On his third album created primarily with modular synthesizers, the longtime Sea and Cake frontman makes fascinatingly abstracted music about the act of listening itself.
Produced with the National’s Aaron Dessner, the introspective Canadian singer-songwriter’s stately fourth album evokes an atmosphere of quiet loveliness.
At the top of their fifth decade, the Lips rekindle their past romance with Neil Young’s piano ballads, the Beatles’ psychedelic guitar tones, and Bowie’s stargazing anthems on a deeply personal album.
Michelle Zauner (a.k.a. Japanese Breakfast) and Ryan Galloway of Crying form a socially distanced, easy-going pop duo whose music offers a brief respite from the times.
In the absence of live music, touring musicians have taken to Zoom to share their knowledge and craft with a flood of new students. Imperfect as it may be, this exchange has become a financial and creative lifeline.
New releases to look forward to in the coming months
Matty Healy discusses every album by the 1975 in this episode of “On the Records”
Following the recent rediscovery of his 1975 album Valley of Search, the saxophonist releases a quintet set of all-new compositions that nod to jazz history while rocketing off to points unknown.
The latest from the Manchester cult favorites lacks the overwhelming chaos of their best music, but it’s their most thoughtful work yet.
On his fifth solo album, Big Sean gets personal, leans on a slate of high-profile guests to provide most of the entertainment, and struggles to deliver anything that isn’t fundamentally embarrassing.
The Canadian country singer trades his solitary fare for a new set of stories, and a backing band that cuts in and out like a dance partner.