brief musical tour of Baltimore in the 1980s, here is the sole major-label release of Vigil, previously known as Here Today. Here is the capsule history of the band from the Vigil MySpace page:

Vigil was a modern rock band that recorded and performed in the mid to late 1980's. Once upon a time in the "Land of Pleasant Living" aka Baltimore there was a group of musicians known as Here Today: Jo Connor, Andy R, X Factor and Gregg Maizel. They recorded a classic song called "Whistle in the Yard" and soon signed to CBS records, changed their name to Vigil and were promptly dropped. Vigil was quickly signed by Chrysalis Records and recorded their debut lp in glorious digital. It was released in 1987 and sold enough copies to allow them to record another lp but only one track, "Therapist", was released by Chrysalis, appearing on the Nightmare on Elm Street 4 soundtrack. Eventually the second album was released on cassette only as Onto Beggar and Bitter Things.

Vigil was influenced by UK bands, particularly those of the Gothic persuasion, and as a result their expansive, dreamy sound was quite different from most of the other Maryland bands of the era. "I Am Waiting" was released as a 12-inch single, but it was the wah-wah-guitar-fuelled B-side, "I Love You Equinox", that garnered all the airplay on WHFS:



I have never found a copy of the self-released, cassette-only second album, but I presume that the first three songs on Vigil's MySpace player come from it, since they are not on the first album. The full track list of the first album is:

1. Until the Seasons
2. I Am Waiting
3. White Magic Spell
4. Gargoyles
5. I Love You Equinox
6. Whistle in the Yard
7. The Celiba Sea
8. The Garden
9. Born Again
10. The Benefit of the Doubt
11. Enclosures (I have added this as a bonus track, it is the second track on the "I Am Waiting" B-side and did not appear on the album.)

The CD version of this album is a bit of a collector's item as it is one of the first (possibly the first) rock albums to be recorded, mixed, and mastered digitally ("DDD"). I don't have the CD, though, so I can only offer a vinyl rip for now; get it here or here. (I goofed a little on the track numbers in the tags and filenames, but everything still plays in the correct order.)

Update: I got the CD and have posted a FLAC rip here.

Vigil singer Jo Connor now fronts the Jo Connor Band, which "performs classic Vigil songs along with new faves."

Various Artists - Merkin Records Seedy Sampler

Black Pete must have been the only alternative band in Baltimore that wasn't included on this 1989 20-band sampler CD from Merkin Records:

1. U. Violets - Gade (actually Ultra-Violets, must have been a legal issue that prevented them using the name on this CD)
2. All Mighty Senators - Wink (band still active)
3. Lambs Eat Ivy - Serpentine
4. Bazooka Joe - Insomnia
5. Dark Carnival - Back to the Factory
6. Monkeyspank - Dr. Omar
7. Jade - Line
8. Lungfish - Return Descender
9. The Pearl Fishers - Black Box (not the David Scott band)
10. The Unknown - Empty House of Night
11. Rise - God Bless the Creeps
12. Elements of Design - I Love a Man with Rhythm
13. The Last Picture Show - Destination (led by writer Louis Maistros as Lu Maestro)
14. Braver Noise - The Smiths Have Gone to Heaven
15. Seesaw - Rochelle Bridges
16. Motor Morons - Another Girl (may still be active, though no shows since 2007; imagine Devo songs played by Einstürzende Neubauten)
17. Mark Harp - The Drill (guitarist for Null Set/Cabal, also of the Beatoes, Motor Morons, Chelsea Graveyard, the Diamondheads, etc.)
18. Infant Lunch - Cut the Cord
19. Grey March - Beneath the Sea
20. Reptile House - Turning Disease

There's quite a variety of musical styles here: punk, gothic, new wave, Springsteenian populist rock, funk, and more. Get the CD rip here or here.

Surface Mutants - You Take Me Somewhere Strange

This time the Lost In the Grooves blog has a summary (by Erik of Cult With No Name) upon which I cannot improve so I will simply paste it in here:

smalltime Sheffield combo Surface Mutants only managed one standalone EP, but nonetheless warrant special mention as one of the better obscure bands to record at Cabaret Voltaire’s legendary Western Works studio.it’s hard to resist confirming that ‘You Take Me Somewhere Strange (and you leave me there)’ does anything else than just that. the Cabs’ tinny, scratchy production gives the EP a quite pleasant, if decidedly dissonant, ambiance. the simple bass lines, frequent drum fills and taught guitars of ‘Train’ and ‘Help Below’ rely heavily on varying degrees of phaser, delay and reverb, with additional electronics hissing randomly in and out of the mix. the creepy title track, by contrast, abandons the undanceable funk for something that sounds nothing short of the early Cabs attempting to cover ‘Bela Lugosi’s Dead’, complete with anguished, largely indecipherable, vocals. complete with ill-fitting goth cover art to (somewhat) mislead you, this record is certainly far from superficial.

The year of release was 1982. "You Take Me Somewhere Strange" has always reminded me of "Bela Lugosi's Dead," so I'm glad to see someone else feels the same way about it. Band member Pete Mutant replied to the blog entry:

Blimey. Just for verification, Kent had left to join the Chant, Nort [later of Hula] was with us on Drums and noises, Jules had left, Christine Parker was on sax, Angie Birkett on keyboards (and very good too). Richard [Kirk] was responsible for many of the indecipherable vocals.

