How To Rob An Armored Car by Iain Levison (Soho Press 2009)

“I can’t believe it was that easy. Dude, we ought to do this full time.”

Doug shrugged. “Do you want to? I mean, do this instead of robbing the armored car?”

Mitch started his car, mulling the idea over. Today had certainly been easy money but he knew that every day wouldn’t be that easy. They had just gotten lucky. And besides, Doug had all the skill, knowledge, and bargaining ability. Mitch really didn’t bring much to the table.

“Nah,” he said. “I mean, it was impressive and all, but you did everything. All I really did was give you a ride.”

“I could do this full time,” Doug said. “Maybe we should do this instead of robbing the armored car.”

“Are you having doubts?”

“I don’t know. I’m getting kind of scared about the whole thing,” Doug said. “I mean, I just need a little bit to live off. I don’t need to be rich and shit. I don’t need millions of dollars. Money doesn’t buy happiness.”

“Sure it does,” said Mitch cheerfully.

“Look at Kurt Cobain.”

Despite the giddiness of the moment, Mitch felt anger welling up. He hated this logic on which so many people operated, the quaint, pat little platitudes they used to comfort themselves, the bumper stickers and refrigerator magnets that supposedly summed up all their struggles. Money doesn’t buy happiness. God has a plan. It will all work out in the end. It was brainwashing, calculated and perfect, the final bitch-slapping to top off a lifetime of stocking shelves or filing papers or answering phones. If he was going to spend his life making money for someone else, Mitch thought, that was fine. It was inevitable. But don’t insult my intelligence by trying to convince me money is worthless, just so you can keep the whole fucking pile to yourself.

He knew that Doug was a man of simple needs and that he really would be happy with very little. So, for that matter, would Mitch. But it wasn’t all about the money. It was about Accu-mart, about the army, about Doug’s car getting impounded. It was about everything that had ever made him feel small, that had given him the message that he owed someone something, that he had to do more, that his behavior wasn’t good enough.

“Kurt Cobain was a drug addict,” Mitch snapped. “All the people who killed themselves when they got rich were drug addicts. Janis Joplin, Hendrix, Jim Morrison. Money doesn’t buy happiness for drug addicts because they can buy so many drugs all of a sudden that they just freak out.

Then rich people look at that and they say, ‘Money doesn’t buy happiness, fuckers. See what happened to Kurt Cobain? So stop asking for more money, ’cause it ain’t gonna help.’ They just use that bullshit as an excuse to not give us raises. Then they take the money and laugh on the beach in Bermuda. Dude, fuck that. If money doesn’t buy happiness, why do guys guard it with guns?”

He drew a deep breath, then continued his rant while Doug sat in the passenger seat staring at him. “They expect us to eat that shit up. They expect us to say, ‘Wow, money doesn’t buy happiness. Boy, I’m sure glad I don’t have any money. Otherwise, I’d just overdose on all the drugs I could buy. Yessiree, it’s much better if the rich people keep all the money, ’cause if I had any of it I’d just spend all day jamming heroin into my arm.’”

“Wow, dude,” Doug said, taken aback by Mitch’s sudden ferocity.

“Money buys happiness for everyone else. You fucking bet it does. It gives you mental peace, man. You know why? Because if you got money, you stop worrying. And not worrying all the time is happy enough for me.”

“You worry?” Doug asked. He sounded innocent, like a little boy, and Mitch felt a twinge of regret that he had cut short their celebration of the successful drug deal with an outburst of bitterness. But he hated seeing his friend act . . . brainwashed.

“Of course,” Mitch said. “Don’t you?”

“No,” Doug said softly. “I just figure everything will work out in the end.”

Mitch gritted his teeth. “I worry all the fucking time,” he said. “I worry about bills, about the rent, about not being able to ever afford anything. I can’t go anywhere or do anything. Shit, even any of that stuff you see people doing during the commercials in football games: mountain-biking, traveling, going to the beach, concerts, vacations. It’s like there’s this great big fucking world out there full of all this great shit, and man, we’re never gonna be a part of it. We can’t even have a little taste, you know? So, yes, I worry.”

Totally Wired: Postpunk Interviews and Overviews by Simon Reynolds (Soft Skull Press 2009)

Simon Reynolds: Thinking about the city’s post-punk scene, it struck me that none of the Manchester bands inspired into existence by punk were particularly political. Certainly there was no protest punk, no agitprop.

Tony Wilson: I always thought the Pistols were the greatest band because they weren’t really agitprop. The more overtly agitprop lines were thrown in by Jamie Reid. None of real punk was Red Wedge. That would be too reasonable. Agitprop is socialist, but the whole background to punk is situationist. Punk was more simple and brutal, which is why post-punk had to happen. One of my only regrets is that Bernard in New Order is clever, and that so fucked me off. So, 1990, Radio One, I’m listening to a programme on the Joy Division/New Order story, and Bernie says, ‘Punk was wonderful, it got rid of all the shite. You can’t really remember how bad music was in the early seventies. It was diabolical, a total wasteland. Punk was an explosion that blew it all away, but it was simple and simplistic. All it could say was, “I’m bored.” Sooner or later someone was going to use the simplicity of punk to express more complex emotions.’ I was like, ‘Fucking hell, the bastard’s right again!’ My reworking of Bernie’s comment is, ‘Punk was wonderful, but all it could say was this one simple emotion: “Fuck you.”’ Sooner or later someone was going to have to use that music to say, ‘I’m fucked.’ And that was Joy Division.

I see Joy Division as the first band of post-punk and U2 as the second. Sure, they can be soap boxy and sermonizing.

