The Men - Matrix of Compassion

Here is the followup to my post of The Men's first record, Herminutics. Its six songs were all very inspired funk-leaning postpunk. To repeat the basic information from the first post:

Men were a Chicago punk/industrial band from the early 80s, sharing or featuring
ex-members of the more popular band The Mentally Ill. Founded by Snat 5 Records head Art MacQuilkin, they released a 12" in 1981. (The Chicago Punk Database)

That 12" would be Herminutics; they followed it up in 1982 with a full-length album, Matrix of Compassion, which finds them either stretching out or dicking around; it seems to be a little bit of both. About half the songs retain the weird, ACR-ish funk groove from the first record, but in between there is the noir jazz narrative "Sorry," the long blues piss-take "Dead Blue," the straight-up punk rocker "Nutron Baby," and a few slabs of pure weirdness. The band lineup on this record is essentially the same as on the first, but with more details:

Sven Herman: guitars, melodies, and piano
Reggie Mars McFadden: guitars, melodies, and synthesizer
Arthur E. MacQuilkin III: guitar, melodies, and vocals
John Sterling Santee: sax, melodies, percussion

also..
Amy Fischer: vocals on "Remain"
Steve George: drums

The album packaging is interesting in itself: instead of a sleeve it's a cardstock envelope (like Section 25's Always Now) with a square hole cut in the front to expose the record label. All in all it's a great relic of the creative side of the early 80s; get the vinyl rip here or here (new links 1/3/2010). (If you have any information on later musical projects of The Men or its members, please let me know in the comments.)

The Men - Herminutics (Chicago, 1981)

I bought this record in a sale bin back in the 80s and was pleasantly surprised at the contents: while the band was from Chicago, the music sounded like it came straight out of the UK postpunk scene. Herminutics is a six-song EP with a "Dance" side and a "Listen" side. There's a remarkable breadth to the musical style from song to song; at different points the Men sound like all four of the Pop Group's splinter groups (Pigbag, Rip Rig + Panic, Mark Stewart + Maffia, Maximum Joy; that's all of them, isn't it?). "Sacrifice of the Gods," on the Dance side, sounds just like something from A Certain Ratio's first two albums (vocals aside) and benefits from a dual-bass lineup. The Listen side is weirder, opening with "Middle Man" and its processed spoken vocals which land somewhere between the bureaucratic paranoia of Mark Stewart and the psychedelic ramblings of The Mars Volta. The side closes with "Four D", possibly the weirdest piano ballad ever recorded. Who were The Men? The credits list them as Arturo Eduardo MacQuilkin III, Reggie (Mars) McFadden, Sven Herman, Jack Santee, and Steve Georgiafaundis. I've gleaned a little information on them from the web:

Men were a Chicago punk/industrial band from the early 80s, sharing or featuring ex-members of the more popular band The Mentally Ill. Founded by Snat 5 Records head Art MacQuilkin, they released a 12" in 1981. (The Chicago Punk Database)

There's also a brief discography on Collectorscum.com, which lists this EP and an album, Matrix of Compassion. I have that too and will post it here eventually.

How did The Men get so completely overlooked? They rank with the best postpunk/no wave bands of the era, yet I've never met anyone who has ever heard of them. I hope you will take the time to download this exceptional record and give it a listen. Get it here or here.