Amemory of my father spreading a map on the warm bonnet of the car, catching at its flapping corners in awkward gusts of Welsh wind. We are on a camping holiday, we are lost, and he is trying to tame the map so we don’t get loster. The high, solid hedgerows obscure the view and are not marked on the map. Nor are the wild raspberries that grow in the hedgerows. Nor is the weather. Nor...
A map is a memory: it’s a representation, a re-presenting of something that has been. It may look good on paper – and that’s already a fiddle, a projection of a sphere onto a plane – but it’s always a botched job and mapmakers know it.
On 29 July, I received ‘Coronavirus (Covid-19) update: issue 97’ from my university. I understand from dimly remembered friends and colleagues outside the Covidology bubble that 2020 hasn’t been much fun for them either. We’re all tetchy. Those of us who have been working round the clock on increasing testing capacity are also thoroughly exhausted. In March we ran on...
A substantially reduced chance of death for patients in intensive care is good news of a sort, but isn’t going to make the world normal again. You will still avoid hugging and kissing your nearest and dearest outside your bubble if you have any sense. A good vaccine is needed. Here we have the best news of all.
Iremember, back at the start of lockdown, trying to draw up a rough mental ledger of things I would miss. The idea was to try and anticipate difficulties so as not to be blindsided by them. My list was heartfelt but unoriginal and consisted mainly, now I look back at it, of various blessings of city life that I had come to take almost entirely for granted. Seeing friends. Going for a walk...
One afternoon I watched twenty minutes or so of esports car racing, fell asleep, and then wandered off to do something else. I came back a couple of hours later and turned the telly back on to see if the race had finished. That’s interesting, I thought, the graphics have improved – not exponentially, but enough to notice if you’re paying attention. Then I realised that I was now watching a replay of an actual car race. I managed to hit the off button before falling asleep again.
Interviewees describe brown hotels, leaking holiday cottages, caravans, walks and pebbled beaches and fields. Some rapturously, some ruefully. ‘I remember thinking, as we arrived at the stationary caravan at the far end of a field in Cornwall, maybe this will be the year when it’s going to be exciting or exotic,’ one says. If you did venture overseas, overcoming material and psychological barriers (‘Darling, going abroad is vulgar,’ John Mullan’s mother told him), you usually carried Britain with you – tinned. When Eleanor Oldroyd and her family went to France in 1972 they took a can of baked beans for every day of the holiday, 21 in all; her mother fitted them ‘around the wheel arch in the boot, along with the tinned mince and tinned Campbell’s soup’. When Juliet Gardiner went to Le Bourget on a school exchange, she presented her penfriend’s mother with a box of cornflakes. Still, Abroad could be a revelation. Harry Ritchie, from Kirkcaldy, went to Majorca in 1969: ‘Being able to take your clothes off for a holiday, rather than having to put more on: that was wonderful in itself.’
Abroad could be a revelation. Harry Ritchie, from Kirkcaldy, went to Majorca in 1969: ‘Being able to take your clothes off for a holiday, rather than having to put more on: that was wonderful in itself.’
In Martin Scorsese’s film adaptation of The Age of Innocence, facsimiles of James Tissot’s paintings hang on the walls of the Beauforts’ Gilded Age mansion, the setting for the annual Opera Ball, where New York plutocrats dance with women in Tissot-inspired dresses. An oversized replica of Too Early (1873) shows the sniggering that meets a group of early arrivals at a...
It’s hard not to enjoy London Visitors as a parody of the London art world’s thinly veiled contempt for Tissot – an outsider with money to burn – and for the ambitious women he loved to paint. The degree to which this woman cares about her critics is written on her face. Tissot’s career suggests that he, too, couldn’t care less.
‘Ihope the book gives you a sense of joy, something to immerse yourself in that is not the horrific news that we’ve been experiencing constantly and relentlessly since March,’ Brit Bennett said of her new novel. The Vanishing Half came out a week after George Floyd was choked to death on a Minneapolis sidewalk; the novel itself begins weeks after Martin Luther King was...