Simon Reynolds: Oh yeah, you can hear PiL’s ‘Public Image’ in the early U2 sound. Talking about PiL, there’s a story about the Factory people driving around Manchester at night, stoned, listening to the first PiL album.

Tony Wilson: We loved PiL. We loved them so much, I rang them up and said, ‘Will you do a number on Granada Reports?’ This is early PiL. They came to Manchester and did some songs on the show. And then at 3.40 in the afternoon, John turns to me and says, ‘You still do that fucking club of yours?’ I said, ‘Yeah.’ John says, ‘While we’re up here might as well do a fucking gig. Organize it.’ I asked Keith Levene, ‘Is he serious?’ and he says, ‘Yeah.’ So I called Alan Erasmus and asked if he could open the club that night. We’re running around like idiots. Got the news on Radio Piccadilly. At 7.30 in the evening I got A Certain Ratio out of bed to support them, and that night was Manchester’s first PiL gig. Fucking great. Another big band in Manchester was Suicide. Manchester loved Suicide. They played the Factory club at the Russell twice. When they supported The Clash, in every other city in Britain they got booed. But in Manchester it was ‘Fuck The Clash, we’re here for Suicide.’

But back to post-punk – I always think of Joy Division and U2. Two months after Ian died, U2 still hadn’t broken. There was this wonderful kid who was a radio DJ and plugger, and he used to bring U2 to every radio station and every TV station in the north of England every three months to break his beloved U2, whom no one cared about then. I remember him bringing Bono into my office, and Bono sat on the desk and said to me how incredibly sorry he was about Ian’s death. How it had really hurt him. How Ian was the number-one performer of his generation and he knew he was always going to be number two. And he made some statement – it didn’t sound as silly as ‘Now he’s gone, I promise you I’ll do it for him,’ it wasn’t as awful as that, but it was something like that. I thought, ‘Yes, thanks a fucking lot, fuck off.’ Until the afternoon of Live Aid. I was watching, so angry because all the dinosaurs at Wembley were playing and going out to the world, and they were all utter shite. And then U2 came on and they were good. And then a girl fainted, and Bono began to move off the stage to help her. I actually leapt out of my seat and said, ‘All right, I give in! You did it, you did it for Ian! God bless you.’ So God bless U2. They were fantastic at the Superbowl. Edge’s guitar was unbelievable.

The great line about U2 is Bernard’s again. It’s Rapido in 1989, and he’s asked whether as a pop star you can take yourself too seriously. And Bernard says, ‘Yeah, you can. You can get a bit above yourself. Like that guy, what’s his name . . . Bongo.’

How To Rob An Armored Car by Iain Levison (Soho Press 2009)

Mitch was staring at a case of auto air fresheners.

Really staring at them. He was having some deep thoughts, wondering who came up with the idea of freshening the interior of a car. Mitch’s own car smelled like gas and pot smoke and mold, which was fair enough, because the roof leaked and the carpet was always damp, and he hotboxed a joint out there every day during his lunch break, and the car ran on gas. That was what an old car should smell like. He knew if he put an air freshener in it, it would smell like gas and pot smoke and mold and a chemical approximation of a pine tree, which wouldn’t really be better, just different.

He and Charles had gone out at lunch and fired up a joint and Charles had told him that he had nine brothers and sisters back in Lagos, Nigeria, and two of them had been killed by the secret police. Mitch hadn’t known what to say. In a way he envied Charles for having had a life so shitty that working at Accu-mart was a slice of heaven. He wished he had stories about having come from somewhere merciless and tragic. Instead, he had stories about living with a distant father while attending public school in Queens, and by comparison those stories shrieked of insignificance. Even he found them dull, and because of this, working at Accu-mart was even duller, a mind-numbing slow torture that was turning his brain into lifeless putty. Work, cable TV, smoke a bowl, sleep. Try to hide from suffering in all its many forms and wind up envying people whose families were getting killed by the secret police.

Flawed Genius: Scottish Football's Self-Destructive Mavericks by Stephen McGowan (Birlinn Ltd 2009)

'Big Jock couldn't believe it. "Do you really want to go to that elephant's graveyard?" he asked me.

'But Haldane Y Stewart could sell sand to the Arabs and he'd convinced me I was the best player since Pele.'

Stewart may not actually have believed that much. Within two seasons, however, there were plenty around Greenock who did. Initially, the reception and first impressions were underwhelming. A leaking gas fire created the impression of a gas chamber in the old Cappielow main stand when the new signing arrived on the morning of his debut against a Clydebank side featuring the late Davie Cooper. An air of decay hung over Cappielow and circulated the corridors.

'I remember meeting my great boyhood hero, the former Motherwell striker John Goldthorpe, as I walked in.

' "Andy, what you doing down here?" he asked me.

' "I'm playing against Clydebank tonight, John," I replied.

' "You're whit?" he asked me. "What? Are you down on loan?"

' "Naw," I said, "I signed for Morton this afternoon."

' "What the f*** did you sign down here for?" he asked me. That wasn't the best of starts.

'But the real culture shock arrived on the Saturday, when we went to Love Street to play St Mirren, our greatest rivals. We lost 5-1 to a team managed by a certain Alex Ferguson. That Saturday night, I drove home saying to myself, You'd better get your finger out; you don't want to be hanging about here too blinkin' long.'

Yet when the goals started flowing with a double against Montrose the following Wednesday, including a trademark free-kick, Ritchie settled. So well, indeed, that within weeks Celtic - unbeknown to the great man himself - tried to take him back for £170,000.

'Had I known at the time, I would have created merry hell to secure my return to full-time football. It was only many years after I had finished as a football player that I even learned of the bid from Sean Fallon, Jock's old assistant.

'As part of the deal, Morton would be duty bound to clarify that I had only ever been on loan. It's difficult to explain in words how I felt about it years later. I just wish to Christ I had known at the time.

