![](http://web.archive.org./web/20200804213413im_/https://media.newyorker.com/photos/5a9f0d589200847c0133d07f/1:1/w_68,c_limit/promo-radio-hour@3x.png)
New from The New Yorker Radio Hour: The power of police unions.
![Selection of cheeses](http://web.archive.org./web/20200804213413im_/https://media.newyorker.com/photos/5f245aa0698a316b79e7ce0c/4:3/w_728,c_limit/Tandoh-cheese.jpg)
How a Cheese Goes Extinct
When you talk with aficionados, it usually doesn’t take long for the conversation to veer away from curds, whey, and mold, and toward matters of life and death.
![Forward Nneka Ogwumike.](http://web.archive.org./web/20200804213413im_/https://media.newyorker.com/photos/5f245a86f67f1a5e4b3ad6ce/4:3/w_728,c_limit/Thomas-NnekaOgwumike.jpg)
Nneka Ogwumike and the W.N.B.A.’s Big, Complicated Moment
Amid a global pandemic and nationwide protests, the W.N.B.A. is playing basketball in a bubble. Ogwumike is trying to make sure it succeeds.
![](http://web.archive.org./web/20200804213413im_/https://media.newyorker.com/photos/5f286326698a316b79e7d058/4:3/w_728,c_limit/jackson-black-is-king.jpg)
Beyoncé’s Knowing Ethnic Splendor in “Black Is King”
The “visual album” does not attempt to provide cultural lessons but, rather, invitations to awesome delights.
![A burst of social media posts as political signs.](http://web.archive.org./web/20200804213413im_/https://media.newyorker.com/photos/5f1867272a375b7f28f28178/4:3/w_728,c_limit/Hu-VirtualActivism.jpg)
The Second Act of Social-Media Activism
Has the Internet become better at mediating change?
![Search](http://web.archive.org./web/20200804213413im_/https://media.newyorker.com/photos/59096d7d6552fa0be682ff8f/1:1/w_68,c_limit/eustace-400.png)
Support The New Yorker’s award-winning journalism. Subscribe today »
Spotlight
![Sally Fields and Barbara Baxley in the film Norma Rae standing in the factory](http://web.archive.org./web/20200804213413im_/https://media.newyorker.com/photos/5f2709af698a316b79e7cfe2/4:3/w_768,c_limit/Fry-NormaRae.jpg)
The Ongoing Relevance of “Norma Rae”
Viewed today, the 1979 movie, starring Sally Field, is most striking in its suggestion that no struggle can take place alone.
![Two laughing gas canisters in greenery at a park](http://web.archive.org./web/20200804213413im_/https://media.newyorker.com/photos/5f26fca90e24ae88acfd009a/4:3/w_768,c_limit/Russell-LaughingGas.jpg)
The Laughing-Gas Wars of London
Whatever the reason—ostentatious littering, the mad desire for a furtive lockdown high—nitrous-oxide cannisters are ubiquitous in London this summer.
![Scott Aberegg in scrubs.](http://web.archive.org./web/20200804213413im_/https://media.newyorker.com/photos/5f243834eb1eec154599e647/4:3/w_768,c_limit/Khullar-Utah-Doctors00.jpg)
Fighting the Coronavirus, from New York to Utah
They volunteered during the New York City surge—then returned home to watch the virus come to them.
![Image may contain: Banister, and Handrail](http://web.archive.org./web/20200804213413im_/https://media.newyorker.com/photos/5f1b658e36a71d20f7dd3d01/4:3/w_768,c_limit/200803_r36806.jpg)
Urgent Care from the Army Corps of Engineers
While Trump flails in the pandemic, the military’s builders are getting it done.
![Buttocks and arm.](http://web.archive.org./web/20200804213413im_/https://media.newyorker.com/photos/5f19d494698a316b79e7c3ac/4:3/w_768,c_limit/200803_r36811-hero.jpg)
Rethinking the Science of Skin
What is all the scrubbing, soaping, moisturizing, and deodorizing really doing for the body’s largest organ?