Another reader found that Angie Birkett (now Holmes) is now active in the band Siiiii. Get the Surface Mutants vinyl rip here or here.

Isolation Ward - Absent Heart

Thank goodness for the Internet and its volunteers who fill in information about mysterious records I've owned for years but know virtually nothing about. One such record is the "Absent Heart" 12" by Isolation Ward. Here is the Wikipedia entry for Isolation Ward (as of Dec. 2. 2008):

Isolation Ward is a New Wave/Experimental band from Brussels, Belgium. Founding members are Jean Pierre Everaerts (Bass), Stephane Willocq (Guitar), Thierry Heyndericks (Keyboards, Vocals, Trumpet), and Etienne Vernaeve (Drums). Contributing vocals/guitar included, Nathalie Bourlard (Vocals), Anne Kinna(Nanou) (Vocals: Lamina Christus), Sylvie Honnay (Vocals: Absent Heart, A Request), Niki Mono (Vocals: only for the last concert), Eric Vanhoutte(Guitar), and Jerry WX (Guitar). Formed in 1980, the band released Lamina Christus on 7" Vinyl in 1982(Issued through Radical Records, France Crepuscule Section Francaise/Radical RAD 008 ) and Absent Heart on 12 " Vinyl in 1983 on the Les Disques du Crepuscule label. Both of these releases were produced by Gilles Martin and Peter Principle. The band disbanded in 1983. Isolation Ward's final recordings, Point De Départ and Point Final were released on the Présence label in 1984.

"Lamina Christus" reappears as the third track (of three) on the Absent Heart 12", and it's no wonder they re-used it as it is their strongest song. Like many Crepuscule releases, the sound falls somewhere between Factory gloom and 4A.D. gothicism. Get the Absent Heart vinyl rip here or here.

Stranger To Stranger - Casting Shadows

While I'm at it, here's another 1980s album from Philadelphia, Stranger To Stranger's Casting Shadows from 1984. With a title like Casting Shadows, you probably won't be surprised at the heavy 4A.D. influence in evidence here. Lead singer Gary Eshbaugh is now in the band Rose Parade, but one page of their website is devoted to Stranger To Stranger, from which I have taken the following text:

From 1984 until 1991 Stranger To Stranger produced seven recordings. Stranger To Stranger's music was alternative in its flavor, borrowing from the early Cure and Echo and the Bunneymen. They played clubs and venues from Boston to Virginia, but experienced their greatest success at the 9:30 Club in Washington D.C. The title song from 1985's The Child in Me experienced particularly heavy airplay on college and commercial stations in that area. Subsequently, record sales in the area were very good and the shows at the 9:30 Club drew a good audience. Recently, an amalgam of The Darkest Dreams and Shatter the Night was produced as a CD by drummer Eric Carlson. That was the impetus for creating this page... I hadn't listened to the material in a very long time. I felt compelled to put up this page so some of our friends could get their hands on some vintage STS in MP3 format. We hope to come up with a good copy of The Child in Me in the not-too-distant future.

Stranger To Stranger was:

• Gary Eshbaugh - Vocals/Guitar/Keyboards
• Sean Hopkins - Bass/Vocals (1983-1987)
• Rand Hanson - Guitar
• Eric Carlson - Drums/Percussion
• Steph Lentz - Bass (1988-1992)

The track list for Casting Shadows is:

01 Easter Night
02 Crowded Room
03 In Your Eyes
04 Voices Calling
05 Flux
06 Cry To Dream
07 Evening Opus (Pts 1, 2 & 3)
08 Lonely Winter
09 Wind On Skin

The aforementioned "The Child In Me" came after this album, but I have included it in the archive file as a bonus track because it's simply exquisite. (It's a copy of the file offered on the band website.) In the words of one of my favorite song blogs, it should have been a hit. Get the vinyl rip here or here.

Living In Texas - S/T LP

I found another Living In Texas album hiding on my shelves, their first full-length album from 1984, on their own Chainsaw label. I can't remember ever listening to it all the way through, but I did while ripping it, and I've fallen in love with "This Blood Religion." It's a full-fledged gothic ballad, beautifully arranged with three divergent vocal tracks during the verses. And the band's Theatre of Hate influence reveals itself also: Living In Texas had a different instrumental lineup (no saxophone) and singer Stephan James doesn't have Kirk Brandon's distinctive wail, but "Here Come the Boat Traders" would be right at home on a ToH tribute album. These two songs and one other, "Me (The Other Side of)", appear on the Living In Texas live album posted previously, but they all come across much better in these original studio versions. This album was packaged in a rather lavish gatefold sleeve; the cover art is a bit drab, but there's a great spread inside the gatefold, by "The Rorschach Design Studios," which I'm guessing is actually guitarist Daniel Glee. I've included the interior art in the .zip file; get it here or here.