'I quickly realised at Morton that I had never really wanted to leave Celtic. But Brings had gone so far, relations had soured so badly, that I had to. I was putting pressure on myself to succeed and I had to get away, to reinvent myself.'

To a large extent, he succeeded brilliantly. After scoring the goals which took Morton to the Premier League in a season-and-a-half, Ritchie became that rarest of entities: a Player of the Year plying his trade outwith the Old Firm.

When he earned his accolade from the Scottish Football Writers' Association in the Albany Hotel, Glasgow on an April night in 1979, he was just 22. The pride he took from having his father and grandfather in the grand room that evening was palpable. By his own admission, however, the award prompted a downward spiral rather than an unstoppable ascent.

In the days before footballers enjoyed rock star status, the celebrity that followed was difficult for a young working-class man with an attitude and a healthy slice of self-conceit to absorb.

'Things began to change after that,' he recalls. 'I parked my car outside a primary school in Greenock one day and young boys were playing football in the playground. One of the lads scored a screamer past the obligatory fat kid in goals. And as I turned the lock in my car door, I heard the shout, "And Ritchie scores!" I thought he was taking the piss. He wasn't, the kid hadn't even seen me. But at that time my reputation was growing all over the place. I was being recognised everywhere I went, from Laurencekirk to Lochee.'

What had also changed was Ritchie's attitude. The good habits bred at Celtic had flown out of the window to be replaced by heavy drinking, major gambling and a 40-a-day nicotine addiction. By his own admission, he played many of his best - and worst - games nursing a hangover. Friday night sessions in the Windmill Tavern in Lanarkshire would be followed on Saturday morning by a panicked search for the family car, a missing wallet and a phone call to an obliging teammate to get him to Greenock for the prematch meal, where manager Benny Rooney would be pacing around a hotel foyer checking his watch.

'I always remember Johnny Goldthorpe driving me to training at Morton one evening in our promotion season in 1978.

'Johnny was 32, had been a good pro and knew a thing or two. I had always looked up to him until the day he turned to me in the car and said, "You'll not last until you're 27 in this game."

'I was angry, furious in fact. I wasn't having that, not even from Johnny Goldthorpe. I was only in my early twenties at that time and I was flying. I was scoring goals, winning rave write-ups and was the best player in the country. What did this old fella know? Well, one thing he did know was the smell of drink - and I was in that car passenger seat steaming drunk. I'd been drinking all afternoon, and some of the morning as well. And that wasn't especially unusual for me. I'd still be stinking of drink when I played games. And somehow I was still scoring goals.

' "I'll do whatever the f*** I want," summed up my attitude best.

'Big Jock Stein had told me towards the end of my time at Parkhead - because I had begun to develop an opinion - that the best thing I could do was take the cotton wool out of my ears and shove it in my f****** mouth.

'Don't get me wrong, I enjoyed every minute of all that. I didn't do it to blot out any pain or any crap like that. But I saw no need to change. I had been boozing, gambling and doing whatever and we had still gone to the top of the league.'

Morton finished seventh in the Premier League that season, after leading before Christmas. Part-time football remained a constant despite promises from the chairman, Hal Stewart, to go full-time. To the more ambitious members of the playing staff, it was a betrayal.

Desperate to play for Scotland and increase basic earnings of £50 a week bolstered by a new contract and an afternoon job as a Morton Lottery Ticket salesman, however, Ritchie wanted out. With his gambling now out of control, he needed out.

A Game of Two Halves: The Autobiography by Archie Macpherson (Black & White Publishing 2009)

Argentina, 1978, was wounding and stimulating at the same time. To watch a cheerful, personable, approachable guy undergoing an ordeal of which only a Torquemada would have approved was deeply unsettling. I had felt a personal stirring of unease, many months before, when I assisted him in a brewery-sponsored tour of the country to cities and towns, as he bathed in the glow of admiration which came from his ecstatic nation. I felt that if it didn't come off for him, the fall from grace would finish him. Failure, set against optimistic hysteria, could only mean a death warrant. When I watched him cuddle a dog on a hillside in Alta Gracia, the town we were all based in, after the defeat in the first game by Peru, 3-1, and heard him tell us that the animal was probably the only friend he had left in South America, you  could tell he was slipping into self-perpetuating misery. After the game against Iran, who we assumed were the Glenbuck Cherrypickers of the tournament  but which ended in a 1-1 draw, my colleagues in BBC television in London deliberately and maliciously edited pieces together with close-ups of Ally's contorted, tortured face on the bench which were the closest television has ever got to portraying Edvard Munch's The Scream, in a sporting setting, there really was no way back.

The win against the ultimate finalists, Holland, in Mendoza, 3-2, but which meant nothing in terms of qualification, was summed up beautifully from underneath a wide-brimmed hat in an airport lounge by a pissed-off looking Alan Sharp, the Scottish novelist, who had interrupted his screenwriting business in Hollywood to travel to the game, when he pronounced, 'We didn't win, we just discovered a new way of losing.'

Taking Le Tiss by Matt Le Tissier (HarperSport 2009)

That wasn’t the only time on that tour that there were a few problems after Bally had had a few to drink. I’ve said that he had something of a love-hate relationship with Lawrie McMenemy, who was Director of Football. Bally was passionate, impulsive and wore his heart on his sleeve while Lawrie was the restraining voice of reason. They needed each other and worked well together but there was some rivalry and jostling for position, and that meant they did have some blazing rows—including one over dinner on that tour.