My first reading of The Vanishing Half was greedy, fast, for plot, with the sun on my back and murder in the news. On my second, I noticed different things. Brit Bennett’s sentences don’t get in your way, and at first you don’t see that there are a few too many folksy bromides.
Over the last forty years, academics have tried, without much success, to superimpose the idea of the Vikings as peaceful traders on the berserkers-and-horned-helmets tradition. There is little disagreement about the events of the Viking Age or its timeline, stretching from 8 June 793 (the unexpected raid on Lindisfarne) to 25 September 1066, when King Haraldr Harðráði,...
The Vikings, for all their strange customs and unknowable psychology, were more like us than we might like to admit. But there was something macabre about them.
Just before the EU referendum in 2016, the American political scientist Andrew Moravcsik wrote in the Financial Times that Brexit should be seen as a kabuki drama – ‘stylised but meaningless posturing’. Four years on, it is clear that nothing could be further from the truth. Even if the UK does manage to strike a deal with the EU, relations between the two have been...
One reason the EU has been so keen to tie the UK to level playing field conditions, and is so reluctant to believe the UK’s repeated assurances that it has no intention of cutting regulatory standards, is that Brexiters have spent thirty years insisting that deregulation was the prize to be gained from leaving.
In the latest episode in their series of Close Readings, Seamus Perry and Mark Ford look at the life and work of Robert Frost, the great American poet of fences and dark woods. They discuss Frost’s difficult early life as an occasional poultry farmer and teacher, his arrival in England in 1912 amid the flowering of Georgian poetry, and his emergence as the first 20th-century professional...
In the latest episode in their series of Close Readings, Seamus Perry and Mark Ford look at the life and work of Robert Frost, the great American poet of fences and dark woods. They discuss...
David and Helen talk with the historian David Kynaston about his diary of the 2016-17 season in football and in politics, when a lot happened both to the world and to his beloved Aldershot FC. It's a conversation about loyalty, identity and belonging, and about what sorts of change we can tolerate and what we can't. Plus Helen reflects on her life as a West Ham fan.
David and Helen talk with the historian David Kynaston about his diary of the 2016-17 season in football and in politics, when a lot happened both to the world and to his beloved Aldershot...
Following his piece in the latest issue of the LRB, William Davies talks to Thomas Jones about the new political polarisation, and what it owes to the online culture of instant feedback. What does politics look like, Davies asks, once the provocation of reaction, positive or negative, precedes the slow work of excavation, research, reporting and administration?
They discuss the...
Following his piece in the latest issue of the LRB, William Davies talks to Thomas Jones about the new political polarisation, and what it owes to the online culture of instant feedback. What...
Five Dials 57, ‘To Leave and to Be Left Behind’, explores the imaginative space of the journey – where it can take us and how it can change us. Guest-edited by Sophie Mackintosh, it brings together a range of playful, intimate and risk-taking voices from across contemporary fiction and poetry. To celebrate the launch of this special issue, Sophie was joined in conversation by...
Five Dials 57, ‘To Leave and to Be Left Behind’, explores the imaginative space of the journey – where it can take us and how it can change us. Guest-edited by Sophie Mackintosh,...
Pankaj Mishra talks to Adam Shatz about his latest piece for the LRB, which looks at the ways the US and UK have responded to the Covid-19 pandemic and Black Lives Matter protests, and what those botched responses reveal about the broader failures of Anglo-America.
Their discussion also touches on the recent ‘open debate’ letter to Harper’s, the lingering prevalence of...
Pankaj Mishra talks to Adam Shatz about his latest piece for the LRB, which looks at the ways the US and UK have responded to the Covid-19 pandemic and Black Lives Matter protests, and what those...
Amia Srinivasan talks to Thomas Jones about the long search for a third person singular, gender-neutral pronoun, and the resurgence of the pronoun debate in recent years.
