UntitledNadja Auermann, BerlinFudo Falls, Oji, after HiroshigeBoucherie St-TropezGold Tearspaper drop (light) Bloom (#9b746d)Portrait of Marie Sitting in Black and Whitetableau chinois 08UntitledCwazimula II, Paris, FranceLöwenzahnzimmerUntitled, Shady Grove, Alabama (37.028)OhViareggio SunVumani II, BostonSubstrate AProduction Still (Maple St. #2)Wassertürme in HonfleurSlim Aarons 'Lake Tahoe Trip,' Zephyr Cove (Slim Aarons Estate Edition)
UntitledNadja Auermann, BerlinFudo Falls, Oji, after HiroshigeBoucherie St-TropezGold Tearspaper drop (light) Bloom (#9b746d)Portrait of Marie Sitting in Black and Whitetableau chinois 08UntitledCwazimula II, Paris, FranceLöwenzahnzimmerUntitled, Shady Grove, Alabama (37.028)OhViareggio SunVumani II, BostonSubstrate AProduction Still (Maple St. #2)Wassertürme in HonfleurSlim Aarons 'Lake Tahoe Trip,' Zephyr Cove (Slim Aarons Estate Edition)

Critically Acclaimed Photographers

When photography was invented in 1839, early aficionados and practitioners wondered aloud, “Is photography art?” Like one early member of the 19th-century Photographic Society of London complained, many considered photography “too literal to compete with works of art.” In the decades since, the art establishment’s perception of photography has changed dramatically, placing the medium unquestionably in the realm of fine art. Auction records can attest—the most expensive photographs ever sold include Andreas Gursky’s Rhein II (1999) at $4.3 million, Cindy Sherman’s Untitled #96 (1981) at $3.9 million, and Jeff Wall’s Dead Troops Talk (1992) at $3.7 million. Below, discover photographs that have commanded critical acclaim and cultural transfixion, including Eadweard Muybridge’s “Animal Locomotion” series, Lawrence Schiller’s portraits of Marilyn Monroe, and Berenice Abbott’s snapshots of New York City.

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