MEAA認証済みアカウント

@withMEAA

The union & industry advocate for Australia's creative professionals. Authorised by Paul Murphy, 245 Chalmers St, Redfern NSW 2016. Phone: 1300 65 65 13

Australia and New Zealand
2009年3月に登録

ツイート

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  1. 固定されたツイート
    2017年5月17日

    On our 25th anniversary we want to celebrate all our members

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  2. 9月25日

    “My whole life I have been seeing shows where you just go in accepting the majority of people you see on the stage will be white. It’s just the way things are.”

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  3. 9月25日

    More than a quarter of the orchestra have been made redundant. The question for the company's artistic director is: how can you have an opera without an orchestra?

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  4. 9月25日

    4. Under your watch, the company has reduced Australian artists in performances by over 50%. In what way is this really an 'Australian' opera company?

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  5. 9月25日

    3. First you sack musicians and reduce the orchestra by 40%, then you seek to terminate heir wages agreement. What do you care about? Music, opera, or just the bottom line?

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  6. 9月25日

    2. How can you run an opera company orchestra without clarinets, bass, oboes and other instruments?

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  7. 9月25日

    1. How can you run an opera company without a lighting department?

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  8. 9月25日

    .@lyndonteracini has been artistic director of since 2009. With the company facing redundancies of 40% of its permanent and contract staff, we want to know what role has he played in this decision. Lyndon, please answer these following questions.

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  9. さんがリツイート
    9月24日

    "How do you make space for disabled artists to show what their ambitions are? How do we keep those doors open and make those introductions to where they want to get to?" said our CEO, Caroline Bowditch. Read the full article on the ArtsHub's website.

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  10. さんがリツイート
    9月24日

    The future of Melbourne’s performing arts is at risk. Monash University is trying to shut down the Centre for Theatre and Performance (CTP), depriving the industry of many diverse new voices which an open-access theatre education provides. For more info:

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  11. 9月24日

    Journalist unions across the globe call on Hong Kong Police to scrap new guidelines that allow the HK government to determine who is a journalist. This overreach would control media coverage, limit access, avoid legitimate scrutiny and deny the public's .

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  12. さんがリツイート
    9月24日

    I encourage science communicators in Australia to join if you want to learn how to advocate for fair pay and build a thriving and impactful sector! This isn't greed! This actually helps us have more opportunity and impact collectively within a capitalist world.

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  13. さんがリツイート
    9月24日

    It still feels weird watching the clock tick past 07.45 and not hearing the majestic fanfare. More local content is great I guess, but the 7.45 was an institution. Something to set your watch to.

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  14. 9月24日

    Vale to Harold Evans, a titan of our profession, who apart from being a legendary editor wrote seminal text books that were required reading for generations of cadet journalists.

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  15. さんがリツイート
    9月24日
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  16. さんがリツイート
    9月17日

    Something different from me. Here’s an interview I did with the Walkleys magazine on the future of journalism, IR reporting and our work on domestic violence and Setka

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  17. 9月24日

    "It’s time for streaming services ... to stump up and support our own screen sector. They are currently getting a free ride and a competitive advantage over traditional media." Well said, Trent Zimmerman.

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  18. さんがリツイート
    9月23日

    It really isn’t the same without the 15-minute bulletin. What was management thinking? Especially now. Awful decision.

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  19. さんがリツイート
    9月23日

    Applications close next Wednesday for the 2020/21 Michael Gordon Journalism Fellowships. Up to $30,000 in grants for social justice journalism projects for journalists around the country. Details at:

    さん、さん、さん、他3人
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  20. 9月24日

    Of course that should say *under* new owners.

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  21. さんがリツイート
    9月23日

    A huge win for local news! The Border Watch, one of regional Australia's oldest newspapers covering the limestone coast, has been revived by a private consortium

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