On this EP recorded with the Brooklyn Youth Chorus, the group shows that their capacity for new ideas and reinvention has yet to fail them.
Low-key emotional intensity abounds in Elizabeth Powell’s stark, sketch-like reveries, and the new album’s few-frills production exposes just how gut-wrenching their songwriting can be.
A trilogy of reissues tells the story of a brilliant, unconventional, yet luckless British Invasion band let down by an industry that didn’t know what to do with them.
The two Chicago rappers form an alliance possibly out of convenience or shared circumstances, but their opposing styles meld into a project that can work surprisingly well.
In this Rising interview, the Brooklyn-based R&B experimentalist talks about how music, spirituality, and community help her to heal.
A discussion of the late rapper’s life and influence, on the latest episode of our new podcast The Pitchfork Review
FINNEAS explores the sounds that sparked his greatest musical breakthroughs in this episode of “Critical Breakthroughs”
Each Sunday, Pitchfork takes an in-depth look at a significant album from the past, and any record not in our archives is eligible. Today, we revisit Bill Callahan’s masterful 1999 record as Smog, a breakup album about discovering new ways of being in the world.
On his tenth studio album, now reissued with rarities and B-sides, McCartney grappled with emotions too big to neatly fit inside a pop record.
The British band’s first new album in 29 years is a rare commodity: a comeback record that’s refreshingly free of nostalgic gestures.
The pop star’s first single recorded under quarantine attempts to find happiness amid uncertainty.