F TROOP: "Honest Injun" (1965 ABC-TV/Warner Brothers) Season One, Episode 12. Original Air Date: November 30, 1965. Starring Forrest Tucker as Sergeant Morgan O'Rourke, Larry Storch as Corporal Randolph Agarn, Ken Berry as Captain Wilton Parmenter, Melody Patterson as Wrangler Jane, Frank deKova as Chief Wild Eagle, James Hampton as Bugler Dobbs, Bob Steele as Private Duffy, Joe Brooks as Private Vanderbilt. Guest Stars: John Dehner as Professor Cornelius Clyde, Lou Wills as Running Bull. Written by Ed James and Seaman Jacobs. Directed by Charles R. Rondeau.
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Friday, October 16, 2020
F TROOP Fridays: "Honest Injun" (1965)
F TROOP: "Honest Injun" (1965 ABC-TV/Warner Brothers) Season One, Episode 12. Original Air Date: November 30, 1965. Starring Forrest Tucker as Sergeant Morgan O'Rourke, Larry Storch as Corporal Randolph Agarn, Ken Berry as Captain Wilton Parmenter, Melody Patterson as Wrangler Jane, Frank deKova as Chief Wild Eagle, James Hampton as Bugler Dobbs, Bob Steele as Private Duffy, Joe Brooks as Private Vanderbilt. Guest Stars: John Dehner as Professor Cornelius Clyde, Lou Wills as Running Bull. Written by Ed James and Seaman Jacobs. Directed by Charles R. Rondeau.
Wednesday, October 07, 2020
Television Review: LOVE THAT BOB: "Bob Meets Fonda's Sister" (1955)
LOVE THAT BOB a.k.a. THE BOB CUMMINGS SHOW: "Bob Meets Fonda's Sister" (1955 CBS-TV/Laurel-McCadden Productions) Original Air Date: October 6, 1955. Starring Bob Cummings as Bob Collins, Rosemary deCamp as Margaret MacDonald, Dwayne Hickman as Chuck MacDonald, Ann B. Davis as Charmaine "Schultzy" Schultz, Lyle Talbot as Paul Fonda, Diane Jergens as Francine Williams, Lola Albright as Kay Michaels. Written by Paul Henning and Bill Manhoff. Directed by Rod Amateau.
Introduction to the LOVE THAT BOB/THE BOB CUMMINGS SHOW episode guide at this link.
Margaret is fit to be tied after Brother Bob blocks her daytime beach date with Paul Fonda, the latest interference in his sister's love life under the guise of protecting her from the "wolf". Fonda wonders what would happen if the shoe were on the other foot and enlists beautiful starlet Kay Michaels to pose as his sibling.
And so an "accidental" meeting is set up outside Bob's studio in which Kay sprains her ankle, allowing the Wolf of wall snapshots to play doctor inside. And, he hopes, doing it that night as well. Little does our Air Reserve Colonel know that he's walking right into Fonda's trap--which will be sprung inside the Collins household!
Lyle Talbot's sixth appearance as Paul Fonda sees Bob's old WWII comrade finding a way to fight back against those "Wolf" accusations. After insisting (to no avail) that he's changed (in future episodes, we learn that's debatable), he cooks up a hilarious scheme to give Bob a taste of his own overprotective medicine. In the process, Bob Meets Fonda's Sister introduces Kay Michaels for a four-segment arc as the newest object of the Playboy shutterbug's desire.
Michaels turns out to be more than just that, though--the aspiring movie starlet becomes the strongest contender to date to get Collins to the altar. One can see that extra "oomph" in Bob's efforts to woo her, and all that experience in the cockpit pays off--he stays silk smooth all the way up to Fonda's shotgun search. For her part, Kay Michaels plays her part in the plot perfectly. Is it any wonder she ends up breaking into pictures? Method or not, the instant mutual interest is palpable: there's no condescension when she plays hard to get.
For his part, Bob lives up to his reputation, making nary a wrong move pre-date at home or the office. Kay continually moves up the intervention time once she gets a whiff of Bob's cologne. Speaking of, Moustache (yes, it was around way back in 1955!) gets one Hell of a plug here, with Ms. Michaels' full approval followed by Margaret's, and finally Francine's--Uncle Bob's fragrance choice even helps young Chuck onto a smooth movie date.
