Ambient Sunday with: Choongum, Bonobo, and Ross Harper #Ambient #Downtempo #Chill

•August 9, 2020 • Leave a Comment

Ambient Sunday returns sweltering slightly in the heat with three tunes from Choongum, Bonobo, and Ross Harper.

Choongum is from New York and offers, “Utopian rhythms for dystopian times.” And we all need a bit of that. The track is the delightfully hooky Eternal. Starts off with weird spaced rhythms and echoes. Beats come along in their hissy way. But the one note riff has got you by then. This is lucid psychedelic dreaming. An imagining of possibilities. A tummy tickle of a track. Skips the light fantastic without a care in the world. Annoyingly not on Spotify.

Soundcloud

Download from Bandcamp (name your price)

Next, the massively influential Bonobo. TBH I can’t say I’d have picked him as the one who would have thrived and grown in stature from the early noughties downtempo boom. His stuff was good but not standout. Or so I thought. When you listen to this previously unreleased track from around the period of his debut Animal Magic album you wonder if your lazy, casual assessment of 20 years ago still holds water. Brighton Tapes 01 has beautifully clattering almost hip hop beats and a melange of other sounds from tin pan drums to sitars and the kitchen sink. This is very, very good.

And so to Ross Harper. A 90s rave veteran making downtempo music with elements of Jon Hopkins and Orbital. He shares a certain spaciness with Orbital and there’s a smidge of One Perfect Sunrise on Low (Edit) but this is no slavish pastiche. This is its own thing. A lovely downtempo / ambient track that ploughs its own furrow.
Of the track Ross says, “LOW is the single from my forthcoming downtempo album, all inspired by a poem I wrote that begins: “I see machinery, I see a man of light holding a key of light, surrounded by the huge machinery…”” This is a three minute downtempo psychedelic trip. It’s full of hazy sounds and dappled sunlight. A symphony of leaves waving in trees. Walk with me in the downtempo woodland.

 

Downtempo trio with: Digitonal, Recable and Astral Vertigo #Downtempo ##Chill #Electronic

•August 8, 2020 • Leave a Comment

A morning of hazy sunshine needs some chill tracks to burn the clouds away and deliver on the promise of a sunny day. Here’s Digitonal, Recable, and Astral Vertigo to do just that.

Digitonal are a long-standing duo from the UK. And The Dance’s Pattern is the new single form their forthcoming Set The Weather Fair album, due out in the Autumn. The track mixes a neo-classical approach to the piano with the processed electronic clickiness of someone like Max Cooper. It also share’s Max’s love of mathematical precision. You sense the underlying complex patterns which in no way lessens the beauty of the track. It has a delightful sense of harmony and being at peace with everything, even in times of change.

Next, the return of Recable from Australia. I’ve no more info on him(?) than I did last time. The track, Quick Humps, is unadorned by any sort of explanation. So feel free to add your own, whether about sleeping policemen or frantic friskiness. Either way, the track has a gentle almost drone beauty. Beats are there but in the far distance. The foreground is occupied by synths that almost have a trance air. It’s all whooshing wheeziness and lonely fairgrounds. Music for afternoon hammocks.

And so to something Scandie cosmic from Gothenburg, Sweden’s Astral Vertigo. Nothing chilly or having a sense of Northern climes on Navigating Through The Void. It’s a warm and enveloping astral chill track. Taken from the Red Horizons EP this track is, “Inspired by sci-fi culture and the human exploration of space, Astral Vertigo is on a mission to bring the universe closer to you.” There’s a sense of 70s synth throwback but without any backwards sense. That’s added to by some wandering guitar as we aim for Mars. There’s a sense of outer space as a positive experience. A sense of wonder and adventure. Come onboard.

Pre-Friday DnB with: Kryx – Atmosphere #DrumAndBass #DnB #Electronic

•August 6, 2020 • Leave a Comment

Let’s celebrate pre-Friday with some light drum and bass from Far North Queenslander (Australia) Kryx.

Released on the Industrial Parasite label from the USA, Atmosphere is a lovely mix of house synths with liquid drum and bass beats. The synths soar skywards touching the edge of space but not quite getting fully spaced out. There’s a wonderful lightness to the synths that skip, tumble and fall earthward only to be buoyed up again. A dash of sunny summer optimism. The beats add to the unbearable lightness of being that the track engenders. Proper summer soundtrack stuff.