![Eustace with a crossword puzzle](http://web.archive.org./web/20200804213413im_/https://media.newyorker.com/photos/5ecd76d3793d1ce8ca8cdbf5/4:3/w_768,c_limit/Crossword-Puzzle-Eustace-Level3.jpg)
A Challenging Puzzle
Early-two-thousands drama with the theme song “California”: five letters.
Most Popular
- 1.
- 2.Annals of Gastronomy
How a Cheese Goes Extinct
- 3.Culture Desk
“The Far Side” Returns to a Weird World
- 4.Comma Queen
Stet!, the Hot New Language Game
- 5.Daily Shouts
Everyone Hates Me
![Image may contain: Text, and Label](http://web.archive.org./web/20200804213413im_/https://media.newyorker.com/photos/5d405edf21a62700083b195d/1:1/w_68,c_limit/newsletter-hp-banner.jpg)
The best of The New Yorker, in your in-box. Sign up for our newsletters now.
The Latest
Americans Insanely Jealous of Spain After Corrupt Head of State Flees Country
![Former Spanish King Juan Carlos leaves Spain.](http://web.archive.org./web/20200804213413im_/https://media.newyorker.com/photos/5f2977860e24ae88acfd0257/4:3/w_116,c_limit/Borowitz-Spain.jpg)
Americans expressed frustration that multiple criminal investigations were “all it took” for the former Spanish ruler to voluntarily leave Spain forever.
New Kinds of Surprise Health-Care Billing
![A hand holding a stethoscope to a dollar bill against a blue background](http://web.archive.org./web/20200804213413im_/https://media.newyorker.com/photos/5f27351c698a316b79e7d02c/4:3/w_116,c_limit/Shouts-SurpriseHealthcareBill.jpg)
A hospital administrator drives by your house and throws a brick with a medical bill wrapped around it through your window, and more.
Mayor Lori Lightfoot and the Federal Forces in Chicago
![Lori Lightfoot speaks into a microphone.](http://web.archive.org./web/20200804213413im_/https://media.newyorker.com/photos/5f285ee236a71d20f7dd476b/4:3/w_116,c_limit/PoliticsAndMore-LoriLightfoot.jpg)
President Trump is deploying two hundred federal agents to “drive down violent crime” in Chicago. Mayor Lori Lightfoot gives David Remnick her take on the situation.
New Yorker Favorites
From This Week’s Issue
![Drive in movie theatre.](http://web.archive.org./web/20200804213413im_/https://media.newyorker.com/photos/5f19ecd60e24ae88acfcf536/4:3/w_768,c_limit/200803_r36798.jpg)
The Return of the Drive-In
With New York movie theatres closed, drive-ins, including the Warwick, upstate, and the Skyline, in Greenpoint, are thriving, offering familiar films and such new releases as “Relic” and “She Dies Tomorrow.”
![Image may contain: Face, Human, Person, Head, Advertisement, Collage, Poster, and Sarbjit Cheema](http://web.archive.org./web/20200804213413im_/https://media.newyorker.com/photos/5f1b180846aba3f470f8a09f/4:3/w_768,c_limit/200803_r36817.jpg)
American Tragedy and Comedy, Streaming on YouTube
“The Line,” a play of communal horror, follows health-care workers battling COVID-19, and Hannibal Buress’s new special turns a police encounter into comedy and catharsis.
![](http://web.archive.org./web/20200804213413im_/https://media.newyorker.com/photos/5f1ba4d8441bb77912f087ec/4:3/w_768,c_limit/200803_r36823web.jpg)
Summer School for Protest Writing
With a reading list ranging from W. E. B. Du Bois to Kendrick Lamar, a remote class teaches Philadelphia teens how to express their frustration with society—including, in some cases, their schools.
![Image may contain: Human, Person, Nature, and Outdoors](http://web.archive.org./web/20200804213413im_/https://media.newyorker.com/photos/5f19fbbaf67f1a5e4b3acaab/4:3/w_768,c_limit/200803_r36809.jpg)
“Heirlooms”
“So, Mitsuko says, how long have you been sleeping with my son? Or is it casual? Not really, I say.”
Video
A Film Recounts the Imbalances of Obsession
In “The Song Is You,” the rarefied air of the art world serves as a backdrop for the complicated relationship between a would-be stalker and the couple she is following.