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Showing posts with label joe ely. Show all posts
Showing posts with label joe ely. Show all posts
Thursday 14 May 2020
Cheap Gasoline
These photographs were published as part of a much larger set in a Clash group I'm a member of, the band in Monterey, California on September 9th 1979. As a set of pictures of four men who have absolutely nailed a look and that four men against the world mentality they take some beating and the sheer colour, excitement and drama of The Clash on the road is evident. Joe in red and white with white brothel creepers and ending up in the crowd, Paul all in black with jeans tucked into his biker boots and quiff perfectly in place, Mick in black and white with sunburst Les Paul, and Topper in pink.
The Tribal Stomp was an attempt to put on a festival reviving something of the spirit of the hippies but attracting some of the punks. It was poorly attended than the organisers hoped and they lost loads of money. The Clash played it as part of their first big US tour, after recording London Calling in the summer of '79 but not yet releasing it until December. Peter Tosh, Robert Fripp, Canned Heat, Country Joe and The Fish and Big Mama Thornton also played and it was MCed by original Woodstock MC Wavy Gravy. Taking the stage Joe told the audience “We brought some cheap gasoline with us and we’re selling it at the side of the stage for 50 cents a gallon”. They then charge into a largely pre- London Calling set, an hour of high octane punk rock energy, built around the songs and singles from 1977 and 1978- I'm So bored With The USA, Complete Control, London Calling, Jail Guitar Doors, (White Man In) Hammersmith Palais, Drug Stabbing Time, Police And Thieves, Stay Free, Safe European Home, Capital Radio, Clash City Rockers, What's My Name, Janie Jones, Garageland, Armagideon Time and Career Opportunities. Joe Ely joins them for Fingernails and then the obligatory ending of White Riot. It is fast and loud and close to the edge and at times almost out of control, the pedal well and truly pushed down to the floor. The set has been widely bootlegged and the recording is pretty rough and ready. If you want the entire set it's here but these four are among the best in terms of sound and listenability (if you accept that it's a bit like listening to The Clash on a transistor radio in the next room- but maybe that adds to the authenticity of the experience).
Stay Free
Capital Radio
Garageland
Armagideon Time
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