The cryptic packaging and liner notes make
Those Bastard Souls seem like a more complete band than they were at the time --
Dave Shouse is nowhere mentioned by name within, while the artwork is somewhere between an Impulse! CD reissue and garage/psych imagery.
Shouse
apparently recorded everything on the road, possibly with unnamed
assistance; six separate studios in Europe and the U.S. are listed.
Those familiar with
the Grifters' blend of styles won't be too surprised by
Shouse's way of working, but
Those Bastard Souls have a different and distinct way around combinations.
Shouse
is as comfortable with crisply recorded and performed straight-up,
bluesy garage rock ("These Things Will Slay You Every Time," with what
can only be described as barrelhouse harpsichord) as with more
off-kilter approaches. The snaky "Remembering Sophie Rhodes" is one of
Chemical's
best, the organ and driving feel seeming like a bit of classic rock
liberated and made to live again. "Dirty Looks" blends the two sides
well, with both an in-your-face delivery and string and keyboard touches
floating around the steadily paced recording. The amusingly titled "!
#*@#*! (I'm Takin' Off)" lets
Shouse
get his ya-yas out with force, thanks to the quick, bass-heavy rhythm
and rock-out soloing. "Subterranean Death Ride Blues, Pt. 2" is a
striking number, a piano and drum-led track with a queasy production
quality -- there's something almost late
Beatles about it without suggesting a full cloning. If there is any sort of Liverpudlian connection throughout
Chemical, it's in
Shouse's
vocals, generally treated with a bit of echo and distortion, with a
breathy, raspy quality that is both familiar and not easily pinned down
-- a bit
Lennon and
Paul Westerberg all at once. If
Guided by Voices had already claimed part of this sonic intersection for themselves,
Shouse provides his own rootsier interpretation of such influence-blending, with great success.