In a House of Lies by Ian Rankin (Orion Books 2018)

Sutherland nodded. ‘Not much of an accent left, except when I visit family. I notice you’re English.’

She shook her head. ‘Born here; grew up there – I blame the parents. So where else have you been other than Inverness?’

‘Aberdeen, Glasgow, even Skye for a while.’

‘They have crime on Skye?’

‘I like to think I eradicated it.’ He made a little toast to himself. ‘You ever been anywhere other than Edinburgh?’

‘I was on secondment in Glenrothes when Stuart Bloom disappeared.’

‘That was lucky – if you’d been attached to the case, you couldn’t be on my team now. Conflict of interest, et cetera.

Clarke nodded distractedly. ‘So where do you live these days?’ she eventually asked.

‘Shettleston, in Glasgow.’

‘Can you see Barlinnie from there?’

‘More or less. How about you?’

‘Five minutes from here. Just off Broughton Street.

Conviction by Denise Mina (Harvill Secker 2019)

When we met I was Anna, the new office temp from Somewhere-Outside-of-Aberdeen. I chose Hamish quite carefully. I did love him, I must say that, and I still do, sometimes. But I deliberately picked an older man with money and status. A declamatory man, full of facts and opinions. He was the perfect hide.

Hamish was born in that house and had never lived anywhere else. His family had been on or near the Scottish judiciary for two hundred years. He didn’t much like foreign travel. He read only Scottish writers. That seemed so weird to me. I think I found it a little exotic.

Even Dogs In The Wild by Ian Rankin (Orion Books 2015)

Darryl Christie wasn’t a huge fan of Glasgow. It sprawled in a way his own city didn’t. And there were still traces of the old enmity between Catholic and Protestant – of course that existed in Edinburgh too, but it had never quite defined the place the way it did Glasgow. The people spoke differently here, and had a garrulousness to them that spilled over into physical swagger. They were, as they chanted on the football terraces, ‘the people’. But they were not Darryl Christie’s people. Edinburgh could seem tame by comparison, head always below the parapet, keeping itself to itself. In the independence referendum, Edinburgh had voted No and Glasgow Yes, the latter parading its saltired allegiance around George Square night after night, or else protesting media bias outside the BBC headquarters. The political debate had melted into a blend of carnival and stairheid rammy, so that you never knew if people were joyous or furious.

Darryl Christie had considered all the implications for his various business interests and come to the conclusion that either outcome would probably suit him just fine, so in the end he hadn’t voted at all.

The Good Son by Russel D. McLean (Minotaur Books 2008)

Nearly a week before the night I found myself ready to kill a man in cold blood, I was angling for the security of a job that paid up front.

Which is why I was grateful for the business of any client. Especially the man who huffed his way into the offices of McNee Investigations.

James Robertson stuffed himself into the sixties-style recliner I'd picked up a few weeks earlier at the Salvation Army store on West Marketgait. He was sweating, even though it was a cool day. As if he'd swum across the Tay rather than taking the bridge. The handkerchief tucked into the breast pocket of his suit jacket looked damp.

I offered my hand. His was slick and threatened to slip from my grasp. 

It wasn't his size, even if he was a large man. No, the sweat came from agitation. Robertson was tense, his muscles practically humming they were stretched so taut.

Doors Open by Ian Rankin (Orion 2008)

Mike saw it happen. There were two doors next to one another. One of them seemed to be permanently ajar by about an inch, except when someone pushed at its neighbour. As each liveried waiter brought trays of canapés into the salesroom, the effect was the same. One door would swing open, and the other would slowly close. It said a lot about the quality of the paintings, Mike thought, that he was paying more attention to a pair of doors. But he knew he was wrong: it was saying nothing about the actual artworks on display, and everything about him.

Mike Mackenzie was thirty-seven years old, rich and bored. According to the business pages of various newspapers, he remained a “self-made software “mogul’, except that he was no longer a mogul of anything. His company had been sold outright to a venture capital consortium. Rumour had it that he was a burn-out, and maybe he was. He’d started the software business fresh from university with a friend called Gerry Pearson. Gerry had been the real brains of the operation, a genius programmer, but shy with it, so that Mike quickly became the public face of the company. After the sale, they’d split the proceeds fifty-fifty and Gerry then surprised Mike by announcing that he was off to start a new life in Sydney. His emails from Australia extolled the virtues of nightclubs, city life and surfing (and not, for once, the computer kind). He would also send Mike JPEGs and mobile-phone snaps of the ladies he encountered along the way. The quiet, reserved Gerry of old had disappeared, replaced by a rambunctious playboy—which didn’t stop Mike from feeling like a bit of a fraud. He knew that without Gerry, he’d have failed to make the grade in his chosen field.

The Crime Interviews: Volume Two by Len Wanner (Blasted Heath 2012)

Good question. Why are you writing books?

I'm writing books to try and make a connection with a reader. It doesn't matter whether it's a reader who's on the Booker panel or a reader who's a waitress... Whenever I'm up for a prize I think: "Who the fuck are you to judge me?" And then I think: "Give me that fucking prize." Ha! You don't know these people exist until they write to you to say: "You're up for a prize. Do you want to come and have a bad hotel dinner, while feeling really nervous and wearing uncomfortable clothes, and then get up and make a cunt of yourself in front of a big audience?" What the fuck?

I mean, prizes are good marketing tools. They're shorthand for telling readers: "This is a good book." But a better way for people to come to your books is for their pals to say: "You'll like that book. It really meant something to me."

When did a book first really mean something to you?

When I was nineteen, reading Thérèse Raquin in a bedsit, being totally transported by the writing and the way two words can click together, and sitting back, thinking: "What an amazing thing to do with your life – to make that sort of connection with another person, to feel exactly what Zola was talking about, or looking at, or imagining... What an incredible connection!" And what I really love about Zola is that he was a political writer.

Do you see yourself as a political writer?

Yeah! Orwell was who I stole from the library... So it's that connection: reading A Tale of Two Cities and sweating with my heart racing at the end because it was so exciting. But I think you really have to keep your eyes on the prize, because otherwise you become bitter and disillusioned despite having everything. You're being published, you're making a living, you're spending your days in pyjamas wrestling with words, and people are writing to you saying: "I read your book and it mattered to me." How lucky is that?

(Len Wanner interviewing Denise Mina.)

Exit Music by Ian Rankin (Orion Books 2007)

'No one's about to poison me, Rebus. Sergei and me, we see things the same way. Few years from now, Scotland's going to be independent - not a shred of doubt about that. Sitting on thirty years' worth of North Sea oil and God alone knows how much more in the Atlantic. Worst-case scenario, we do a deal with Westminster and end up with eighty or ninety per cent of the cut.' Cafferty gave a slow shrug. 'And then we'll goand spend the money on our usual leisure pursuits - booze, drugs and gambling. Put a supercasino in every city, and watch the profits stack up . . .'
'Another of your silent invasions, eh?'
'Soviets always did think there'd be revolution in Scotland. Won't matter to you, though, will it? You'll be out of the game for good.' Cafferty gave a little wave of the hand and turned his back.