Amia Srinivasan talks to Thomas Jones about the long search for a third person singular, gender-neutral pronoun, and the resurgence of the pronoun debate in recent years.
Writing on Lorna Goodison’s poetry, Derek Walcott asks ‘What is the rare quality that has gone out of poetry that these marvellous poems restore? Joy.’ Goodison has served as the Poet Laureate of Jamaica and published twelve volumes of poetry; her Collected Poems came out from Carcanet in 2017. In 2019, she won the Queen’s Gold Medal for Poetry.
Linton Kwesi...
Writing on Lorna Goodison’s poetry, Derek Walcott asks ‘What is the rare quality that has gone out of poetry that these marvellous poems restore? Joy.’ Goodison has served as the...
Keeanga-Yamahtta Taylor talks to Adam Shatz about the intellectual and historical background to the Black Lives Matter movement, and why she’s optimistic that the current protests might bring change.
Image shows the March on Washington, 28 August 1963 (Everett Collection Historical/Alamy).
Keeanga-Yamahtta Taylor talks to Adam Shatz about the intellectual and historical background to the Black Lives Matter movement, and why she’s optimistic that the current protests might...
Given what we know about the future of the planet, is having children a matter of consumer choice, of political conviction, or something an authority will eventually decide for us? Meehan Crist explores the debate about the ethics of childbearing in the age of climate crisis. She addresses the relationship between BP and the British Museum, the implications of culture-washing, and the logic of...
Given what we know about the future of the planet, Meehan Crist asks: is having children a matter of consumer choice, of political conviction, or something an authority will eventually decide for us?
Akihito, who abdicated in April, was a paradoxical figure: a hereditary monarch, the son of the wartime emperor, Hirohito, strictly barred from political utterance, who even so stood out against the historical revisionism of the nationalist right. Richard Lloyd Parry considers the former emperor’s part in the intellectual and political debate over Japan’s wartime record, and its...
Akihito, who abdicated in April, was a paradoxical figure: a hereditary monarch, the son of the wartime emperor, Hirohito, strictly barred from political utterance, who even so stood out against...
The line between making a fiction and telling a lie has been blurry at least since Homer, and liars – from Odysseus and Iago to Austen’s Wickham and beyond – have often played central parts within fictions. This lecture will aim to tell some (though not all) of the truth about the relationship between lies and fiction from Homer to Ian McEwan, and will ask if fiction has...
The line between making a fiction and telling a lie has been blurry at least since Homer, and liars – from Odysseus and Iago to Austen’s Wickham and beyond – have often played...
After each episode of the new Talking Politics podcast, brought to you in partnership with the London Review of Books, continue your exploration of the history of ideas in our unrivalled archive of essays and reviews, films and podcasts.
Rediscover classic pieces, recurring themes, and the dash the London Review of Books has cut through the history of ideas, for the past 40 years, with LRB Collections and now LRB Selections: two new series of collectible books.
We are delighted to announce that the London Review Bookshop has reopened its doors! For further details of how socially distanced browsing will work, visit the bookshop website. You can phone them on 020 7269 9030 to place a pre-paid order for collection, and they are once again talking orders via email or phone for international mail order. You can also order from a selection of booksellers’ favourites and lockdown picks online, via the London Review Book Box website. The Cake Shop is also back, for takeaway only, between 9 a.m. and 4 p.m. from Monday to Saturday. Stay tuned for news of upcoming digital events, and we hope to see you very soon. Thank you for your support.
In the next issue, which will be dated 10 September: Paul Keegan on T.S. Eliot’s letters to Emily Hale, Ian Penman on Kraftwerk, Susannah Clapp on Mecklenburgh Square.
Don’t miss the latest from the LRB: sign up to our newsletter.
This site requires the use of Javascript to provide the best possible experience. Please change your browser settings to allow Javascript content to run.