The wine was flowing and Alan launched into a lengthy rant. The gist of it was, ‘You’ve had your effing chance, I’m in effing charge now. Why don’t you eff off back to England and let me effing get on with it?’ So Lawrie did just that and jumped on the first plane home while Bally went and slept it off, again. When he woke up and discovered Lawrie had gone, he picked up the phone and said, ‘What the effing hell do you think you are doing? Why are you back in England? I need you here.’

They were like an old married couple in many ways, often arguing but with a deep mutual affection and respect. Lawrie also curbed Bally’s impulsive excesses in the transfer market—apart from the time he made the mistake of taking a couple of days off. He got back to find Bally had signed a centre-back from Exeter by the name of Peter Whiston, a nice lad but never Premier League quality. I never quite figured out the reason for signing him, but it can’t have been a footballing one.

That 1994-95 season was probably the most enjoyable of my career. I played great football and scored a lot of goals, largely without the fear of relegation. I also won the BBC’s Goal of the Season for what was my favourite ever goal—largely because it was against my old mate Tim Flowers. We were at Ewood Park and I picked up the ball just outside the centre circle, beat a couple of players and spotted Tim just off his line. I hit the ball from 35 yards and it went exactly where I wanted it to go, straight to the top left corner. It was a wonderful moment, not least because Tim got nowhere near it and ended up floundering in the net. It was my second goal of the match but, even then, Tim had the last word because Blackburn won 3-2.

My form in the early part of the season was helped by the fact we’d signed a terrific player who was completely on my wavelength, both on and off the field. It was great piece of business, and it came about in the most bizarre way. After another 1994 pre-season tour, this time in Holland, we’d checked into a hotel with its own football pitches in the middle of nowhere. It was a popular venue with a lot of clubs, including Barcelona who were staying there when we arrived. They were managed by Johan Cruyff who knew Alan Ball well. They were both big stars in world football and had a strong mutual respect and friendship. Cruyff was a legend and we were in awe of him. I was the only one of our squad brave enough to ask him for his autograph.

That night Bally had dinner with Cruyff and half-jokingly asked if he had any players he could spare. Next morning Alan got up to find Barcelona had checked out but had left behind a young Danish lad by the name of Ronnie Ekelund with the message, ‘Take a look at him and if you like him, he’s yours.’ He trained with us that morning and it was immediately obvious he was a top-quality player. He had great vision and technique, and could pick out a pass. We clicked straight away and Bally immediately set the wheels in motion for us to take him on loan, pending a permanent deal. I detected some reluctance from Lawrie McMenemy, either because the deal had nothing to do with him or because he didn’t want another Peter Whiston. Lawrie was back in Southampton completing the transfer of Bruce Grobbelaar who flew out to Holland to join us.

Rumpole at Christmas by John Mortimer (Viking 2009)

Nothing alarming happened on the Tube on my way home that evening, except for the fact that, owing to a “work to rule” by the drivers, the train gave up work at Victoria and I had to walk the rest of the way home to Froxbury Mansions in the Gloucester Road. The shops and their windows were full of glitter, artificial snow and wax models perched on sleighs wearing party dresses. Taped carols came tinkling out of Tesco’s. The chambers meeting had been the last of the term, and the Old Bailey had interrupted its business for the season of peace and goodwill.

There was very little of either in the case which I had been doing in front of the aptly named Mr Justice Graves. Mind you, I would have had a fairly rough ride before the most reasonable of judges. Even some compassionate old darlings like Mr Justice “Pussy” Proudfoot might have regarded my client with something like horror and been tempted to dismiss my speech to the jury as a hopeless attempt to prevent a certain conviction and a probable sentence of not less than thirty years. The murder we had been considering, when we were interrupted by Christmas, had been cold-blooded and merciless, and there was clear evidence that it had been the work of a religious fanatic.

The victim, Honoria Glossop, Professor of Comparative Religion at William Morris University in East London, had been the author of a number of books, including her latest, and last, publication Sanctified Killing—A History of Religious Warfare. She had been severely critical of all acts of violence and aggression—including the Inquisition and the Crusades—committed in the name of God. She had also included a chapter on Islam which spoke scathingly of some ayatollahs and the cruelties committed by Islamic fundamentalists.

It was this chapter which had caused my client, a young student of computer technology at William Morris named Hussein Khan, to issue a private fatwa. He composed, on one of the university computers, a letter to Professor Glossop announcing that her blasphemous references to the religious leaders of his country deserved nothing less than death—which would inevitably catch up with her. Then he left the letter in her pigeonhole.

(From 'Rumpole and the Christmas Break')

Bad Vibes: Britpop and My Part in Its Downfall by Luke Haines (William Heinemann Ltd 2009)

Colonel Klutz

December 1993. End-of-year round-ups in the music press. American bands still holding up – all polls feature Nirvana, Lemonheads, Belly and the Juliana Hatfield Three. Tindersticks by the Tindersticks is album of the year in Melody Maker. New Wave is at number 19. In the NME Writers' Top Fifty Albums of the Year Bjork's Debut is number one, and New Wave comes in at 18. In Select magazine New Wave is voted the seventh-best album of the year. And the best album of 1993 as voted for by the writers of Select: Giant Steps by the Boo Radleys. Suede lurk around the top three of most critics' polls, and Mr Blobby gets the Christmas number one in the singles chart.

The singer – who could now pass for an East End villain – has me pinned against the wall. After our, ahem, early-evening opening slot there had been an ominous knock on the dressing-room door.

'Can I have a word – outside?' says the singer, gesturing grimly towards me. Drunk and stoned post-gig, I follow obediently. I know what's coming. I orchestrated it so I'm looking forward to it. Quick as a flash the headline act pulls off some nifty pugilistic footwork and squares up to me. Jesus, what a knucklehead. I hadn't imagined his reaction to my onstage comments would be quite as physical. True, last night, with righteous anger and adrenalin raging through my veins I had been spoiling for a fight, but now I just wanted to be sacked – minus pasting.

