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Welcome to Type Network

What’s your type strategy?

Type Network brings together some of the most exciting independent type designers and foundries from around the world. Dig into our library to find the right type for your next project—from branding to editorial design to websites and apps.

Read the news about our foundry partners, fonts, and more!

The beauty of everyday things

Occupant’s Rapport makes the practical poetic.

Aglet Mono

XYZ continues its investigation of the "technological but human" Aglets with something new, Aglet Mono.

The IvyPresto orchestra

With less contrast, expanded spacing, and a few wider characters, IvyPresto goes down a size to Text. The large x-height, thin serifs and narrow proportions, however, are still in line with the Display and Headline. All in all, a functional workhorse for magazines and newspapers.

Find the right fit

Custer expands to suit every size.

Weighty conversations?

Keep it light with New Kansas Heavy.

View New Kansas

Dico takes the stage

With eight proportional and monospaced sub-families, the latest Bold Monday release is shaped by compact proportions and open, yet restrained letterforms that gain in friendliness and warmth when accompanied by their more swinging italics.

The time is always right to do what is right

A growing list of resources

It’s Dunbar, but Italic

CJ Type expands Dunbar with slants.

It’s all about the rhythm of the writing

Two new script typefaces from Type-Ø-Tones to write your own story.

Something new on the shelf

Four classic Simonson designs are added to the collection.

View Goldenbook

View Metallophile Sp8

View Refrigerator Deluxe

Type Goes On

Business is not as usual, but somehow type endures.

Read our latest newsletter

Pleasantly purposeful

Ramiro Espinoza, from Retype, has created a mulitpurpose sans with all the answers.

View Dejanire Sans

Love renewed

This Valentine’s Day renew your commitment to the Cooper Black style with Newlyn’s New Kansas.

View New Kansas

A pair of star-crossed lovers

Fakir and Liza, two of Underware’s most expressive families, launch on Type Network.

Multiple duets

Realist and Scarlet, by supertype, bring extra personality to any layout.

Nitti Grotesk Condensed

Bold Monday’s Pieter van Rosmalen always envisioned a condensed version of Nitti Grotesk. The new width lends more versatility to an already powerful type system.

View Nitti Grotesk Condensed

Plau is extra tasty

With the heavy Manteiga, charming Tenez, and the multi-use Motiva, Plau’s varied library can be combined for delicious designs.

View Motiva Sans

Everything you wanted to know about fonts but were afraid to ask

A definitive guide to Type Network’s educational posts.

View Collection

Friendly yet distinct and precise

Niko, LudwigType’s latest release, offers a versatile system of 54 styles for texts from large to small.

Kontour’s next champion

Sibylle Hagmann found inspiration in classic twentieth-century typefaces for this contemporary flared sans serif family in display and text cuts. Extensive research made her gravitate towards open, humanist letterforms with a crisp, sharp finish that look lively on the page and on the screen.

Aglet Sans

A technical face with a human touch, new from XYZ Type and now on Type Network.

View Aglet Sans

Fit fits Armenian

And Armenian fits Fit. Inspired by intricate relief inscriptions spotted on gravestones in an Armenian cemetery in India, Gor Jihanian has ported David Jonathan Ross’ labyrinthine display family to the Armenian script.

Visit the gallery

Need a lift?

The irrepressible Petr van Blokland has come up with a surprising new addition to his repertoire: chunky, funky PowerLift. This brawny slab boldly mixes heavy letterforms with equally bulky serifs, and comes in two styles.

Moving right along with OpenType Variations

At the behest of Google, David Berlow and Font Bureau are developing Amstelvar, a sloped serif variations font that offers a taste of what’s possible with this exciting new OpenType format.

Signal flare

A chance encounter with a hand-lettered nameplate from the early twentieth century provided the impetus for a new flare serif drawn by Richard Lipton. Solid, versatile Collier comes in twelve weights in seven widths, for a total of 168 styles.

Made to order

Acclaimed art director Roger Black has shaped the visual culture of publishing for over forty years. He has done this in large part by having an uncanny eye for typographic voids and commissioning custom type to fill them—perfectly. Here’s the cream of the crop.

Visit Roger Black Collection

The Revolver Collection: a scrumptious selection

From sweet serifs to savory sans, Lukas Schneider crafts faces sure to satisfy every typographic palette. Feast your eyes on four tasty families as Revolver debuts on Type Network.

Debut duet

Brody Fonts joins Type Network with chiseled, industrial BF Buffalo and BF Bonn, a versatile geometric sans with a deco flair. BF Buffalo makes a strong statement for headlines and titles; from Thin to Ultra, BF Bonn works well for branding, packaging, and corporate communications.

Visit Brody Fonts

Contemporary type from CSTM Fonts

From modern serifs to wayfinding-friendly sans faces, the CSTM Fonts library adds breadth to the Type Network collection. Refined Latin and Cyrillic designs with expanded language support bring a wealth of possibilities to the typographic table.

Discover Decovar, a mind-blowing variable font

Inspired by Art Deco lettering, David Berlow’s latest creation pushes the boundaries of the OpenType Font Variations format. Decovar has tons of skeletons and terminals, all ready for intrepid type lovers to explore.

View interactive brochure

Explore Decovar on GitHub

Embury Text

Victoria Rushton’s latest typeface was designed with words in mind. Contrasting features like soft curves, sharp end strokes, exaggerated oval counters, and punched-in slab-like serifs play subtly off of each other, offering an unexpectedly immersive reading experience.

View Embury Text

Pick up your Telefon

Monokrom brings Sindre Bremnes’ esteemed Telefon to Type Network—now with three new weights and complete italics, for a total of twelve styles. Choose this smart face if you need flexible, readable geometry for both titles and text.

Discovering variable fonts: going beyond the registered axes

The Font Bureau team has been hard at work exploring the possibilities of variable fonts. David Berlow drills down into this exciting new format in the context of the history and the future.

View the brochure

Bodega Sans & Serif

One of Font Bureau’s first typefaces, Greg Thompson’s Bodega set out to be an Art Deco revival. In subsequent decades it’s become a pop classic. With Bodega Serif, the style has wonderful adaptability – depending only on the needs and the skill of the designer who uses it.

View Bodega Sans & Serif

Miller Family

The Scotch Roman style of sturdy types, pioneered by Richard Austin in Glasgow in 1810 and very popular in the 19th-century USA, was one of the first typefaces designed with newspapers in mind.

Raceway

Three-dimensional jig-sawn plywood letters, automatically spaced and aligned on a slotted board by the connecting stroke – that’s where the inspiration came from. Even strokes and curves combine with everpresent horizontal strokes to create a brilliant Art Deco letterform.

Freight finds a new parking spot

A superstar superfamily—Freight Micro, Text, Display, Big, and Sans—installs itself at Type Network.

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