Ernest Greene floats back into the slipstream with an album of innocuous, Balearic-influenced makeout jams that sound lush but are mostly empty on the inside.
Featuring artists like Superchunk, the Mountain Goats, and Iron & Wine, this 25-song benefit compilation for the beloved North Carolina venue Cat’s Cradle boasts far more riches than a charity project requires.
The UK psych-pop band stretches out to embrace hip-hop production and personal biography. It comes across like a guy trying to tell you his life story in a packed Coachella tent.
The latest signee to the $uicideboy$ label is an Atlanta skater-turned-rapper with a voice that’s as aggressive as it is gleeful. His new tape isn’t that serious, but his rapping is.
In this Rising interview, the Brooklyn-based R&B experimentalist talks about how music, spirituality, and community help her to heal.
A discussion of the late rapper’s life and influence, on the latest episode of our new podcast The Pitchfork Review
FINNEAS explores the sounds that sparked his greatest musical breakthroughs in this episode of “Critical Breakthroughs”
Each Sunday, Pitchfork takes an in-depth look at a significant album from the past, and any record not in our archives is eligible. Today, we revisit the third album from the radical rap-rock band, their sharpest revolutionary screed dropped into the dead zone of 1999.
The Los Angeles singer-songwriter’s debut album is an ambitious, bilingual record that hops between influences, echoing the liminal state of a 26-year-old immigrant in America.
As a member of Duster and Built to Spill, Jason Albertini was often in the background. The latest album from his own band feels like a chance to come up for air.
It’s easy to get hung up on the lyrical shock factor of “WAP,” but this duo’s detailed play-by-play doesn’t aim to impress guys.