'How much of a fucking prick are you gonna look when I kick the shit out of you onstage?' the singer asks unreasonably. It's a good question, and one that I assume is rhetorical. I drift off into a vision of myself being chased around the stage by a man in a gorilla suit, the gorilla's clumsy paws finally managing to grab me by the scruff of the neck before drop-kicking me high into the air to the whooping delight of the audience. Oh man, that would be entertainment.

'Well, answer me, you fucking cunt.' Not rhetorical then. I snap out of my reverie and slump back against the wall. I'm back in the playground about to take a hiding from a dim bully. There's nothing to do but let the scene play out. Shouldn't take long.

. . .

On paper it was unpromising. In real life it looked even worse. The Auteurs are booked to support Matt Johnson's band The The on a UK tour. All of this organised months in advance, before the recent setbacks, when life was a breeze and I would skip over lawns of freshly mown grass without a care in my head, laughing and doffing my hat to a cartoon bluebird as I bent down to pick a buttercup.

Tour with The The? Sure, if it keeps everyone happy and it sells some more records, why not? My levity lasts for about a day and a half. Reality dawns. The truth is, I don't care too much for Matt Johnson. He's some guy who sold a ton of records in the 80s, and now he's got some new dreck he's trying to flog. Coincidentally, some of the work on the new Auteurs album has been done at a recording studio owned by one Matt Johnson. The studio walls are covered in terrible paintings: some recognisable originals of The The album sleeves, others perhaps specially commissioned. The theme of the paintings seems to be ghastly men and ghastly women giving in to all manner of bodily functions with grim abandon. Oh, and imminent nuclear destruction. A clear indication of Johnson's faultless yet simplistic world view. Human race: awful. Never mind, will probably be extinguished in some sort of self-inflicted Armageddon. Told you so. The bastards deserved it. As I said, sold a lot of records in the 80s.

On no account attempt to tour the UK in December. Your limbs will become brittle with cold as you trundle up and down the country in a freezing tour bus and no one will come to your gigs as they are attending Christmas parties. Christmas parties in your hotel. Oh yes, the late-night bars of the Holiday Inn, Ibis and Radisson hotels – the après-gig drinking stations of the lower- to mid-level rock band. Every nook and cranny of these corporate flophouses taken over by drunken reps and violent drones from the frightening world of real honest work. Civvy Street – pissed up, embittered, trying to get over another empty year and on your fucking case.

I am a Genius of Unspeakable Evil and I Want to Be Your Class President by Josh Lieb (Razorbill 2009)

Moorhead's latest cigarette reads CARRY A COPY OF GRAVITY'S RAINBOW. He stares at it with alarm.

I don't really blame him. Lest you forget, receiving mysterious messages on cigarettes is a pretty alarming proposition, any way you look at it.

Plus, this message tells him to carry a copy of Gravity's Rainbow, Thomas Pynchon's legendarily unreadable novel. Eight hundred pages long. Dense, wordy, kooky. Exactly the sort of thing to impress a smarty-pants like Lucy Sokolov, but a daunting prospect for a tiny brain like Moorhead.*

But I guess the most alarming thing about this particular cigarette is where he found it inside an orange he just peeled. That was childish of me.

There he stands, in the middle of the hallway, slack-jawed. Ripped-open orange in one hand, pulp-covered cigarette in the other, getting jostled by the class-bound hordes. He turns warily in a circle, scanning the vicinity for someone - a magician, perhaps? A playful god? - who could have done this. But there's only me. And I'm scratching my butt with my pencil case.

Vice Principal Hruska storms past, mentally calculating the number of seconds until he can retire. He plucks the cigarette from Moorhead's fingers. "Not on school property, Neil."

Moorhead points urgently as Hruska walks away, "Wait! Read it . . . "

But Hruska has already crushed the cigarette in his hand and dropped the soggy shreds in a garbage can. "Read what?"

Moorhead stares at the old man, then at the garbage, then back at the old man.

"Read what, Neil?"

Moorhead turns and walks silently back to his classroom, letting the orange slip from his limp fingers. It's like he's forgotten he was holding it.

See, not everyone like's surprises. Some people love 'em; some people have heart attacks. It's a matter of taste.

Does Randy Sparks, the Most Pathetic Boy in School like surprises? Let's find out.**

Footnotes:

*Note that I didn't tell him to actually read the book.

**This is what's known as a segue.

Juliet, Naked by Nick Hornby (Penguin Books 2009)

When Ros stopped by to find out whether they’d made any progress with the photographs, Annie still had the website up on her computer.

“Tucker Crowe,” said Ros. “Wow. My college boyfriend used to like him,” she said. “I didn’t know he was still going.”

“He’s not, really. You had a college boyfriend?”

“Yes. He was gay, too, it turned out. Can’t imagine why we broke up. But I don’t understand: Tucker Crowe has his own website?”

“Everyone has their own website.”

“Is that true?”

“I think so. Nobody gets forgotten anymore. Seven fans in Australia team up with three Canadians, nine Brits and a couple of dozen Americans, and somebody who hasn’t recorded in twenty years gets talked about every day. It’s what the Internet’s for. That and pornography. Do you want to know which songs he played in Portland, Oregon, in 1985?”

“Not really.”

“Then this website isn’t for you.”

“How come you know so much about it? Are you one of the nine Brits?”

“No. There are no women who bother. My, you know, Duncan is.”

