Nadja Auermann, Berlin9472Water Lilies, after Claude MonetStarkfield LaneThe White Church, Hornitos, California, From Portfolio One: Twelve Photographic prints by Ansel AdamsPortrait of Marie Sitting in Black and WhiteSylvester Stallonepaper drop (light) Nude Male ModelCwazimula II, Paris, FranceRita Hayworth (Pictures of Diamonds)Flower RondeauReflections on a Yellow Glass Facade, Abu DhabiFlower RondeauPhotogramsLipsConstructivismViareggio SunJoey in front of the Ambassador Theater, Times Square, NYC (1997)Eros or something other than Eros
Nadja Auermann, Berlin9472Water Lilies, after Claude MonetStarkfield LaneThe White Church, Hornitos, California, From Portfolio One: Twelve Photographic prints by Ansel AdamsPortrait of Marie Sitting in Black and WhiteSylvester Stallonepaper drop (light) Nude Male ModelCwazimula II, Paris, FranceRita Hayworth (Pictures of Diamonds)Flower RondeauReflections on a Yellow Glass Facade, Abu DhabiFlower RondeauPhotogramsLipsConstructivismViareggio SunJoey in front of the Ambassador Theater, Times Square, NYC (1997)Eros or something other than Eros

Critically Acclaimed Photographers

When photography was invented in 1839, early aficionados and practitioners wondered aloud, “Is photography art?” Like one early member of the 19th-century Photographic Society of London complained, many considered photography “too literal to compete with works of art.” In the decades since, the art establishment’s perception of photography has changed dramatically, placing the medium unquestionably in the realm of fine art. Auction records can attest—the most expensive photographs ever sold include Andreas Gursky’s Rhein II (1999) at $4.3 million, Cindy Sherman’s Untitled #96 (1981) at $3.9 million, and Jeff Wall’s Dead Troops Talk (1992) at $3.7 million. Below, discover photographs that have commanded critical acclaim and cultural transfixion, including Eadweard Muybridge’s “Animal Locomotion” series, Lawrence Schiller’s portraits of Marilyn Monroe, and Berenice Abbott’s snapshots of New York City.

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