Ambient Sunday with: Chris Hyson and Fervorvore #Ambient #Chill #Drone #NeoClassical

•August 16, 2020 • Leave a Comment

A couple of ambient tracks for this Sunday from Chris Hyson and Fervorvore.

Chris Hyson is first up with Spoons. Chris Hyson is a London based multi-instrumentalist, producer and composer. His work has had a wide range of collaborators and a wide range of outlets. But Spoons is ambient as neo-classical. Not usually a genre that works for me. But there’s something here that packs a powerful yet subtle emotional punch.

The track is taken from a film but thankfully isn’t unduly cinematic. It works brilliantly as its own piece of music. The track’s curious title is explained by the nature of the film. It is from the due to be released soundtrack ‘Castle in the Ground’ (starring Alex Wolff, Neve Campbell, Imogen Poots, Keir Gilchrist and Tom Cullen). The plot summary is, “After the untimely death of his mother, a teenager befriends his charismatic but troubled next-door neighbor and becomes embroiled in a world of addiction and violence just as the opioid epidemic takes hold of their small town.”

The track is a swelling neo classical affair with found sound and analogue synths. It manages to evoke emotion from the start. It’s strangely affecting in the way that it manages a melancholic sadness among the held tones that rise and fall. It’s lost in the saddest of dreams, unable to escape. It is hard to imagine the film can deliver on the score. It’s that good.

Next, Fervorvore (Blaine Forrest) from Edmonton, Canada. His track is the curious Followed by Petrichor. And the music is as strange as the title. And that unsettled nature isn’t helped by his explanation that, “This song is the outro to my album about my love of music, it’s about achieving peace, either through death or artistic success.” It’s an ambient soundscape affair. Everything is kept rigorously minimal. Tones come singly or with little accompaniment. A piano tinkles in slo-mo. It turns at a glacial pace that reeks of silent despair and decay. This is how the world really ends; not with a bang but a slow gradual stop.

Album on Spotify

Drum and Bass Duo with: Byrone Lehmann, and Mykool #DrumAndBass #DnB #Dance #Electronic

•August 15, 2020 • Leave a Comment

A couple of drum and bass tunes for a dreary Saturday morning. Both of these from Byrone Lehmann and Mykool are guaranteed to put a bit of pep into your day.

Byrone Lehmann is from the UK. He’s a motion designer – not sure I know what that is. No matter. Let’s get on and enjoy Polyplay. This is an unashamedly upbeat drum and bass track. It’s full of the joy of the season. It ascends all over the place. Like an irrepressible bouncing ball this is full of fun and love of life. The synths are a bit trancey and perkier than a small child who should have gone to bed hours ago this one is going to be up all night. Whether you like it or not. Lots and lots of fun.

Mykool is also from the UK and has a new Billet Doux // Blackwater release out now on the ever-reliable Nu-Venture label.

The track I’m featuring is Blackwater. It is, as its name suggests, a rather dark and uncomfortable track but with a smooth liquid flow. Ethereal vocals wander about. Synths are dreamy. But the beats are jet black and razor sharp. Mykool says of it, “Blackwater was made with moody intentions and a darker vibe in mind, using Rhodes chords designed to incite a chilled and mellow flavour, to perfectly compliment the contrasting deep bassline with it’s raw powerful Reese sound.” You’d better dive in while you still can.

Spotify

Billet Doux // Blackwater on Bandcamp

Techno triple with: Justin Black, Torolf Stendik, and Cinder #Techno #MelodicTechno #Electronic

•August 14, 2020 • Leave a Comment

As a Friday treat here’s three techno tracks ranging from melodic techno through acid to some fierce techno courtesy of Justin Black, Torolf Stendik and Cinder.

Justin Black is first up with Just Kids. He’s from Phoenix, Arizona and the track is a melodic techno one baked to perfection into a crisp tasty whole. There’s a lovely spacey and spaced sense to this track. The lead synth bobbles airily around giving that sense of fun and optimism. It’s a lovely affair with beats keeping a respectful and unobtrusive distance. Almost ventures into downtempo but has to much of a sense of adventure to settle anywhere with it’s itchy dancing feet feel. Perfect early evening material.

Next it’s back to Europe for Torolf Stendik and the unfeasible entitled Bryggan Jam (Harald Björk Rise Like A Phoenix Version). We’re obviously in Northern climes here. Torolf Stendik is the pseudonym of Finnish artist Vesa-Matti Kivioja. And Harald Bjork is a Swedish artist.

They combine on the mammoth ten minute remix of Rise Like A Phoenix. This is a classic game of two halves, with sometimes the two halves going on at the same time – if that makes any sense. The first half and underlying sense of the track is a downtempo psychedelic Balearic ambient track that spirals out into the furthest reaches of the galaxy forever. Meanwhile, there’s a big acid monster stirring in the darkness. Slowly at first it awakes to wrestle with any suggestion of peace in space. It’s a titanic track of limitless ambition in which to gradually lose your mind.

