Roseanna by Maj Sjöwall and Per Wahlöö (Vintage Crime 1965)

He opened his mouth but closed it again without saying anything. There would only be an argument and this wasn't the moment for it. Instead he drummed slowly with his fingers on the formica table top. He looked at the empty cup with its blue rose pattern and a chip in the rim and a brown crack down from the notch. That cup had hung on for almost the duration of their marriage. More than ten years. She rarely broke anything, in any case not irreparably. The odd part of it was that the children were the same.

Could such qualities be inherited? He didn't know.

Poor Butterfly by Stuart M. Kaminsky (Mysterious Press 1990)

The overture ended. Stokowski sighed, shook his head, and said, “Oboe. You, oboe.”

The oboe player, a very old man, looked up, ready to accept the ax.

“When I coax you with my hand like this,” said Stokowski, demonstrating the hand movement “I want you to play, to help. The flutes were lost. They have improved in quality in the last ten minutes but lost in volume.”

“But,” said the bewildered oboe player, his instrument cradled lovingly in his arms, “there was no music when you “pointed at me to play.”

“I am the conductor,” said Stokowski. “If I point at you, coax you, it is because I need you, and you will play even if there is no part for you.”

“You want me to improvise on Puccini?” asked the stunned old man, looking in the general direction of the string section.

“Yes,” said Stokowski. “Yes. Yes if I need it.”

“You want me to play … jazz?”

“I don’t care what you call it,” said Stokowski. “Just do it. Can you do it?”

“Yes,” said the old man.

“Good,” said Stokowski. “Practice.”

“Practice what?” asked the old man.

“Creative flexibility.”

Buried Caesars by Stuart M. Kaminsky (Mysterious Press 1989)

And we went. Seidman trusted me enough to let me drive my Crosley ahead of him. We got to the Wilshire Station in fifteen minutes, bucking the traffic. The Wilshire had been the hotbed of police activity back in 1923 when my brother Phil joined the force. Phil had come in during Prohibition when the department was at its most corrupt. He became a cop the same month the city fathers appointed August Vollmer, the father of police science, to a one-year term to clean up the L.A.P.D. Vollmer, a clean-living police chief from Berkeley, got nowhere, and when his term was about to expire in September of 1924, billboards began to appear all over the city, saying: “THE FIRST OF SEPTEMBER WILL BE THE LAST OF AUGUST.” And it was. I remember seeing the signs and asking Phil what they meant. I remember he rapped me in the head and told me to shut up.

Think Fast, Mr. Peters by Stuart M. Kaminsky (Mysterious Press 1987)

Jeremy, who had placed himself between Lorre and the glass doors, nodded and said, “I suggest we move away from these glass doors into a more protected area. It is one thing to accept our fate and quite another to tempt it.”

“But,” said Lorre, surreptitiously pulling out a silver case and removing a cigarette, “if our fate is written then we cannot tempt it, only fruitlessly seek to avoid it, in which case we become a source of amusement for the gods.”

“But,” Jeremy said solemnly, “as Schopenhauer said, ‘We must live and act as if we have a choice, a control over our futures, or we will simply sit in the corner and wait for death.’”

“Or,” said Lorre blowing out a puff of smoke, “enter into a state of meditation like certain Buddhist priests who attain the blissful state of Nirvana.”

“Hey, guys,” I said. “This is great, fascinating, but until that great come-and-get-it day, I’d like to keep my client alive, save a dentist, and eat regular. Let’s get this going.”

“As you wish,” said Lorre.”

Smart Moves by Stuart M. Kaminsky (Mysterious Press 1986)

The bathroom was small, a towel on the floor, the medicine cabinet partly opened. I opened it all the way and found an old straight razor, with a pearl handle and something written on it in German. I lathered, shaved without cutting my throat, looked at myself in the mirror, wiped the drops of soap from my shirt and grinned a horrible lopsided grin at the pug in the mirror who looked as if he were having a good time. It was then I decided for the two-hundredth time that the guy in the mirror was some kind of looney. My ex-wife Anne had seen it in my face long before I did, that young-old face with dancing brown eyes and a smashed nose, smiling when things were complicated and people with assorted weapons were trying to take him apart for scrap.

“This is what it’s all about,” I told the grinning fool in the mirror, not knowing what I was talking about but knowing I meant it and it was the truth. I waited for an echo to answer “Fraud,” or “Nevermore,” but there was no echo and no answer.

Catch a Falling Clown by Stuart M. Kaminsky (Mysterious Press 1981)

The gorilla was sleeping.

When he woke up he’d find a clown in his cage. There would be no reasoning with Gargantua. He was not a reasonable gorilla. Maybe there are no reasonable gorillas. This was the only nonhuman one I had ever met, and if fate didn’t step very gently in and let me out, it was the only gorilla I would ever meet.

His keeper had told me that Gargantua was so mean that they had to throw live snakes into his cage just to get him to move out so they could clean the floors.