Living In Texas - Cowboy Dream

1987 saw Living In Texas switching to the Big Beat label to release their Cowboy Dream mini-LP, which continued the blunting of their former hard-edged sound, despite the addition of a second guitarist, Jeffrey Wallace. The disc opens with "The Yellow Rose of Texas," in which the band takes their name literally for a bit of western-style doo-wop (!). The earlier fire breaks through in parts of the second track, "The Civilised World," and again on side 2 in their cover of Iggy Pop's "Lust for Life." "Cowboy Dream," presented in two versions, flirts with a reggae beat, and "Julia's Child" revisits the slow-burn goth style of some of their earlier songs. And that's it, there are just six tracks on this record. It's not bad by any means, but it's a far cry from the boisterous glory of Glad, Bad, Sad & Mad. Get Cowboy Dream here or here. (Cover art is again by guitarist Daniel Glee; I don't usually include the back cover but I did this time because Glee's work there is the mostly lively part of the record.)

VA - Breaking the Back of Love (1985)

The Breaking the Back of Love various-artists compilation was released by Saderal in 1985, featuring the kind of Gothic funk acts that Illuminated was known for. In fact, some of the acts were even on Illuminated, and had been featured on the previous year's Illuminated megamix, Heavy Duty Breaks, an excerpt of which appears here as "Heavy Duty Brakes." Here we also have The Leather Nun's notorious fisting song, "F.F.A.," retitled as "F.F. America." But there are also some little-known gems here: Colour Me Pop's "Beat Me Till I'm Blue" chugs along nicely with some bongos and a lead bass, and Out's "Business As Usual" builds on a catchy synth hook for a song that could have been an alternative club hit if the stars had aligned right. The cover model is Lilly A.K. (I think), who has two songs on here. "Passionate Strangers" is a soaring, fast-tempo number that reminds me of another forgotten classic, "Life's Illusion" by Ice the Falling Rain (coming here soon), and "Take Me Now," with Youth, sounds like Food-era Brilliant (no surprise there). Who was Lilly A.K.? Whatever happened to her? She sings two songs on here, she sang some backing vocals on an Edward Ka-Spel album, and other than that I've turned up nothing. If you have any further information on her, please let me know in the comments. The full track listing is:

A1 400 Blows Pressure
A2 Lilly A.K. and Youth Take Me Now
A3 Portion Control Raise The Pulse
A4 Out Business As Usual
A5 Colour Me Pop Beat Me Till I'm Blue
A6 The Leather Nun F.F. America
B1 Lilly A.K. Passionate Strangers
B2 Sex Gang Children Into The Abyss
B3 Colour Me Pop Go
B4 Heavy Duty Brakes Heavy Duty Brakes
B5 Dormannu Degenerate

I've added two bonus songs, stragglers by bands already on the album : "Tough Enough" by Out (from a 12" single) and "The Girl Who Shares My Shirts" by Colour Me Pop (the A-side whose B-side is "Beat Me Till I'm Blue"). Get it all here or here.

Heavy Duty Breaks (Illuminated megamix, 1984)

Here's an album that Illuminated Records put out in 1984 that is comprised of a 15-minute label roster megamix on each side: the songs segue from one to the next without dropping the beat (with continuity provided by a beatbox). Each clip is a teaser for the full-length version. Illluminated had an impressive lineup of "gothic funk" bands; here are the songs included in the two side-long mixes:

Side 1
400 Blows: Pressure
23 Skidoo: F.U.G.I.
Out: Tough Enough
Dormannu: The Dread
Zazou: M'pasi Ya Pamba
400 Blows: Grove Jumping
23 Skidoo: Coup
400 Blows: Declaration of Intent

Side 2
Executive Slacks: Our Lady
Data: Blow
Portion Control: Raise the pulse
Data: Blow
Portion Control: Go-Talk
Power to Dream: Faith Healer
Tara Butler: Up against the wall
Power to Dream: Faith Healer
Sex Gang: Dieche

Get it here or here.

Brilliant: indie label singles and LP tracks

Here are a bunch of tracks from Brilliant, Youth/Martin Glover's band between his first and second stint with Killing Joke. They started out as a ten-piece with a biting gothic funk sound; by the time they were signed to WEA (by Bill Drummond, soon to be half of the KLF) they were down to a three-piece: Youth, singer June Montana, and guitarist Jimi Cauty (soon to be the other half of the KLF). Their sound had also been whittled down to rather generic synth-funk, a rather pale imitation of Colour Box. Their disastrous album for WEA was produced by dance schlockmeisters Stock Aitken Waterman; talk about a long way down! But the early singles remain as some of the best beat-oriented gothic music of the time. Included here are:

That's What Good Friends Are For (the first single plus B-side, Push)
Colours (two mixes)
Scream Like an Angel (from The Whip LP)
Coming Up for the Downstroke (from the Bat Cave Young Limbs and Numb Hymns LP)
Soul Murder (two mixes plus B-side, The Growler)
Subtle Manoevres (from the Imminent One Food Records sampler LP)
Wait For It (two mixes plus B-side, Cut Price) (I know this is not technically an indie release, as it's after WEA took a stake in Food Ltd., but so what)

13 tracks, mp3@128, cover art in ID3 tags.


Get it here.