Matthew Tyler Musto’s latest album feels like a time capsule for this cursed year, a nauseating sludge of every “Study Beats” playlist and every TikTok influencer’s attempt at writing a hit.
Oh Sees leader John Dwyer indulges his jammiest tendencies alongside a new cast of powerhouse players, channeling a distinctly 1970s sort of communal exploration.
Led by the exquisite brio of Brandon Flowers, the Las Vegas band returns with one of their biggest and best albums, a marvelously absurd collection of synth-rock gems and arena anthems.
The enigmatic masked country singer follows up his debut with more songs about lonesome souls alone together—and one standout duet with Shania Twain.
On a rainy morning in early August, we spoke with the singer-songwriter about her raw new album, her process, and the age-old quandary of art versus commerce.
The New Age icon discusses the songs and sounds that have shaped his life—from Sinatra to Sade, Baptist choirs to Sikh chants, and plenty of joyful dance parties in between.
Matty Healy discusses every album by the 1975 in this episode of “On the Records”
The newly reissued collaboration between Brian Eno and bassist Jah Wobble from 1995 is an outlier in both their catalogs, which is part and parcel of its allure.
The UK synth-pop duo’s 18th studio album attempts—but doesn’t quite attain—the electric thrill of the material that first made them pop sensations.
Conor Oberst and company have not lost their taste for grandiosity on their first album in nearly a decade, setting familiar woes against a dazzling collage of sounds.
The Stranger Things actor’s move into music is refreshingly thoughtful and understated, with emotionally incisive songwriting and a featherlight voice wrapped up in Laurel Canyon arrangements.