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I’m Obsessed with Diego Velázquez’s “The Triumph of Bacchus”
Artsy Editorial
By Lauren Moya Ford
October 20th
How Insurance for Buying Art Online Works
Artsy Editorial
By Shannon Lee
October 20th
Hernan Bas on the New Paintings He Made during Quarantine
Artsy Editorial
By Charlotte Jansen
October 19th
10 Shows to See during LE PARI(S)
Artsy Editorial
By Shannon Lee
October 15th
How Sanyu, the Chinese-French Modernist, Became a Market Sensation
Artsy Editorial
By Justin Kamp
October 15th
How Being Represented by Multiple Galleries Impacts an Artist’s Market
Artsy Editorial
By Justin Kamp
October 14th
5 Artists to Follow if You Like Georgia O’Keeffe
Artsy Editorial
By Juliana Lopez
October 14th
María Berrío’s Lush New Paintings Show Women Persevering Despite Disaster
Artsy Editorial
By Charlotte Jansen
October 13th
Genevieve Gaignard’s Timely Work Documents Racial Injustice and Calls for Change
Artsy Editorial
By Dominique Clayton
October 13th
This Frida Kahlo Painting Helped Me Bridge Divisions in My Biracial Family
Artsy Editorial
By Alex Temblador
October 12th
What Sold at Frieze London and Frieze Masters Online
Artsy Editorial
By Benjamin Sutton
October 12th
10 In-Demand Works on Artsy This Week
Artsy Editorial
By Shannon Lee and Beatrice Sapsford
October 9th
The Japanese Artist Pushing the Boundaries of Botanical Sculpture
Artsy Editorial
By Jacqui Palumbo
October 8th
Agnes Gund’s Close Relationships with Artists Inspire Her Collecting and Philanthropy
Artsy Editorial
By Wallace Ludel
October 8th
The 15 Best Booths at Frieze London and Frieze Masters Online
Artsy Editorial
By Benjamin Sutton
October 7th
Hito Steyerl Delivers a Fierce Critique of the Present in Her New Show
Artsy Editorial
By Catherine Hickley
October 7th
How to Collect Works by Impossible-to-Get Artists
Artsy Editorial
By Shannon Lee
October 6th
5 Artists on Our Radar This October
Artsy Editorial
By Artsy Curatorial and Artsy Editorial
October 6th
Cecily Brown’s New Paintings Are Beautifully Sinister Visions of British History
Artsy Editorial
By Allyssia Alleyne
October 5th
10 In-Demand Works on Artsy This Week
Artsy Editorial
By Shannon Lee and Beatrice Sapsford
October 5th
5 Must-See Shows in London during Frieze Week
Artsy Editorial
By Allyssia Alleyne
October 2nd
For Freedoms’s Campaigns to Bring Creativity into Politics Are More Relevant than Ever
Artsy Editorial
By Erica Cardwell
October 2nd
The Ascent of Young Ghanaian Artist Otis Kwame Kye Quaicoe
Artsy Editorial
By Terence Trouillot
October 1st
Genesis Belanger’s Uncanny Ceramics Help Us Cope with the Present
Artsy Editorial
By Casey Lesser
October 1st
The Rising Market for Women Abstract Expressionists
Artsy Editorial
By Karen Chernick
October 1st
An Art Advisor’s Guide to Collecting during London’s Fair Week
Artsy Editorial
By Nicholas Campbell
September 30th
Clotilde Jiménez’s Collages Reflect the Patchwork Nature of Identity
Artsy Editorial
By Justin Kamp
September 29th
What It Takes to Make Museum Boards More Diverse
Artsy Editorial
By Yaling Jiang
September 29th
This Artwork Changed My Life: Judith Leyster’s “Man Offering Money to a Young Woman”
Artsy Editorial
By Ginny Treanor
September 28th
10 In-Demand Works on Artsy This Week
Artsy Editorial
By Beatrice Sapsford
September 25th
Los Angeles’s Art Scene Has Taken Care of Its Own during the Pandemic
Artsy Editorial
By Essence Harden
September 24th
Vaughn Spann’s New Paintings Remind Us to Make Time for Healing
Artsy Editorial
By Daria Harper
September 23rd
What Collectors Need to Know about Banksy’s Market
Artsy Editorial
By Benjamin Sutton
September 23rd
I’m Obsessed with This Painting of Looty, the Famous Pekingese
Artsy Editorial
By Ysabelle Cheung
September 23rd
Susan Chen’s Portraits of Asian Americans Reckon with a History of Exclusion
Artsy Editorial
By Harley Wong
September 23rd
Remedios Varo’s Surrealist Paintings Are Enchanting the Art Market
Artsy Editorial
By Shannon Lee
September 22nd
How Artists in Turkey Are Responding to Violence against Women
Artsy Editorial
By Yasemin Elci
September 22nd
In a New Show, 15 Artists Capture the Rich History of Black Style
Artsy Editorial
By Miss Rosen
September 21st
5 Artsy Viewing Rooms to Explore This Fall
Artsy Editorial
By Gemma Rolls-Bentley
September 21st
10 In-Demand Works on Artsy This Week
Artsy Editorial
By Beatrice Sapsford
September 18th
Gallery Sales Dropped 36% as Art Market Reeled from Pandemic
Artsy Editorial
By Benjamin Sutton
September 18th
Vivian Suter’s Paintings Bring the Forests of Guatemala to Berlin
Artsy Editorial
By Catherine Hickley
September 17th
Yowshien Kuo’s Cowboy Paintings Challenge Whitewashed Portrayals of the American West
Artsy Editorial
By Rahel Aima
September 17th
Deborah Roberts’s Gripping Collages Reconfigure Black Girlhood
Artsy Editorial
By Jacqui Germain
September 15th
How a Historic Land Transfer Made Way for an Indigenous-Led Art Space in Portland
Artsy Editorial
By Justin Kamp
September 15th
5 Artists to Follow if You Like Yayoi Kusama
Artsy Editorial
By Juliana Lopez
September 15th
5 Must-See Shows from Gallery Weekend Berlin
Artsy Editorial
By Olivia Giovetti
September 15th
This Artwork Changed My Life: Aïda Muluneh’s “Knowing The Way To Tomorrow”
Artsy Editorial
By Wabwire Joseph Ian
September 14th
10 In-Demand Works on Artsy This Week
Artsy Editorial
By Beatrice Sapsford
September 11th
How Painter Cris de Diego Is Making Art More Accessible for the Visually Impaired
Artsy Editorial
By Milagros Costabel
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