What was she supposed to call him? Not being married to him was becoming every bit as irritating as she imagined marriage to him might be. She wasn’t going to call him her boyfriend. He was forty-something, for God’s sake. Partner? Life partner? Friend? None of these words and phrases seemed adequately to define their relationship, an inadequacy particularly poignant when it came to the word “friend.” And she hated it when people just launched in and started talking about Peter or Jane when you had no idea who Peter and Jane were. Perhaps she just wouldn’t ever mention him at all.

“And he’s just written a million words of gibberish and posted them up for the world to see. If the world were interested, that is.”

She invited Ros to inspect Duncan’s piece, and Ros read the first few lines.

“Aaah. Sweet.”

Annie made a face.

“Don’t knock people with passions,” said Ros. “Especially passions for the arts. They’re always the most interesting people.”

Everyone had succumbed to that particular myth, it seemed.

“Right. Next time you’re in the West End, go and hang out by the stage door of a theater showing a musical and make friends with one of those sad bastards waiting for an autograph. See how interesting you find them.”

Reheated Cabbage: Tales of Chemical Degeneration by Irvine Welsh (W. W. Norton & Company 2009)

As far as it went wi me it wis aw her ain fuckin fault. The cunts at the hoaspital basically agreed wi ays n aw, no that they said sae much, bit ah could tell they did inside. Ye ken how it is wi they cunts, they cannae jist come oot and say what's oan thir fuckin mind like that. Professional fuckin etiquette or whatever the fuck they call it. Well, seein as ah'm no a fuckin doaktir then, eh! Ah'd last aboot five fuckin minutes wi they cunts, me. Ah'll gie yis fuckin bedside manner, ya cunts.

Bit it wis her ain fault because she kent that ah wanted tae stey in fir the fitba this Sunday; they hud the Hibs-Herts game live oan Setanta. She goes, - Lit's take the bairns doon tae that pub it Kingsknowe, the one ye kin sit ootside, ay.

(from 'A Fault on the Line')

London's Burning: True Adventures on the Front Lines of Punk, 1976-1977 by Dave Thompson (Chicago Review Press 2009)

Somebody—I don’t know who, but they didn’t look impressed—pointed out Siouxsie Sioux, the dominatrix-clad queen of a gang of fashion horses known to themselves as the Bromley Contingent, über-followers of the Pistols machine, who were fast garnering as much notoriety as the band itself. Someone else nodded pityingly toward a beanstalk by the stage, leaping up and down on the spot and clearly in danger of crashing through the ceiling. Muted by the din of the band, you could lip-read their contempt nevertheless.

“Look at that idiot.”

I looked. I knew him. Bev . . . John Beverley . . . lived in Finsbury Park, close by the station where I swapped my bus ride for the tube. A total Bowie nut, which is why a mutual friend introduced us, he enjoyed nothing better than a lager-fueled argument over which of the master’s songs was the best. Neither, at the time, did I. But whereas I was willing to change my opinion, depending upon what kind of mood I was in, Bev was unyielding.

“‘We Are the Dead’?” I would suggest.


“Fuck off! ‘Rebel Rebel.’”

“‘Drive In Saturday’?”

“‘Rebel Rebel.’”

“‘Cygnet Committee’?”

“I said, Fuck off!” And so it would go on until Bev fucked off, usually lured away by one or other of the pimply weasels who’d renamed him Sid, but who themselves were also named John: Wardle, who was sufficiently pear-shaped to be rechristened Wobble; Gray, who was anonymous enough that his surname already suited him; and Lydon, who was now up onstage with the Pistols, flashing the teeth that first gave him his nom de guerre. Sometimes you wondered what Bev saw in them. He hated it when they called him Sid, he hated it even more when they added the surname Vicious. And it was pretty obvious that his main attraction to them was to see how many outrageous stunts they could prompt him to rush into, simply by reminding him what a “great laugh” he was, and letting his overdeveloped need for attention to take over.

But he never shrugged them off, and you saw less and less of Bev these days, and more and more of Sid Vicious. One day, a few worried friends prophesied, Bev would vanish altogether and Sid would take over completely. Tonight, for sure, Sid was in total control, bouncing up and down on the dance floor, grinning wildly at the noise that his mates were making, and utterly oblivious to the fact that whatever rhythm he was hearing in his head was inaudible to everyone else in the room. Somebody said it looked like he was riding a pogo stick. Somebody else thought it looked like fun. The next time you saw the Sex Pistols, half the audience would be doing it.

This Artistic Life by Barry Hines (Pomona Books 2009)

One day, when we were playing in the sand outside the prefabs, we became aware of the large numbers of miners walking up Tinker Lane from the pit. Usually, there was a lot of laughter and banter when they were coming home from work, but this time they were unusually quiet and serious, and the only sound was the clatter of their clogs on the roadway. Instinctively, we knew something was wrong.

"What's happened?" I shouted.

"Doug Westerman's been killed!" one of the miners replied.

The name meant nothing to me or to any of my pals, so after watching the silent procession for a minute or two, we resumed messing about in the sand.

Later, when I went home for tea, my mother was sitting in the armchair by the fire, sobbing into her hands. My dad, still wearing his pit clothes and unwashed, had his arm round her shoulders, trying to comfort her.

"What's the matter?" I asked.

"Your grandad's been killed," she sobbed.

I stared at her. Then the penny dropped and I realised that Doug Westerman, the dead miner, was my grandfather. I hadn't made the connection because I didn't know his name. I only knew him as grandad.

After the death of her father, I was always aware of my mother's uneasy glances at the clock when my dad was late home from work.

"Go and see if your dad's coming," she would say, and I would go outside and look down the lane towards the pit, praying that he was, so that I didn't have to go back inside and disappoint her.