“But gorillas, they don’t eat people,” said the keeper, a knotty twig named Henry Yew. “That is a misnomer. They rends ’em apart or chomps ’em sometimes, but they don’t eat ’em.”

So when Gargantua woke up looking for some succulent head of cabbage to bend or chomp, he would find instead a private detective named Toby Peters. With the war in the Pacific going badly and reports of the Japanese bombing Los Angeles and Seattle, I’d just make a curiosity item in the entertainment section of the Los Angeles Times: FAMOUS CIRCUS GORILLA RIPS PRIVATE DETECTIVE. “Maybe the Times would wonder why I had been in his cage dressed as a clown. Maybe not.

High Midnight by Stuart M. Kaminsky (Mysterious Press 1981)

Both the sun and Mrs. Plaut were in my room when I woke up. The sun was full of energy and pride, having broken through a week of stubborn, cold clouds. Mrs. Plaut’s energy “was no less determined. She stood on a wooden chair and was either adjusting or removing the portrait of Abraham Lincoln from my wall.

“What are you doing?” I asked. Fortunately she didn’t hear me. As it was, she nearly toppled from the chair.

“What are you doing?” I shouted when she made it safely to the floor, portrait in hand. She heard that and turned to me with her lips in a straight, resolute line.

“I am removing the portrait of Uncle Ripley,” she said. “I am also removing the bedspread and the doilies from the sofa. These are precious items for me, and it is not safe for them in this room, especially if you plan to continue to stab people and do who knows what else.”

She scooped up the doilies and the bedspread. I was happy to see them go.

“And another thing,” she said, marching to the door. “You will have to buy your own knives.”

Never Cross a Vampire by Stuart M. Kaminsky (Mysterious Press 1980)

When we were in the car with Seidman driving and Phil next to me in the back seat, Phil put down the report and said, “Now talk. No jokes, no lies, no errors and you’ll have a no-hitter.”

I talked as we shot through the early morning darkness, headed I didn’t know where. I told him the truth from start to finish including the Shatzkin and Lugosi material.

“So,” said Phil, “what do you make of it?”

“I don’t know,” I said. “There’s no link between the two cases. It’s crazy.”

“There’s a link,” said Seidman from the front seat. I could see his sunken-eyed skull of a face in the rearview mirror.

“Yeah,” I said. “Me. I’m the missing link.”

“And …?” said Phil.

“I’ll work on it,” I said.

“How’s your knee?” Phil said, turning his head away from me out the window.

That was the blow I almost couldn’t handle. My mind went blank, and I reviewed more than four decades of life with Phil. There had never been anything like this.

“Ruth told me,” he explained.

“Told you?”

“The money,” he said.

Seidman pretended to hear nothing.

“I thought you’d break my head if you found out,” I said.

Phil’s hands were in his lap. They wanted to do something, but his mind was stopping him.

“I don’t like it,” he said, “but I need it.”

The Howard Hughes Affair by Stuart M. Kaminsky (Mysterious Press 1979)

“Don’t you want to hear what Hughes wants?” I said.

“I want to hear,” she said softly, “but I don’t want to pay the price for it. Your price is always too high, Toby. You can make a person live a century in fifteen minutes.”

“And you used to love it,” I tried.

She shook her head.

“I never loved it. I accepted it. We’ve been all through it, Toby. I’m almost 40 years old. I have no family, no kids. I’ve got a career and some hope. You don’t cheer me up when you come around. You just remind me of everything I’ve missed.”

“You sent me a perfumed letter,” I said, getting up and moving toward her.

“I pay my gas bill with perfumed letters,” she said. “I buy it by the box. Come on, Toby, I’ve had a bad day. My feet hurt and I have to look in the mirror soon.”

“You’re beautiful, Annie.”

She shook her head and smiled sadly.

“I’m holding on, Toby,” she said. “I heard someone in the office describe me as a handsome woman today. That depressed me almost as much as this visit is. Please take your needs someplace else. I’m not an emotional gas station that can keep pumping it out.”

You Bet Your Life by Stuart M. Kaminsky (Mysterious Press 1978)

Chico and Harpo were playing gin rummy, smacking the cardboard rectangles on the table. Chico beamed through the game, uttering uhs and delighted ahs while we waited for a phone call.

Groucho lay on the bed reading the newspaper. He looked at me and shook his head.

“We’re an anachronism, a relic of the past, a clown for people who’ve never been to the circus, a dialect comic for people who don’t remember vaudeville, a fast-talking, baggy-pants comic with a leer for those who were afraid to go to burlesque. We’re a trio of dinosaurs, an endangered species lying around a hotel in Chicago waiting for someone to come through the door and shoot us.”

“No one’s going to shoot you, Grouch,” Chico said, without looking up from his cards. “They’re going to shoot me.”

