![Andy Warhol, ‘MYTHS: MAMMY FS II.262’, 1981, Gallery Art](http://web.archive.org./web/20201204055848im_/https://d32dm0rphc51dk.cloudfront.net/iRIoji9oB0NlyhBV8LiLSg/large.jpg)
Andy Warhol
MYTHS: MAMMY FS II.262, 1981
![](http://web.archive.org./web/20201204055848im_/https://d32dm0rphc51dk.cloudfront.net/k1HwMcBf4mhd9rm2cMfTWA/square140.png)
Hand signed and numbered by the artist. Edition of 200. From the Myths Portfolio. Screenprint …
![](http://web.archive.org./web/20201204055848im_/https://d7hftxdivxxvm.cloudfront.net/?resize_to=fill&width=100&height=100&quality=80&src=https%3A%2F%2Fd32dm0rphc51dk.cloudfront.net%2FE-k-uLoQADM8AjadsSKHrA%2Flarge.jpg)
Obsessed with celebrity, consumer culture, and mechanical (re)production, Pop artist Andy Warhol created some of the most iconic images of the 20th century. As famous for his quips as for his art—he variously mused that “art is what you can get away with” and “everyone will be famous for 15 minutes”—Warhol drew widely from popular culture and everyday subject matter, creating works like his 32 Campbell's Soup Cans (1962), Brillo pad box sculptures, and portraits of Marilyn Monroe, using the medium of silk-screen printmaking to achieve his characteristic hard edges and flat areas of color. Known for his cultivation of celebrity, Factory studio (a radical social and creative melting pot), and avant-garde films like Chelsea Girls (1966), Warhol was also a mentor to artists like Keith Haring and Jean-Michel Basquiat. His Pop sensibility is now standard practice, taken up by major contemporary artists Richard Prince, Takashi Murakami, and Jeff Koons, among countless others.
![Andy Warhol, ‘MYTHS: MAMMY FS II.262’, 1981, Gallery Art](http://web.archive.org./web/20201204055848im_/https://d32dm0rphc51dk.cloudfront.net/iRIoji9oB0NlyhBV8LiLSg/large.jpg)
![](http://web.archive.org./web/20201204055848im_/https://d32dm0rphc51dk.cloudfront.net/k1HwMcBf4mhd9rm2cMfTWA/square140.png)
Hand signed and numbered by the artist. Edition of 200. From the Myths Portfolio. Screenprint With Diamond Dust on Lenox Museum Board. Published by Ronald Feldman Fine Arts, Inc., NY. Printed by Rupert Jasen Smith, NY. Sheet size 38 x 38 inches. Framed. Artwork is in excellent condition. All reasonable offers …
![](http://web.archive.org./web/20201204055848im_/https://d7hftxdivxxvm.cloudfront.net/?resize_to=fill&width=100&height=100&quality=80&src=https%3A%2F%2Fd32dm0rphc51dk.cloudfront.net%2FE-k-uLoQADM8AjadsSKHrA%2Flarge.jpg)
Obsessed with celebrity, consumer culture, and mechanical (re)production, Pop artist Andy Warhol created some of the most iconic images of the 20th century. As famous for his quips as for his art—he variously mused that “art is what you can get away with” and “everyone will be famous for 15 minutes”—Warhol drew widely from popular culture and everyday subject matter, creating works like his 32 Campbell's Soup Cans (1962), Brillo pad box sculptures, and portraits of Marilyn Monroe, using the medium of silk-screen printmaking to achieve his characteristic hard edges and flat areas of color. Known for his cultivation of celebrity, Factory studio (a radical social and creative melting pot), and avant-garde films like Chelsea Girls (1966), Warhol was also a mentor to artists like Keith Haring and Jean-Michel Basquiat. His Pop sensibility is now standard practice, taken up by major contemporary artists Richard Prince, Takashi Murakami, and Jeff Koons, among countless others.