Nadja Auermann, BerlinStarkfield LaneNude Male ModelHome Works #3Portrait of Marie Sitting in Black and WhiteWater Lilies, after Claude MonetA Drop of Red #2paper drop (light) Rita AaronsEmmett, Jesse, and VirginiaCwazimula II, Paris, FranceRita Hayworth (Pictures of Diamonds)9472Flower RondeauSunflowerPreparation Plants (Aufbereitungsanlagen)The White Church, Hornitos, California, From Portfolio One: Twelve Photographic prints by Ansel AdamsReflections on a Yellow Glass Facade, Abu DhabiFlower Rondeau Kiyosumi, Tokyo
Nadja Auermann, BerlinStarkfield LaneNude Male ModelHome Works #3Portrait of Marie Sitting in Black and WhiteWater Lilies, after Claude MonetA Drop of Red #2paper drop (light) Rita AaronsEmmett, Jesse, and VirginiaCwazimula II, Paris, FranceRita Hayworth (Pictures of Diamonds)9472Flower RondeauSunflowerPreparation Plants (Aufbereitungsanlagen)The White Church, Hornitos, California, From Portfolio One: Twelve Photographic prints by Ansel AdamsReflections on a Yellow Glass Facade, Abu DhabiFlower Rondeau Kiyosumi, Tokyo

Critically Acclaimed Photographers

When photography was invented in 1839, early aficionados and practitioners wondered aloud, “Is photography art?” Like one early member of the 19th-century Photographic Society of London complained, many considered photography “too literal to compete with works of art.” In the decades since, the art establishment’s perception of photography has changed dramatically, placing the medium unquestionably in the realm of fine art. Auction records can attest—the most expensive photographs ever sold include Andreas Gursky’s Rhein II (1999) at $4.3 million, Cindy Sherman’s Untitled #96 (1981) at $3.9 million, and Jeff Wall’s Dead Troops Talk (1992) at $3.7 million. Below, discover photographs that have commanded critical acclaim and cultural transfixion, including Eadweard Muybridge’s “Animal Locomotion” series, Lawrence Schiller’s portraits of Marilyn Monroe, and Berenice Abbott’s snapshots of New York City.

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