The Detroit rapper teams with the producer Sterling Toles for his most forward-thinking, experimental, and personal album.
The Rio de Janeiro MC deftly uses a grime framework to explore a wide range of emotional textures that are part of living in Rio—its pleasures and its hardships.
The debut EP from Los Angeles-based ambient folk musician Helen Ballentine is short but captivating. Even without specific details, her words are deeply felt.
Nine years after the Rapture’s final album, the group’s singer/guitarist returns with his debut solo album, grappling with fatherhood and legacies of trauma in adventurous, ambient-infused art rock.
Listen to the the first episode of our new podcast, The Pitchfork Review
In this Rising interview, the lifelong New Yorker and member of the art-punk trio Palberta talks about building up the confidence to release her first official solo record.
FINNEAS explores the sounds that sparked his greatest musical breakthroughs in this episode of “Critical Breakthroughs”
Made from afar, primarily with the National’s Aaron Dessner, Swift’s eighth album is a sweater-weather record filled with cinematic love songs and rich fictional details.
The unlikely collaboration between the vaporwave producer and the 311 frontman feels as natural as a wedge of lime and a bottle of Corona—equal parts basic and deeply satisfying.
The East London rapper/singer is mostly successful in creating a portrait of late nights out by using the sounds he grew up with as the backdrop for his free-wheeling ruminations.
On his debut album under his own name, the artist formerly known as Deadboy captures a cross-section of recent UK dance-music history, spanning 2-step, breaks, sunrise anthems, and dub techno.