The Lawrence brothers’ third album of glossy yet gritty disco pop suggests that their true lineage is the Y2K chart-house sound once ubiquitous on UK airwaves.
The latest from the pair of Italian experimental musicians marked by its simplicity, distilling their music down to its most lyrical and affecting form yet.
The former members of Krill return with a slower pace and a heavy political conscience. The effect is one of careful deliberation in place of what once seemed to come so naturally.
The Finnish experimental electronic producer and legendary Jamaican rhythm section team up in search of an elusive balance between their distinctive styles.
As his longstanding band Bright Eyes returns, the 40-year-old songwriter reflects on the artists that have soundtracked his life, from Cyndi Lauper to the Faint to Phoebe Bridgers.
On a rainy morning in early August, we spoke with the singer-songwriter about her raw new album, her process, and the age-old quandary of art versus commerce.
Matty Healy discusses every album by the 1975 in this episode of “On the Records”
Each Sunday, Pitchfork takes an in-depth look at a significant album from the past, and any record not in our archives is eligible. Today, we revisit the infamous 1974 album Pussy Cats, produced by John Lennon, the moment a would-be titan consigned himself to a tragic cult figure.
The Colombian pop star’s latest is low stakes, neither offensive nor remarkable, the sound of a reggaetonero you’d expect to find on a mood board for a fashion campaign.
Inspired by poet Alda Merini, the Italian violinist and vocalist composes a nuanced investigation of the divine feminine, illuminating complex emotional specifics of motherhood and life.
The Polish clarinetist Wacław Zimpel blows away the cobwebs from Sam Shackleton’s often shadowy psychedelia, adding a celebratory force to the English electronic musician’s hypnotic minimalism.