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Showing posts with label beyonce. Show all posts
Showing posts with label beyonce. Show all posts

Wednesday, 14 June 2023

Twenty

Twenty years ago today our daughter Eliza was born, arriving at five to four in the morning. I'd like to say she was kicking and screaming and causing a fuss but she was the most chilled baby. One of the nurses in the maternity ward said at only a few hours old, how alert she was. She's had a lot to put up with recently and continues to attack life with the alertness, wit and zest she's had since she was very small. All parents want to be proud of their children but Eliza truly continues to make us proud, every day. Happy birthday Eliza- have fun tonight. Slay.

This song is a twenty, from Mark Peters' beautiful 2017 album Innerland. This is Twenty Bridges in remixed form, remixed by German producer and DJ Andi Otto, with Mark's guitar FXed and reworked and Andi's self built instrument, the sensor extended cello bow, added. 

Twenty Bridges (Andi Otto Remix)

Eliza wouldn't be much fussed by that piece of music- sorry Mark and Andi- she has a tendency to say that any of this kind of music I have on is 'just a load of weird noises' and calls it 'ambient shit'. This is much more up her street, BeyoncĂ© twenty years ago with her debut solo song built around a Chi- Lites sample, performing Crazy In Love in July 2003 (when Eliza was a month old). When BeyoncĂ© performs, it's a full performance, she doesn't hold back. 

Tuesday, 14 June 2022

Nineteen

Today is my daughter Eliza's nineteenth birthday. She'll be spending it in Liverpool where there's a week of partying going on, end of  the first year university partying and birthday partying. I spent my nineteenth birthday in Liverpool too, back in May 1989 so there's funny circular/ history repeating itself thing going on for us. With everything that we've gone through since the end of last year, the fact that she's gone back to university and made a success of it is incredible in itself- we're very proud of her (obviously) and how she's dealt with things since Isaac died. Happy birthday Eliza, have a blast and hopefully you won't be too hungover when we arrive to take you out for tea tonight. 

One of our songs is Halo by Beyonce. Our shared vocal take on it, usually when in the car with us switching lead and backing vox effortlessly and intuitively, is probably the definitive version of the song. Unfortunately it remains unrecorded so here's the original from I Am... Sasha Fierce in 2008 instead. 

Halo

Back in May 1989 Dinosaur Jr had just released their cover version of The Cure's Just Like Heaven. Last year they released a live album, Emptiness At The Sinclair, recorded in Boston. The version of Just Like Heaven on it is a blistering, sonic assault, J Mascis' guitar and wah wah pedals feeling the heat while drawls his way through one of Robert Smiths' finest moments. 

Just Like Heaven (Live At The Sinclair)

Friday, 10 February 2017

These Are Commercial Crusades


My week of protest songs finishes with a double header. First up, Ian Brown and his 2007 single Illegal Attacks, a blistering tirade against the US and British invasion of Iraq set to a hip hop beat and sweeping strings. The Stone Roses had form in lyrical revolution- Bye Bye Badman referenced the Paris '68 events, Elizabeth My Dear fantasised about the death of Elizabeth II and they often mentioned politics in interviews during their '89-90 heyday. That's Sinead O'Connor on backing vocals.



At the other end of the scale from Mr Brown in terms of vocal ability and formation dancing is Beyonce. During last year's Superbowl she ruffled feathers by turning up with her dancers dressed as Black Panthers.



Co-written by Kendrick Lamar Freedom, from last year's Lemonade album (an album shot through with protest), is this slice of righteous psychedelic soul led by wheezy organ, shouting loud that Black Lives Matter.

Freedom

Saturday, 6 August 2016

Home Again (Again)


Back home again- I've barely been at home for the last three weeks have I? I'm sure those of you who don't have long summer holidays don't want to hear about the beautiful rolling hills of the Dordogne, the sandy coloured French villages, the point at which the Dordogne and Vezere rivers converge, engravings made on cave walls by our ancestors 25, 000 years ago that take the breath away, the fine wines of the Bergerac and Saumur, long sun drenched evenings, the daily sunshine and 34 degree heat. So I won't go on about it. If it's any consolation I can offer this advice- don't  get a ferry back across the Channel from Caen to Portsmouth that lands at 10 pm and then leaves you having to drive up to Manchester round not one, not two but three sets of roadwork diversions and gets you back in at 3 am.