Soundcloud

Spotify

The Dreamer Awakes with: El Jibs – Fiction #Chill #Downtempo #Electronic

•August 5, 2020 • Leave a Comment

I’m on holiday but it’s all a dream in this covid-19 world. What is holiday? Why is everything not the same? What is normal? El Jib wrestles with these post-lockdown questions on Fiction.

El Jibs is the artist name for Jake “jibs” Wall, a musician, producer and, he says, “an avid lover of the rain.” Fiction is another track produced in response to Covid. But this time less about lockdown than what comes after. As El Jibs says, “With most of us having been through a lockdown, we came out the other side into a fictitious world. One that no longer feels real.” That explains the dreamy downtempo textures to the track and the tinkling almost magical air to it all. A bit Indian vocal, some lascivious movie samples (care of Vincent Price) and some jittering beats. It’s all rather strange. Leery but lovely. A fractured summer hit.

Dreaming of electric sunshine with: Dyamur – Mirror Morph #Ambient #Synth #Chill

•August 4, 2020 • Leave a Comment

Found myself looking at blue skies and marvelling at the constantly shifting shapes of the cloud. From slower moving fleets of Zeppelin’s to grazing elephants and furrowed rows of while tilth and back again. No wonder Constable loved painting them.

Austria’s Dyamur provides the perfect Viennese soundtrack to such daydreaming activity on Mirror Morph. It’s a mix of sci-fi synths and whirring, wheezing electronics. A regular chiming of cumulus nimbus and the jitter of cirrus. The track is taken from the Shapes of Consonance album. This explores, “the morphology of forms of aesthetic in nature and art. Mirror Morph is thus a visual illustration of this morphology.” Magical music for morphing on meteorology.

Taken from the album Shapes of Consonance

Triple Chill hop with: Padre Tóxico, PJhasBeats, and Caleb Elias G #HipHop #Chill #Instrumental

•August 3, 2020 • Leave a Comment

A triple bill of instrumental hip hop tracks. All head noddingly good stuff from Padre Tóxico, PJhasBeats, and Caleb Elias G.

Poland’s fabulous Padre Tóxico returns with Lil’ Bit Funky from the Life Supplement album. The beats are slung low and woozy. There’s a bit of stoned brass but what makes this track tick is the little noodles of jittery and funky guitar. Like the chilli in your dish this tickles the taste buds and spices things up without ever burning them away. Another utter delight of a track. Wonderful.

Do PJs mean pyjamas in the USA? I’m afraid it’s what I thought of with PJhas Beats. But perhaps that’s ok since this is sweet sleepytime music. PJhasBeats is a beatmaker from Seattle, Washington. Specializing in boombap, lofi, hip hop tracks with soulful jazzy elements. The track is Biscotti from his Cannatonic album. The beats are lazy boom bap, with a bit of surface noise for that old school feel. It’s all a bit jazzy with the Rhodes and especially the fabulously lazy guitar and sax honks that drifts the track forward. It’s only 1:54 but time feels stretched when you’re within it. Get chilling.

And so to Caleb Elias G from Toronto, Canada. Study Break is another super slow track. A touch of almost classical here with the gentle piano that ripples through the track. Beats are modest and kept in the background. This is all about calm. A soothing influence on your life. Taken from the Ego Dissolution EP this tune hides within a little slide guitar. It’s like a fine whiskey that lets the track slip down even more smoothly.

Spotify

Ambient Sunday with: Lil Bunnie Ruru, 4lienetic, and Sebastian Schmidt #Ambient #Drone #Chill

•August 2, 2020 • Leave a Comment

A triple bill for Ambient Sunday from Lil Bunnie Ruru, 4lienetic, and Sebastian Schmidt. The mood runs from chill through ambient and drone.

First up is Lil Bunnie Ruru from the USA. Curiously they say they makes music inspired by images and colours. The track is soothe master. It’s a lovely chill dream track. The moods drift about. There’s a shimmering drone in the background and chiming almost dulcimer tones in the foreground. The mood is chilled and day dreaming. The colour is lemon and pale blue displayed in hazy sunlight. Oh, and Lil Bunnie Ruru says, “I wrote soothe master for my teddy bear for being my best friend through tough times.” Because we all need something to help us through tough times.