(from 'Tinker Lane')

The Last Mad Surge of Youth by Mark Hodkinson (Pomona 2009)

Woody was one of the few who lived with his real dad. Barrett had christened him 'Luigi' after calling round one day and finding him wearing the coolest sunglasses he'd ever seen. The rest of his apparel was strictly dads' stuff of corduroy trousers, patterned cardigan and Hush Puppies. The glasses, though, were straight out of The Godfather.

Carey recalled that Luigi had driven them to their first proper concert - Hawkwind at a large concert hall. On the way there Luigi spoke gravely as though they were preparing for war: don't talk to anyone; keep a good grip on your tickets; go two at a time to the toilets; leave a few minutes before the end to avoid the rush; if anyone steals your seats, tell the usherettes. Woody told him they didn't have usherettes at gigs, unless that was the name of the support band.

"Well, you know what I mean, whoever's in charge."

Woody sad no one was in charge. His dad told him to stop being a clever arse.

Soon after they entered the hall, a skinny bloke ambled on to the stage carrying an acoustic guitar. He began singing caustic songs about pregnant teenagers and getting beaten up on council estates. The crowd was in uproar. People left their seats and moved down the aisles to get closer:

"Fuck off."

"Twat."

"Get off."

Barrett, Carey and Woody went to the toilet. While they were standing at the urinal they saw a dishevelled longhaired lad turned slightly to the side, fiddling with himself. Woody wasn't shy:

"What you doing?"

He turned around.

"I'm trying to piss in this bag."

He had a crisp bag, half full of piss. He was drunk and struggling to hold it, splashing the floor and his shoes.

"What are you going to do with that?"

"Wuzz it at that bastard on stage. He's lucky it's just piss."

He turned back to the job in hand before looking over again.

"How old are you lot?"

"You look about nine."

Carey and Barrett noted the name of the bloke with the acoustic guitar billed as a 'punk-poet' on the posters: Patrik Fitzgerald. They were going to buy his record, the one about having a safety pin stuck in my heart, for you, for you.

How To Rob An Armored Car by Iain Levison (Soho Press 2009)

Mitchell Alden had been born with a number of gifts, but overshadowing them all was the Curse of Poor Decision Making. It was genetic. He remembered sitting in the kitchen in the house where he grew up in Queens, listening to his father talking to his business partner, who wanted to get out of the indoor air-cleaning business and invest in computers. "Dammit, I don't know how long this computer fad is going to last," he remembered his dad saying, trying to talk his partner into staying with selling Smoke-Eeters. "But as long as I'm alive, people will be smoking in bars in New York City."

These words turned out to be true. Mitch's dad died on the Long Island Expressway, six weeks before the ban on smoking in New York City bars went into effect, because of another error of judgement, this one involving a tractor trailer's stopping distance. Mitch carried on the family tradition by joining the army and getting kicked out six weeks later for failing a drug test, then going to community college and majoring in English.

Rangers 1872: The Gallant Pioneers by Gary Ralston (Breedon Books 2009)

Undoubtedly, Rangers suffered at the hands – and wallets – of the English clubs, who set up raiding parties that would have been the envy of any 16th-century border reiver. First to go in 1880 was Scottish international Hugh McIntyre, older brother of Tuck and a member of the Cup Final team of 1879, who quit for Blackburn Rovers after they bought him a pub in the town. He went on to win three FA Cup-winners’ medals in successive seasons with his new side in 1884, 1885 and 1886. He was followed to the Lancashire club by founding father Peter Campbell and, although he played several times for Blackburn, he never moved to the area. Rangers lost another stalwart of the 1879 team, William Struthers, who signed for Bolton Wanderers in 1881, quickly followed to the same club by half-back John Christie, no doubt lured by the promise of riches extolled by his former teammate. The finger lingered around the influence of Hugh McIntyre, in particular, in convincing young Scots to ply their trade in the south because then, as now, there were lucrative finders’ fees up for grabs. Agents were despised and routinely beaten up and one G.L. Harrison from Nottingham had cause to wish he had never wandered down the Copland Road on 1 August 1889, when he arrived in Glasgow in a bid to lure defender John Hendry, an early darling of the Light Blues legions, south of the border.   Harrison’s plan was cunning, as he roped in then Scotland striker Jimmy Oswald (who later went on to play for Rangers) to accompany him to Ibrox on the promise of a £5 commission if they persuaded Hendry south. They had already trawled the player’s home town of Uddingston in a vain bid to track him down, but the fear of losing their top talents was so strong among many of the leading Scots clubs, including Rangers, that they regularly formed vigilance committees to keep their non-professionals (in theory at least) away from the paid ranks of the English game. Word quickly spread around Ibrox, which was hosting an amateur sports that Thursday evening, of the danger in their midst. Panic ensued and Hendry was quickly shepherded away from the dangerous suitors while Oswald, who played for Notts County, was led to safety, surviving the baying mob only because of his standing in the game and the presence of a team from the Rangers committee around him. Harrison was not so lucky as he attempted to sneak from the ground and down Copland Road, only to be accosted by two irate Bears. The full story then unfolded in the Scottish Sport, filed by ‘an eye witness’ with more than a hint of eager pleasure:

‘“You are looking for someone?” politely enquired the smallest of the two, as they came up with their prey.

“No-no,” replied the tall, handsome swell – for with all his audacity he looked a swell – but he did so with a look and hesitancy which identified him at once.

“We were told you were looking for someone,” insisted the sly, self-possessed questioner.

“Oh, no. There…there must be some mistake.”

“Were you not wishing to see John Hendry of the Rangers?”

An enquiring glance at his tormentors and a faltering “no” was the reply.

Then the second party spoke, but it was aside, and as if to his companion. “What’s the use o’ makin’ a clown o’ me. I thocht it was a good thing. I’ll awa’ back to Oswald,” and he cast a withering look at his apparently perplexed companion.