Long summer drives through France on the other hand are a joy. The roads are great, traffic is minimal, the scenery wonderful. We have occasional differences about what should soundtrack the journeys. This year's tune that all of us agreed on was this recent smash from Beyonce, full of ire and anger, led by calypso strings and some intense drums. It borrows liberally from Yeah, Yeah, Yeahs too.

Hold Up

If you haven't heard it the album Lemonade is full of great tracks. Genuinely.

Saturday, 27 December 2014

Meanwhile In The Real Pop Music World


I had a conversation with a colleague at my works Christmas do who didn't know who Joe Strummer was ('oh yeah' he said when I told him Joe was in The Clash, 'they did that song I Bought The Law didn't they?' I think I did an actual facepalm). I looked at my 2014 List as I was typing it and thought 'is this deliberately obtuse?' So today I'm doing music from the real world in 2014.

Hideaway by Keisza is ace, with that massive early 90s bass drop and one take video.



You'd have to have a heart of stone not to find something about Pharrell's smash Happy not to like. Except that you may have heard it once too often by now.



And here's yet another class Beyonce tune (shame about the silly Jay Z rap in the middle which adds nothing and actually detracts from the song). This came out at the tail end of 2013 but I've heard it repeatedly this year and always enjoy it.

Tuesday, 24 June 2014

Freakum Dress



Drumming my fingers near the keyboard it occurred to me that following Joe Strummer's Cholo Vest yesterday we could have a week of posts of songs with items of clothing in the title. For no particular reason. Feel free to make suggestions. I did think of The Charlatans song White Shirt but George posted that recently at Jim McLean's Rabbit (I think) and he doesn't like it when people do posts of songs he has posted recently.

Everyone needs some Beyonce in their life- her stuff is frequently both poppy and hard edged, innovative with mass appeal. And she's fierce. Fiercely fierce. This 2006 song, Freakum Dress, is catchy as flu and is about having that one killer dress ('every woman got one', short and backless is an option but I'm sure there are others) and what that does to the wearer and the viewer.

Thursday, 19 June 2014

Moving Further Away


A humdinger of a Weatherall remix that appeared on a very pricey Horrors vinyl box set from 2012 for Thursday. The drum machine wheezes away, a bleepy arpeggio repeats and builds, and the Farris chorus part comes in and out. Hypnotic.

Moving Further Away (Andrew Weatherall remix)

I would pay good money for a Weatherall remix of Beyonce.

Saturday, 19 January 2013

Sifting


This is Sifters record shop, in Burnage, south Manchester, known far and wide due to Noel Gallagher immortalising Mr Sifter in Oasis's early single Shakermaker. I grew up not far from here and have been visiting Sifters on and off since early 80s. It's the kind of place you can rummage for an hour and come out with seven records having spent less than twenty quid. A fair few years ago, six or seven maybe, I took the kids to Fog Lane Park  (another of my childhood/teenage haunts). I then took them over the road to Sifters and to pacify them while I had at least ten minutes sifting I put them in front of the 12" rack and told them to choose one each. Whether through luck or judgement both chose acceptably- I.T. settled on The Fall's cover of R Dean Taylor's There's A Ghost In My House- must have been the sleeve- and daughter E.T., only two-ish, wanted Madonna's Into The Groove. Neither cost more than £1.95. Amongst other things, I bought this damn fine piece of twenty-first century pop...

Crazy In Love

I haven't been to Sifters for years, choosing King Bee in Chorlton for my out of town second hand record shopping these days. It's closer (and, whisper it, better). But I miss my trips to Sifters. Is it still there, anyone know? May have to take a drive that way soon.