Art Feynman Creates Refreshing Worldbeat Pop on 'Half Price at 3:30'
On Half Price at 3:30, Art Feynman again proves himself adept at building colorful worlds from unexpected and well-placed aural flourishes.
Bring That Beat Back: A Course in Hip-Hop Sampling 101
In Bring That Beat Back, critic Nate Patrin argues that hip-hop is essentially a forward-looking evolution of black American music with a deep reverence for its predecessors.
Jade Hairpins' Eclectic Indie Pop/Rock Delivers a Stellar Debut with 'Harmony Avenue'
Jade Hairpins' Harmony Avenue exudes the free-spirited exuberance of a side project, jam-packed with ideas and vivid tone colors, and aimed for both the melodic and harmonic sweet tooth.
Archie Shepp, Raw Poetic, and Damu the Fudgemunk Enlighten and Enliven with 'Ocean Bridges'
Ocean Bridges is proof that genre crossovers can sound organic, and that the term "crossover" doesn't have to come loaded with gimmicky connotations. Maybe we're headed for a world in which genres are so fluid that the term is dropped altogether from the cultural lexicon.
Commemorating the Legacy of Steve "Stezo" Williams
Stezo died in his sleep on 29 April at age 51, leaving behind a legacy begging to be properly commemorated. His 1989 album Crazy Noise has been buried in the annals of hip-hop history, an underappreciated dollar-bin find that serves both as a time capsule for hip-hop's late 1980s golden era and a lesson in keeping it real.
RJD2 Discusses His Turntablism Roots
By this point in his career, RJD2's ability to churn out head-boppable hip-hop rooted in true-school ethos seems perpetually ingrained. He discusses his new record, The Fun Ones, and more.
Stephen Malkmus Goes Folk on 'Traditional Techniques'
Stephen Malkmus' Traditional Techniques melds folk-rock flavoring with junk-food surrealism delivered through his characteristic brand of irony.
The Orielles Make Their Charming Indie Danceable on 'Disco Volador'
On Disco Volador, the Orielles offer a thrift shop of sounds and gratify those who like their indie rock danceable.
Squarepusher Proves IDM Is Still Fresh and Full of Possibilities on 'Be Up a Hello'
Squarepusher's Be Up a Hello asserts that what some would consider an outmoded sound palette can still be mined for fresh ideas, that IDM in its golden-age variety has yet to reach its zenith.
On Chuck Klosterman's Latest in Junk-Food Intellectualism, 'Raised In Captivity'
The best stories in Chuck Klosterman's Raised in Captivity are the ones that most closely resemble his thinly-veiled essays.
Chris Schwartz's Memoir on Founding Ruffhouse Records Gleans but Doesn't Illuminate
Chris Schwartz's memoir on founding Ruffhouse Records attempts to be many things but doesn't fully deliver on any of them, making for a conventionally-structured memoir that often reads as slapdash and dry.
'Go Ahead in the Rain' Artfully Melds the Many Parts of a Tribe Called Quest's Backstory
In Go Ahead in the Rain, Hanif Abdurraqib blends his talents as both culture critic and personal essayist for a meditation on perhaps the most influential hip-hop group from the genre's sample-laden boom-bap era, A Tribe Called Quest.
Eula Biss's Reissued 'Notes from No Man's Land' Resonates
Eula Biss's essay collection remains compelling not only for its elegant prose that melds politics and personal essay but because its subject matter may be even more relevant today.
A Slapdash History of the Hip-hop Megamix
The megamix is a variegated mural, with flashes of color – neon pink, chartreuse, head-gash red – popping off chipped concrete, an amalgamation of flavor so fresh it strains the vision, so vivid it glows.
Boombox = Life
Woofers on blast up the jam block rock: A fragmentary history of ghettoblasting.
I've Got No Beef With Nu-Disco Editing -- It's the Cutting Into Disco's Gayness That Bothers Me
There’s nothing wrong with stripping the frills. But what happens when you carve out the heart in the process?
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