Ultimately, LOVE THAT BOB is its subversive self once again in the end. Bob's comeuppance? That date with Kay, starting circa 10:00 P.M., with no interference at all from any of the usual suspects. If Fonda was trying to teach Bob a lesson, fixing him up with a gorgeous aspiring actress/model might not be the most punishing lesson, you'd think. Oh, and if it was 4-D chess to get our loverboy married off, that didn't work either. Too bad, Paul.
WHO WAS BLOCKING?
Bob--blocking Margaret, again. Worry not, she would soon be paying her brother back in episodes to come. Bob had little resistance in wooing Ms. Michaels--at least, in this installment. Schultzy is surprisingly subdued in the office, letting the entire Collins sales pitch proceed and only calling him to work when Kay is gone. Pining for the Boss but not aggressively---yet.
DID BOB SCORE?
With Kay? Eventually, I'm sure. Hell, she almost got a proposal eventually. He was well on his way around the basepaths throughout Bob Meets Fonda's Sister, with unimpeded progress before and after being the butt of Paul's joke.
THE BOTTOM LINE:
Lola Albright's popularity on the series kept her recurring for the next two seasons; Kay Michaels was her signature TV role before PETER GUNN came along. Her chemistry with Cummings stayed strong through seven appearances in all, through Bob Calls Kay's Bluff. As always, Talbot is a fine foil, and the clever Henning-Manhoff script is one controlled, consistent burn throughout. Unfortunately, the denouement fizzles slightly, with the theatrics muting the payoff and Bob (as usual) not really getting that much of a comeuppance. Still, Bob Meets Fonda's Sister provides more than enough hilarity to overcome a wobbly conclusion. (*** out of four)
Bob Meets Fonda's Sister is available through Shokus Video on LOVE THAT BOB Volume IX.
Sunday, September 27, 2020
Kermit Schafer Series: "ALL TIME GREAT BLOOPERS VOLUMES 5 & 6" (1977)
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Sammy Davis Jr. with Kaye Stevens |
9. In Schafer's posthumously published 1979 BLOOPER TUBE book, Peter Jennings' photo accompanies this one--but the actor here is heard elsewhere on the record (such as the Fulton Lewis Jr. blooper below) While this is definitely a re-creation, a Marine patrol did indeed liberate a V.C. prison camp near Duc Pho on July 23, 1967.
10. Roger Williams tinkled on that Don Knotts Special on Thursday, October 26, 1967 at 8 PM ET on CBS. Andy Griffith and Juliet Prowse were also in the cast.
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Mr. Junior shilling for The Lord in 1948 |
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Jack Mather and Harry Lang |
21. Shades of the notorious Uncle Don re-creation, and just as apocryphal.
Tuesday, August 18, 2020
Television Review: LOVE THAT BOB: "Bob's Boyhood Love Image" (1959)
LOVE THAT BOB a.k.a. THE BOB CUMMINGS SHOW: "Bob's Boyhood Love Image" (1959 NBC-TV/Laurel-McCadden Productions) Original Air Date: January 6, 1959. Starring Bob Cummings as Bob Collins, Rosemary deCamp as Margaret MacDonald, Ann B. Davis as Charmaine "Schultzy" Schultz, Dwayne Hickman as Chuck MacDonald, Rose Marie as Martha Randolph, Joi Lansing as Shirley Swanson, Barbara Darrow as Lola, Dorothy Johnson as Harriet Wyle, Edward Earle as J.O.P. Written by Paul Henning and Dick Wesson. Directed by Bob Cummings.
Daydreaming yet again about marrying The Boss, Schultzy decides on a new psychological tack: identifying the childhood crush who established Bob's female ideal, then emulating that presumably long-held ideal. A journey through the Collins family scrapbook turns up a Louisiana southern belle and a black-clad tomboy, and Schultzy lets the imitations begin.
Bob's sister Margaret also states a deep desire: shooing the Swallows who have nested in the chimney. After failing to deter son Chuck from his tennis game to do the dirty deed, Margaret turns to brother Bob. Unfortunately, the shifty shutterbug is shuffling Shirley, Lola and Harriet at the office, so his hands are full. Will Schultzy be able to elbow her way in? Is she ever?
Pared down a writing staff of two for its duration, the final season of LOVE THAT BOB proved too disappointingly reliant on meta guest stars in its first half and too cloying (courtesy the ill-advised addition of Tammy Marihugh to the cast) in its second. But the show's foundation wasn't completely ignored, and the best episodes of 1958-59 resulted from going back to it. Schultzy pining over Bob while he juggles multiple beautiful models is the very fulcrum of the series.
