Ode to Billie Jo

Blankets - not 100% safe

Who remembers when the KLF got it on with Tammy Wynette? Yep, it was 1991- the musical landscape at the time was, to say the least, very housey and drenched in acid (sorry, Aciiiid!) and their resulting lovechild became something of an ear-worm, long before such a thing was even a thing.

Bent tried something similar a number of years later when they and Billie Jo Spears, ahem, laid their blanket on the ground. The electronica duo from Nottingham sampled two of Billie Jo's songs (But I Do and Hurt - both from 1975) and set them against the most infectious bass line you're ever likely to hear. What Ms. Spears thought about the fruit of their union is sadly not documented. I'd like to think she'd have approved. 

Bent - So Long Without You (2003)

Nothing Gold Can Stay

Robert Frost (1874-1963)

Brevity; the idea that less is more. It's a notion I swear by. If you can say it in an eight line poem, then do so. With apologies to Tolstoy, but I'm sure War and Peace could have been condensed into two sides of A4.

Like Bowie, Robert Frost's command of the language was such that he could write a poem as powerful as Nothing Gold Can Stay with room to spare. Autumn - and life - encapsulated in a mere 40 words. It's one of my favourite pieces of prose.

Nature's first green is gold, 

Her hardest hue to hold. 

Her early leaf's a flower; 

But only so an hour. 

Then leaf subsides to leaf. 

So Eden sank to grief, 

So dawn goes down to day. 

Nothing gold can stay.

27 October 2020

There is a beautiful beech tree outside my front door. It must be 200 years old if it's a day. Although I've only lived in this house a little over three years, I feel as if I've known this tree all my life.

I took a photograph of it at the end of October with a fish eye lens. I then tweeted it and said that if I was to take another photograph of it 24 hours later it would look different again. It did. And it has done every day since. These two photos are separated by just over a week - the collage below is a daily record. (I know what I'm like - I can see me continuing to photograph this tree every day.)

5 November 2020

Baby Baby Baby! (It's a Beano Friday)

Welcome to another Be-Bop Friday - slightly rebadged today in honour of one of my best friends. That's Mark (Beano to his buddies) pictured above - the photograph will make perfect sense, I'm sure, by the time you've read his love letter to a band that still make the hairs on the back of his neck stand up, some four decades after he first discovered them.

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"Do you remember your first kiss? Of course you do! Mine was from a girl called Sarah Blackburn, she lived on our street and I would have been maybe 10, fancied her like mad for ages. Likewise, I bet you remember the first band you discovered. I do too, and their music still gives me goosebumps to this day. At one time they were the biggest band around. They reached the dizzy heights of Number 1 no less than six times in the 70s - and remember you needed to sell a million copies in those days to reach the top spot. Three Number One 1 albums followed; one of which is considered up there with the very best live albums ever (I’ve just voted for it in Classic Rock’s best live album poll). 

They made a film too, a proper one, which you went to the flicks to see. It was way ahead of its time and showed the dark side of the music business. Years after its release it would be described by BBC film critic, Mark Kermode as 'the Citizen Kane of rock musicals.' The movie subsequently went on to achieve critical acclaim.

Know who it is yet? Well, Q magazine once described  them as ‘the missing link between Oasis and the Beatles’ - Oasis would go on to record a splendid cover version of one of their hitz and then play it in front of an adoring 60,000 fans at Maine Road, Manchester. But let me guess, you still don't know who it is. (I think we do, Mark! John).

The band is SLADE, and they get little recognition for their considerable input to this great nation’s music scene other than for a certain festive hit. Not that is until you venture into my world: bitten by the bug in the early 80s via one of those compilation albums SLADE Smashes, I couldn’t believe what I was listening too. It was awesome, with that voice hitting you between the eyes like a sledgehammer. The Black Country Boyz even returned to the charts for me, reinvented with Noddy as the Rock 'n' Roll Preacher. Every locker in my school had the words ‘BEANO – SLADE’ plastered all over them: Beano being my nickname (still is, 40 years later) and SLADE being my band. 

Their second coming lasted till the mid 80’s when they were cast aside chart wise, but I still got my fix by going to Slade related TV shows & and conventions - attended by the Magic 500, a bunch of like minded super fans whose sole purpose was to turn it up to 11 and 'Stamp your feet and clap your hands.' These events have created some amazing friendships which go far wider than just the love of music, and nobody can take that away; no matter what the non-disciples may think.

And the love affair continues to this day, with walls full of memorabilia and guess what? My band returning to the album charts (in the Top 10, again) with a look back at past glories in the shape of Cum On Feel The Hitz. Time for this SLADE super fan to feel normal again, well at least for a little while!

So, don’t forget your first love, and, remember, SLADE are for life, not just for Christmas!"

A huge thank you to Mark for this. As you can see, Beano is now the proud owner of Jim Lea's confetti jacket - the one he wore on the front cover of their 1972 album, Slayed? Though I'm told it's a little on the snug side.

Dapper

One day I'll tell the story of the Dap-Kings, the funk powerhouse behind Sharon King, and the band who provided all things funkular on Amy Winehouse's Back to Black album. That they are signed to Daptone Records shouldn't really come as any surprise. As I say, one day. 

Another horn heavy act on the label is The Budos Band. Their sound is a tad more aggressive but with a sprinkling of soul and Afro Beats thrown into a glorious mix of loud guitars, horns and percussion. Think Rocket From the Crypt (sans bowling shirts) rubbing shoulders with John Barry. Kinda like this:

Budos Band - Gun Metal Grey (2020)

Jack Jones

The ultimate social distancing song? Well that's easy, innit? When Billy Idol and Tony James visited Tokyo in 1979 they went to a couple of clubs where they saw kids dancing on their own in front of a bank of mirrors. On the plane back to the UK James scribbled a few lyrics down and Idol, once back in London, hung a tune around them (it was always that way around). 

There were to be several versions of Dancing With Myself; the original demo featuring Generation X guitarist Bob Derwood Andrews - that never saw the light of day for 20 years as the band broke up the minute Derwood unplugged his amp. Idol and James then licked their wounds and regrouped (literally) - as Gen X - bringing in a raft of session guitar players including ex-Pistol Steve Jones. But they too split up - only two months after the finished version made its way on to their Kiss Me Deadly album released in January 1981.

And then Billy took it to America where he faded all the guitars and instead cranked up the percussion - turning it, you've guessed it, into a dance track. The song made him (with a little help from MTV) and he never looked back.

So which version have I gone with today? The answer is: none of the above. I hope you like it!

Chloe Feoranzo - Dancing With Myself (2019)

With thanks to Rol