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The Caldecott Medal is awarded annually to one of the best illustrated children's books published that year. Additionally, a handful of other worthy books are given the Caldecott Honor as runners-up.The winner of the 1966 medal has the unique of being named a Caldecott Honor recipient not for three years in a row before she finally was given the medal for Sam, Bangs and Moonshine. Join us today in our Caldecott Winning Illustrators Series as we take a look at the art and career of Evaline Ness:

The Caldecott Medal for outstanding children's book illustration is awarded every year to the illustrator who has proven themselves to be at the forefront of what is possible in the world of children's literature. 1965's winner is notable not only because his art style was vivid and unusual, but also because he was inspired almost entirely by his work in another field. Beni Montresor's illustrations, often done in a variety of mediums, were heavily influenced by his work as a set designer for ballet and opera. This lead to illustrations both dynamic and compelling, a clear testament to his love of the dramatic that led to such success in his primary career as a set designer. Today we continue our Caldecott Winning Illustrators series by taking a closer look at Beni Montresor's artwork for the book, May I Bring a Friend?

Each year, the Caldecott Medal is awarded to the children's book that best showcases the skill and innovation found in the world of children's book illustration. Today we are taking a look at writer and illustrator Nonny Hogrogian, who was not just the recipient of the 1966 Caldecott Medal, but the 1972 medal as well. Throughout her career, Hogrogian has not only written and illustrated books for herself, but has illustrated numerous books for other writers. She has also helped shape the world of children's literature from behind the scenes too with her work as a production assistant and editor. Let's take a look at Hogrigian's incredible life and career as we continue our Caldecott Medal Winning Illustrators Series:

Every year the Caldecott Medal is awarded to the illustrator of a children's book that represents the best and most innovative work being done in the field. Critically acclaimed and—more importantly—beloved by children, these books often go on to hold important places on the shelves of libraries and families for years. Even so, it is fair to say that while many of the books achieve a notable status and have great staying power, it isn't often that the illustrators themselves become household names. However, there are a few exceptions. Join us as we take a look at the winner of the 1964 Caldecott Medal: the legendary Maurice Sendak.

Leo and Diane Dillon are world-class illustrators, Caldecott Award winners, and a formidable team. The couple met at the Parsons School of Design in New York where both were students. Leo came upon a still life of an Eames chair displayed among student work at a school exhibition. He was struck by it, and set out to find who had done the work. That person—whom he assumed was a “he”—was, in fact, Diane Sorber. The two entered in to a sort of rivalry, trying to place higher than each other at competitive art shows. In the end, they married and joined creative forces.

The Caldecott Medal is awarded annually to the illustrator of a children's book that showcases the best work being produced in the field. Ezra Jack Keats' book The Snowy Day was awarded the medal in 1963. Keats' beloved book not only ushered in a much-needed influx of multiculturalism in the world of children's literature, but also has grown to be one of the most beloved children's books of all time. Join us as we continue our Caldecott Winning Illustrators series by taking a closer look at this incredible illustrator.

The Caldecott Medal is awarded every year to a book that represents the finest achievement in children's book illustration that year. Often times these awards go to titans in the field of children's book illustrating, artists who go on to create art for some of the best loved books for children. One winner, however, was not primarily an illustrator for children's books, and in fact considered himself to be mostly an advertising artist, illustrating only a handful of children's books during his career. Let's take a closer look at 1961's winner Nicholas Sidjakov, who achieved the highest honor in American children's book illustration even while not pursuing the field as his primary vocation.

Reading is one of the most fundamental and important skills we learn as children. The books we encounter as children teach us lessons, offer us comfort, and hopefully build a foundational love of reading and story that stay with us for the rest of our lives. For these reasons, children's books are some of the most valued and beloved books in literature. To that end, each year the Caldecott Medal is awarded to a children's book that exemplifies the best and most innovative work in the field of children's book illustration. These books are vibrant, relevant, and crucial stories whose merit goes beyond just the skill with which they were illustrated and often have long lasting appeal for the children for whom they were written, becoming favorites for years to come. Today we continue our Caldecott Winning Illustrators Series by taking a closer look at the 1960 winner, Marie Hall Ets.

The first snowfall of the year, the anticipation of Christmas, the wealth of holiday traditions: the end of the year is filled with opportunities for joy and fascination for the young (and young at heart). It’s no surprise, then, that the list of Caldecott award winners is filled with winter tales. It’s the perfect time of year to snuggle up with loved ones and read a book, so here are some classics to enjoy, from The Polar Express to The Big Snow.

Each year the Caldecott Medal is awarded to the children's book most representative of the highest level of quality and skill in the industry. While sometimes the author and illustrator are one in the same, as with Barbara Cooney's 1958 win for Chanticleer and the Fox, just as often the illustrator in question did not write the book, which is the case for Cooney's 1980 win for her collaboration on Donald Hall's Ox-Cart Man. Cooney is a perfect example of what a recipient should be. Her work is prized not only for the exceptional addition it makes to children's books, but as folk art. After her death, her work began to appear more and more in museums. Cooney is famously noted to have said that she did not believe that children were too young to read about larger issues, that they should not be limited to only what they understand. Her work exemplified this push for a greater understanding and, most importantly for children's books, she never talked down to children. Join us as we take a closer look at the career of this remarkable illustrator in our continuing Caldecott Winning Illustrators Series.