Signalling that we're headed for the tried and true, Bob's Boyhood Love Image begins with a dream sequence--Schultzy's. Getting married in the Collins living room, with three of Bob's A-list crying and the bride's face obscured by both a veil and the Justice, it's an auspicious beginning. Once we see her, we know it's a fantasy. Martha Randolph ends it, yet again trying to enlist Charmaine as a wingwoman for a more realistic double date.
Like fellow secretary Bertha Krause, Martha thinks Collins is the cat's meow yet has no delusions about Schultzy's ability to land her prey. Whereas Bertha nevertheless supports Charmaine's determination to shoot for the star, Martha tries to keep her pal earthbound--for her own nocturnal purposes here, since she needs a fourth wheel (for her date's parole officer!).
Nostalgia foiled Margaret in her efforts to stop Chuck's goldbricking, but she recovered nicely enough to give her playboy brother the chimney chores. Proving to be a good sport, she apparently cooked that scrumptious dinner enjoyed by Bob and Shirley and got out of the house for bridge night, allowing dining by firelight.
Bob's own task avoidance at home is his downfall, but he's still the King in the studio, adeptly juggling Lola, Harriet and Shirley while sidestepping every suspicion with aplomb. Learning his lesson from prior failed efforts like Bob Batches It and The Models Revolt, Bob settles on just one date for the evening. Despite the Master's usual taste for strange, he chooses the very familiar Shirley Swanson over luscious Lola and Harriet's wiles.
Speaking of familiarity, it's a little late in the game for Bob to suddenly be presenting Shirley with a heretofore unheard of sister--Bob's Boyhood Love Image is the show's 150th episode. Schultzy has also demonstrated her tomboy tendencies before (remember her powerful fastball in Bob Gets Out-Uncled?) so veteran viewers already know her second persona will be a non-starter. By refocusing on the original regulars, Henning and Wesson still give us a brisk series of funny situations with snappy dialogue. Cummings continues to be adept with pacing and camera placement, giving us visual gags to compete with the verbal. The mid-season rally would unfortunately be short-lived, but Bob's Boyhood Love Image is a worthy addition to any season and a very impressive entry for any series with this many stories behind it.
The always welcome Joi Lansing was joined by two starlets we didn't see nearly enough of: Dorothy Johnson (Bob Retrenches) had but seven credited appearances outside of LOVE THAT BOB, and disappears here after the dream sequence. 1953 Deb Star Barbara Darrow (QUEEN OF OUTER SPACE) played three different models in three different CUMMINGS shows. Justice of the Peace Edward Earle dwarfed the rest of the cast with a whopping 449 credits in a career that dated back to 1913.
WHO WAS BLOCKING?
Schultzy's Southern Belle routine is swatted away during the photography session with Lola, and Margaret is neutralized with Bob's promise to relocate the swallows. Margaret briefly blocks Chuck from his tennis date with Carol Henning, and for much of Bob's Boyhood Love Image it looks like the blockers will be kept at bay. That is, until Schultzy finally gets her way in a soot-covered finale.
DID BOB SCORE?
He was certainly headed for a trip around with basepaths with Shirley Swanson before the unfortunately timed chimney malfunction, and definitely appears to have a foot in the door with Lola while on the clock. If the latter happened, we didn't see it: this was the last of Barbara Darrow's three segments.
THE BOTTOM LINE:
When Henning and Wesson went back to basics, they came up Aces. Bob Plays Margaret's Game stands with the show's very best installments, and this winner brings the crazy without a deep delve into slapstick silliness. It would be something of a last hurrah for LOVE THAT BOB's glory days, with meta visits from Steve Allen, Art Linkletter and Mamie Van Doren in succeeding weeks followed by the show's acquisition of its very own Cousin Oliver with Bob the Babysitter. That said, it is one hell of a reminder of the punch that even an aged LOVE THAT BOB was capable of delivering from its durable original premise. (*** out of four)
Bob's Boyhood Love Image is available on Shokus Video's LOVE THAT BOB VII, titled "Schultzy Recreate's Bob's Past". Uniquely, the print is from a 1960 daytime airing on ABC, and features original commercials from Mary Cummings, the Mrs. from 1945 to 1970.