Buy vinyl

And so to France and some more acid from Cinder. The track – Wildfire Part 1 (Blow-Up Mix) – is an adaptation of one from a live show. As Cinder explains, “As I have no clue about when I’ll be able to perform my acid techno lives how again, I was thinking that it was the right time to share with you some of the tracks I specifically created for this live show. Most of these tracks are reinterpretations of the tracks featured on my debut album Wildfire, but there are also some completely original tunes that I never released properly before.”

Wildfire is a lovely tune with a string-drenched start alongside old school US samples. It’s also a bit Eastern in the way the strings are deployed. This gives it a sense of being about and from everywhere. The beats are taken from all the way back to early techno days with that late 80s tinniness to them. But in this context it works perfectly. And then there’s the acid, snuck in as a kind of beefy bass line. Gives the track a depth it would otherwise lack. If only we could dance gain.

Bandcamp (name your price)

Tropical days and night with: Eran Hersh & Katrella – In This Together #House #TropicalHouse #NewMusic

•August 13, 2020 • Leave a Comment

Six days of London temperatures above 34 degrees with nights not getting below 20 degrees have left me tired and scratchy. Apologies to those from countries or places where this is common. But this isn’t how the UK is supposed to be. I need some gentle soothing. And on the menu is Eran Hersh & Katrella with a lovely bit of tropical house on In This Together.

This track is a US/Canada collaboration with Florida based Eran Hersh working with Canadian artist Katrella. Now, truth be told, I’m not really one for tropical house. It can all get a bit lush and syrupy, like the fruit filled dregs of a dodgy cocktail with an umbrella and fruit in it. But this track is a delight. It manages to be light and airy. It’s warm without being over fussy. There’s a sense of space and possibility in among the complex structures. Sounds whoosh about, stop, and restart. Everything has its place and there’s a sense of sinuous groove to the whole thing. Properly perfect beach or BBQ music. This track makes you feel good. And that’s to be welcomed.

Spotify

Don’t let the electronica confuse you: Toxic Positivity – Autechre #Electronica #MinimalTechno #Ambient

•August 12, 2020 • Leave a Comment

Don’t be confused by today’s offering. This isn’t Autechre. That’s the name of the track. This awkward minimal techno is by Toxic Positivity.

Toxic Positivity describes himself as, “your local, free-range, bedroom producer.” But considering he’s from Sacramento that’s not terribly local to me. At least one change of buses at Willesden I’d have thought. Anyhow, he’s got an improv background that expressed itself in an aesthetic that, “each track is unique and produced from a live performance of synthesizers, and sequencers, primarily surrounding the Deluge. About half synths, half sample-based. Besides mastering, no software is used.”

No idea why the track is called Autechre. There’s no obvious sense of homage to the Sheffield innovators. The track is a nice ambient wandering IDM track with a minimal techno thing going on. It shimmers with analogue warmth and hisses in all the right places. The beats are half heard shuffles. The whole thing has a valves and tubes feel, held together with sticky tape. And that’s part of its charm. It teeters on the edge of falling over. It never quite does. And by the end you feel the world is a better place. These days, you can’t ask for much more than that.

From the album Strange Elevator Music (Spotify)

What’s your flavour? Pomme Rouge – Cosmic Crisp #House #Electronica

•August 11, 2020 • Leave a Comment

Did you know that crisp flavours can tell how old you are? For the 60 and over group ready salted (the longest running flavour) was most popular, with almost half of respondents voting it as their favourite. For the 40 to 59 year olds cheese and onion ranked first (40 percent) and salt and vinegar for the 25 to 39 year olds (35 percent). The youngest age group (18 to 24) had the most varied result. I love this piece of research by Statista. But I also love Cosmic Crisp by Pomme Rouge. This is a lovely spacey house electronica track.

Pomme Rouge are from the Lebanon. They are an electronic musical duo, “whose studio process is dominated by an analog performance approach naturally translating from their experience on stage.” I hope they and their families are ok after the terrible incident in Beirut. Cosmic Crisp is taken from their debut 4-track EP, including three original tracks and a remix by veteran German producer Tobi Neumann, recorded and produced during a month-long residency at Riverside Studios in Berlin.

The track is a strange spaced out affair. It mixes elements of cosmic synth with some Berlin cool and a dash of leftfield electronica. A bit like Worcester sauce this shouldn’t work. But it it does, brilliantly. There’s a sense that this track goes where it wants but to an unseen but pre-destined pattern. Everything falls into place perfectly. The synths wow and flutter in the vastness of space. Meanwhile, almost beats crunch away in a grounded fashion. And then the lead synths chart the way giving the track an off-centre focus. Come on this six minute journey.

From the First Bite EP

Piano house vibes with: NOCUI – Memories From Tomorrow #House #DiscoHouse #PianoHouse

•August 10, 2020 • Leave a Comment

More summer vibes, this time from Italy via the USA on a house-tastic release from NOCUI.

