The late songwriter recorded the unreleased Eight Gates in the ’00s. The posthumous version sounds by turns haunting and unfinished.
Quickly recorded in 2002 to fulfill a publishing contract, this archival trove cements the singer-songwriter and her steadfast partner, David Rawlings, as modern masters of American folk.
Ellen Fullman’s imposing Long String Instrument and Theresa Wong’s cello create harmonically complex chord clusters that seem to place you within the belly of the composition itself.
The Minnesota trio’s forlorn second album holds up alongside distorted post-shoegaze classics but stays true to its chilly slowcore roots.
The New Age icon discusses the songs and sounds that have shaped his life—from Sinatra to Sade, Baptist choirs to Sikh chants, and plenty of joyful dance parties in between.
A discussion of why it’s good for your brain to listen to music you haven’t heard before, on the latest episode of our podcast The Pitchfork Review
FINNEAS explores the sounds that sparked his greatest musical breakthroughs in this episode of “Critical Breakthroughs”
On his new album, the Portland rapper rediscovers the appealing lightness that made him famous.
On his ruminative and memory-haunted new album, the pianist and singer explores community and the ties that bind us.
Newly unearthed audio of the Stooges’ infamous final original lineup performance highlights their masterful album Fun House and sheds light on their raw, druggy, unhinged stage show.
The Irish modern-rock producer, best known for his work on records by U2, Snow Patrol, and Kasabian, opts for an idiosyncratic electronic melange featuring a surprising roster of guests.