Next, 4lienetic from Mumbai, India. He makes meditative and ambient music. And that’s very much what you get here on Jotunheim. This is ambient but with a very strong drone focus. There’s no beats to speak of. It’s all about held low tones that have that expansive wasteland feel. All a bit chilly really. Flutes play slowly and droney. It’s a meditation verging on a dream. But edgier than that sounds. Hardly surprising that it was written during quarantine, it has that anxious undertow.

Taken from the Waking Life album

Finally, but in no way least Sebastian Schmidt. His work owes much to Brian Eno. The track is the retro named and inspired 1977. It’s a stately slowly revolving track. Tones are held but eased off just before it becomes drone. There’s a wide landscape and far off radio noise. It’s a piece on disassociation. The world kept at arms length. A wrapping yourself in the warmth of those tones. But welcoming the distance they provide from a world always trying to intrude. Music for introverts everywhere.

Bandcamp

It’s too hot, let’s chill with: Lona and Toh Unga ##House #Acid #Chill

•August 1, 2020 • Leave a Comment

Under blazing skies and while waiting for the delayed Cup Final let’s get ready with a couple of perky but chilled tracks from Lona and Toh Unga.

Lona is from Bristol, UK and the rack is Tides. Of the track Lona says, “Tides is inspired by the movements of life, from movements of people and the ways in which they live their lives, to the natural movements of the planet.” And there is something very organic and swirling about it in the held synth tones. But there’s also a restless sense from the insistent beats and wordless vocal. Creates a nice bit of tension in the track which ultimately ends up somewhere slightly dreamy. Clever stuff.

Next, from France Toh Unga. This is Simon Magimel from Toulouse, France. He does techno and acid. And on c’est cool quand il fait beau he’s created a very special lockdown track. It’s a chilled lo-fi acid track that’s utterly delicious. He says of the track, “J’ai créé ce morceau pendant l’étrange période du confinement en France. J’ai cherché a m’évader en créant ce morceau, et a partager un mood plus joyeux et jovial.” (tr: I created this piece during the strange period of confinement in France. I tried to escape by creating this piece, and to share a more joyful and jovial mood.). And he’s done just that. This is a gentle chilled acid of a sort of Ultramarine vein. Acid lines burble away happily and the beats are mid-paced and not too far forward in the mix. A track to make you smile and forget your cares.

Soundcloud

Spotify

Tech it to the dancefloor with: Disco Volante – Clubb Interlude 004 (HeartWerk Remix) #TechHouse #Techno

•July 31, 2020 • Leave a Comment

Let’s get tech house for the end of the week in the form of a HeartWerk remix for Disco Volante.

The track is Clubb Interlude 004 taken from the Clubb Interlude EP by Disco Volante. IT’s an abstract, slightly alien tune. Perhaps that’s not surprising since Disco Volante translates from Italian as Flying Saucer. The HeartWerk remix takes the beats off into a techy space. The pace feels almost unvarying as synths and electronics ping out from it. There’s a central melody but it’s short and kept on a very tight leash. Gives the track a wonderfully tense and taut feel. Get a party going in your household bubble with this track.

EP

 

Set the Sitar to stun with: Evan Hatfield – Confused Ravi #House #Chill #Sitar

•July 29, 2020 • 1 Comment

 

D215E49D-4FBB-40A4-9361-ED7EF233F06C

Sitar works rather well with downtempo house. And here’s Evan Hatfield to prove the point with Confused Ravi from his new EP of the same name.

Some chilled tabla topped house beats hove into view with an East meets West thing going on  that’s all enriched with synths and a lovely use of sitar. This isn’t simple exoticism but a deeper use of sitar in a contemporary setting. As the accompanying blurb explains, “The track is inspired by the moment world-renowned sitar player Ravi Shankar finds out that George Harrison of The Beatles is coming to India to study sitar with him. Considering how, at that time, the West generally paid little attention to Eastern culture, it came as a great surprise to Shankar.” The track ends up with an almost deep house depth of feeling. This is full of smoky rooms and sinuous shapes. Writhe away to your hearts content.

Pinkturban · Evan Hatfield – Confused Ravi (Original Mix) [Pinkturban]