NOCUI is an Italian composer/producer currently living in Boston, completing his studies in psychology. His music is influenced by, “the visual arts, in particular the photography of Leo Imbart with whom NOCUI collaborated to help form the visual identity of his new project.” The track is Memories From Tomorrow. And it’s gorgeous. A disco house tune with the focus on piano and strings. It’s warm and delicious house music. A proper beach house tune. All White Island vibes and the smell of the sea. The track glitters in the sunlight even though it’s also a hazy late night, end-of-the-night comedown track. Beautiful music for beautiful people. And you know you’re all beautiful sometimes.

Soundcloud

Spotify

Ambient Sunday with: Choongum, Bonobo, and Ross Harper #Ambient #Downtempo #Chill

•August 9, 2020 • Leave a Comment

Ambient Sunday returns sweltering slightly in the heat with three tunes from Choongum, Bonobo, and Ross Harper.

Choongum is from New York and offers, “Utopian rhythms for dystopian times.” And we all need a bit of that. The track is the delightfully hooky Eternal. Starts off with weird spaced rhythms and echoes. Beats come along in their hissy way. But the one note riff has got you by then. This is lucid psychedelic dreaming. An imagining of possibilities. A tummy tickle of a track. Skips the light fantastic without a care in the world. Annoyingly not on Spotify.

Soundcloud

Download from Bandcamp (name your price)

Next, the massively influential Bonobo. TBH I can’t say I’d have picked him as the one who would have thrived and grown in stature from the early noughties downtempo boom. His stuff was good but not standout. Or so I thought. When you listen to this previously unreleased track from around the period of his debut Animal Magic album you wonder if your lazy, casual assessment of 20 years ago still holds water. Brighton Tapes 01 has beautifully clattering almost hip hop beats and a melange of other sounds from tin pan drums to sitars and the kitchen sink. This is very, very good.

And so to Ross Harper. A 90s rave veteran making downtempo music with elements of Jon Hopkins and Orbital. He shares a certain spaciness with Orbital and there’s a smidge of One Perfect Sunrise on Low (Edit) but this is no slavish pastiche. This is its own thing. A lovely downtempo / ambient track that ploughs its own furrow.
Of the track Ross says, “LOW is the single from my forthcoming downtempo album, all inspired by a poem I wrote that begins: “I see machinery, I see a man of light holding a key of light, surrounded by the huge machinery…”” This is a three minute downtempo psychedelic trip. It’s full of hazy sounds and dappled sunlight. A symphony of leaves waving in trees. Walk with me in the downtempo woodland.

 

Downtempo trio with: Digitonal, Recable and Astral Vertigo #Downtempo ##Chill #Electronic

•August 8, 2020 • Leave a Comment

A morning of hazy sunshine needs some chill tracks to burn the clouds away and deliver on the promise of a sunny day. Here’s Digitonal, Recable, and Astral Vertigo to do just that.

Digitonal are a long-standing duo from the UK. And The Dance’s Pattern is the new single form their forthcoming Set The Weather Fair album, due out in the Autumn. The track mixes a neo-classical approach to the piano with the processed electronic clickiness of someone like Max Cooper. It also share’s Max’s love of mathematical precision. You sense the underlying complex patterns which in no way lessens the beauty of the track. It has a delightful sense of harmony and being at peace with everything, even in times of change.

Next, the return of Recable from Australia. I’ve no more info on him(?) than I did last time. The track, Quick Humps, is unadorned by any sort of explanation. So feel free to add your own, whether about sleeping policemen or frantic friskiness. Either way, the track has a gentle almost drone beauty. Beats are there but in the far distance. The foreground is occupied by synths that almost have a trance air. It’s all whooshing wheeziness and lonely fairgrounds. Music for afternoon hammocks.

And so to something Scandie cosmic from Gothenburg, Sweden’s Astral Vertigo. Nothing chilly or having a sense of Northern climes on Navigating Through The Void. It’s a warm and enveloping astral chill track. Taken from the Red Horizons EP this track is, “Inspired by sci-fi culture and the human exploration of space, Astral Vertigo is on a mission to bring the universe closer to you.” There’s a sense of 70s synth throwback but without any backwards sense. That’s added to by some wandering guitar as we aim for Mars. There’s a sense of outer space as a positive experience. A sense of wonder and adventure. Come onboard.

Pre-Friday DnB with: Kryx – Atmosphere #DrumAndBass #DnB #Electronic

•August 6, 2020 • Leave a Comment

Let’s celebrate pre-Friday with some light drum and bass from Far North Queenslander (Australia) Kryx.

Released on the Industrial Parasite label from the USA, Atmosphere is a lovely mix of house synths with liquid drum and bass beats. The synths soar skywards touching the edge of space but not quite getting fully spaced out. There’s a wonderful lightness to the synths that skip, tumble and fall earthward only to be buoyed up again. A dash of sunny summer optimism. The beats add to the unbearable lightness of being that the track engenders. Proper summer soundtrack stuff.

Soundcloud

Spotify