The trick had fairly trapped the agent however, for in answer to a last attempt to draw him, his wily inquisitor was at length assured, in a half apologetic tone, that he did want to see Hendry and that he had at first denied his real mission because of the fear he had of the club’s supporters, whose attentions were evidently not of the most reassuring.

“Well, this is Hendry,” said the sly one, after a little more cross questioning, and pointing to his companion who, I need hardly say, was only a cruel impersonator playing a part in the interests of his club.

The “swell” became reassured, looked more like his audacious self, and prepared to do business.

“Do you want me to go to England?” inquired the bogus Hendry after being duly introduced and informed of the terms.

“Yes, I want you to go to England.”

“Are you perfectly sure you want me to go to England?”

“Yes.”

“Well, take that!” and before anyone could say Jack Robinson the seducer was sent sprawling on the ground with a lick which could scarcely be described as a baby-duster.  

 The elongated representative of the ascendant element in English football was not long in getting to his feet, but there was no fight in him. He took to his heels and, as if pursued by an evil spirit, careered down the road at the most undignified speed imaginable. Unfortunately for him, a crowd of unsympathetic Rangers were coming up the road as he was frantically tearing down and they, taking the situation at a glance, cruelly intercepted him and he was once more in the remorseless hands of the Philistines.

  There is no use in prolonging the sequel; sufficient to say that, after a good bit of running in as earnest an obstacle race as was ever ran, he reached Princes Street, about half a mile away, where he was mercifully taken in by a young Samaritan married couple, and allowed to sufficiently recover from his baptism of fright and fists to be able to be sent to his hotel [St Enoch’s] in a cab. When I saw the bold adventurer lying low upon a couch, blanched, speechless, and sick unto death, with several well known members of the Rangers holding his low lying head, and timing his quick beating pulse, I did think that the way of transgressors is hard. Probably G.L. Harrison will not again put his prominent features within a mile of Ibrox Park on a similar errand.

The Day of the Jack Russell by Bateman (Headline 2009)

It was the Tuesday before Christmas Day when The Case if the Cock-Headed Man walked into No Alibis, the finest mystery bookstore in all of, um, Belfast.

In some ways he was lucky to get me, because with business being so quiet I had resorted to letting my mother woman the till for that short part of the day when she could manage to keep off the booze, i.e. between the hours of nine and eleven twenty-nine in the morning. If he had walked in ten minutes earlier he would have walked straight out again, because while still undoubtedly sober, Mother is not one for suffering fools or anyone gladly and she's gotten ten times worse since her stroke. She has always been ugly and mean, but she used to restrict her glares and tempers and violence and sarcasm to members of her immediate family, but since the stroke she has expanded her circle of viciousness to include distant cousins, vague acquaintances, most other members of the human race and several dogs. Mother is wired differently to you or me. A stroke usually affects just one side of the body, but she has lost the power in her right leg and left arm, making her appear lopsided from whatever angle you care to look at her, although most people don't, and stagger from side to side like the drunk she is when she tries to walk. It is funny to watch her. When she's drinking she now only has to consume half as much as before to get legless. And half of that again usually drools out of her mouth on to her blouse, because another side effect of the stroke is the loss of all feeling in her lower lip.

Mystery Man by Bateman (Headline 2009)

This is all quite new to me, so I am not above seeking wiser counsel. When that isn't available I occasionally consult my assistant Jeff. I would say that he works for me Tuesdays and Thursdays, but it would be more accurate to state that he appears in the store twice a week and manages to spend most of that time on the phone calling disinterested parties on behalf of the local chapter of Amnesty International. Jeff has been rather subdued since the death of General Pinochet. Human rights violations under his regime had been Jeff's area of expertise, but now that the General was gone, the spotlight had shifted on to more recent abuses in the Middle East, leaving him marginalised. He had committed the cardinal sin of failing to move with the bleeding-heart-liberal times, he was yesterday's man clinging to the vain hope that someone even more despotic would come to power in Santiago and rescue him from his do-gooding isolation. I thought drawing him into helping me with the case might rescue him from his doldrums in a way that my humming of 'Don't Cry for Mr, Chile' every time I passed him hadn't.

Heartland by Anthony Cartwright (Tindal Street Press 2009)

Rob imagined that somewhere, in some run-down football club next to a rusting corned-beef factory in the back end of Argentina, there was a minor local politician proclaiming loudly the inevitability of an Argentinian goal. Sitting next to him, there'd be his nephew, a failed footballer, fidgeting in his seat, barely able to watch, sitting with his old man on the other side, a disabled Malvinas veteran or prisoner of the generals or an old team-mate of Maradona's or something, biting his nails, wondering just quite why and how some men that you didn't even know running around on a field on a different continent, some foot or hand of God, might somehow re-order the world, or at least re-order the world in you.
Dyer want the rest o that, Rob? Jim motioned at the half-eaten burger and reached for it as Rob shook his head.

The Complaints by Ian Rankin (Orion 2009)

Lothian and Borders Police HQ was on Fettes Avenue. From some windows there was a view towards Fettes College. A few of the officers in the Complaints had been to private schools, but none to Fettes. Fox himself had been educated largely free of charge - Boroughmuir, then Heriot Watt. Supported Hearts FC though seldom managed even a home fixture these days. Had no interest in rugby, even when his city played host to the Six Nations. February was Six Nations month, meaning there'd be hordes of the Welsh in town this weekend, dressed up as dragons and toting oversized inflatable leeks. Fox reckoned he would watch the match on TV, might even rouse himself to go down the pub. Five years now he'd been off the drink, but for the past two he'd trusted himself with occasional visits. Only when he was in the right frame of mind though, only when the willpower was strong.