The PC Music mastermind’s debut solo album is a 49-song extravaganza of sketches, covers, and fully realized pop songs that purports to reveal the inner workings of his creative method.
The second installment of a planned trilogy is a fleet-footed journey throughout many styles and moods, yet frames the 23-year-old artist fully as herself.
Filled with ruthlessly efficient grooves, the latest EP from the Montreal producer is his most assured work yet.
The grime producer teams up with a host of rising MCs for a bleak and energizing album that tries to imagine a better future.
The New Age icon discusses the songs and sounds that have shaped his life—from Sinatra to Sade, Baptist choirs to Sikh chants, and plenty of joyful dance parties in between.
A discussion of why it’s good for your brain to listen to music you haven’t heard before, on the latest episode of our podcast The Pitchfork Review
FINNEAS explores the sounds that sparked his greatest musical breakthroughs in this episode of “Critical Breakthroughs”
The late songwriter recorded the unreleased Eight Gates in the ’00s. The posthumous version sounds by turns haunting and unfinished.
Quickly recorded in 2002 to fulfill a publishing contract, this archival trove cements the singer-songwriter and her steadfast partner, David Rawlings, as modern masters of American folk.
Ellen Fullman’s imposing Long String Instrument and Theresa Wong’s cello create harmonically complex chord clusters that seem to place you within the belly of the composition itself.
The Minnesota trio’s forlorn second album holds up alongside distorted post-shoegaze classics but stays true to its chilly slowcore roots.