“That’s consoling. If I’m lucky, and they don’t miss, all I’ll lose is my brother instead of my life. I may be tired of playing that character in our movies, but I’m not tired of playing.” He raised his eyebrows suggestively.

Murder on the Yellow Brick Road by Stuart M. Kaminsky (Mysterious Press 1977)

Someone had murdered a Munchkin. The little man was lying on his back in the middle of the yellow brick road with his startled wide eyes looking into the overhead lights of an M.G.M. sound stage. He wore a kind of comic soldier’s uniform with a yellow coat and puffy sleeves and a big fez-like blue and yellow hat with a feather on top. His yellow hair and beard were the phony straw color of Hollywood. He might have looked kind of cute in a tinsel-town way if it hadn’t been for the knife sticking out of his chest. The knife was a brown-handled kitchen thing. Only the handle was visible.

Bullet for a Star by Stuart M. Kaminsky (Mysterious Press 1977)

My face was in my favor. I badly needed a haircut, but sometimes the slightly wild look was just what a client wanted in a bodyguard. My nose had been broken at least three times, once by a baseball thrown by my brother, once by a wind-shield and once by a fist thrown by my brother, in that order. But at five foot nine, the nose was a valuable asset. It announced that I had known violence.

Maigret by Georges Simenon (Penguin 1934)

'You have to admit,’ ventured Amadieu, tugging at his moustache, ‘that your method is impossible to apply in a case like this one. The chief and I were arguing about it earlier.’

Well, well, the chief really was taking a close interest in the case!

‘What do you mean by my method?'

'You know better than I do. Usually, you get involved in people’s lives; you try to understand their thinking and you take as much interest in things that happened to them twenty years earlier as you do in concrete clues. Here, we’re faced with a bunch about whom we know pretty much everything. They don’t even try to put us off the scent. And I’m not even sure that, in private, Cageot would even bother to deny having killed.'

Conviction by Denise Mina (Harvill Secker 2019)

When we met I was Anna, the new office temp from Somewhere-Outside-of-Aberdeen. I chose Hamish quite carefully. I did love him, I must say that, and I still do, sometimes. But I deliberately picked an older man with money and status. A declamatory man, full of facts and opinions. He was the perfect hide.

Hamish was born in that house and had never lived anywhere else. His family had been on or near the Scottish judiciary for two hundred years. He didn’t much like foreign travel. He read only Scottish writers. That seemed so weird to me. I think I found it a little exotic.

Lock No. 1 by Georges Simenon (Penguin Books 1933)

Berthe gave a heavy sigh. He gave her a baleful look. It was none of her business! He was not worried about either her or his wife!

‘Do you understand, old friend? Oh, say something!’

He walked round and round Gassin, not daring to look at him directly and leaving lengthy pauses between sentences.

‘But all in all, of us two, you were the happy one!’

Despite the chill of night, he felt hot.

‘Shall I give you the dynamite back? I don’t care if I get blown up. But somebody’s got to stay with the kid, on the barge.

The Prisoner of Brenda by Colin Bateman (Headline 2012)

She came into No Alibis, the finest mystery bookshop in all of Belfast, bedraggled from the autumn wind and rain and sleet and hail, pulled her red hood down and spluttered hello and long time no see and wouldn’t this be a great wee country if we just had nice weather, all in one puffy gasp, and I gave her the look I keep for idiots who deserve to be struck about the head with a hammer, but made sure to add a welcoming smile just to confuse her. Times were hard in the book trade, and one couldn’t afford to look a horse-face in the gift-mouth.

I did in fact recognise her, because I never forget a long toothy gob, but I wasn’t sure if she would remember me. She had been nice to me in the past, but that was no guarantee of anything. People change, or they have ulterior motives. You have to be on your guard at all times. I have been stabbed in the back thousands of times and have the mental scars to prove it, and one physical one where Mother caught me with a fish hook.

She stood there, dripping, and said, ‘So how are you? How have you been?’

‘Fine,’ I said. There was a small sign hanging from the till that said Ask About Our Christmas Club. It was not aligned properly. I fixed it. Despite this, she did not ask. After a while I remembered to say, ‘How are you?’

My on-off girlfriend Alison had lately been coaching me in the niceties, but I found them difficult, and ultimately, hypocritical. I didn’t care how she was. I didn’t care how anyone was. What was the point? We were all going to die.

‘You do remember me, don’t you?’

‘Of course,’ I said. ‘Nurse Brenda.’

She smiled. ‘Nurse Brenda,’ she repeated.

‘Nurse Brenda,’ I said.”

Blood Sympathy by Reginald Hill (Harper 1993)

Lutonians talk about Hermsprong with a muted horror which is almost pride. Here is the original urban black hole into which all social subsidy and welfare work is sucked without trace. Perhaps the best account of the estate was given by its senior social worker on Radio Luton shortly before her breakdown.

‘Hermsprong is a truly organic community,’ she said in a very quiet, very restrained voice. ‘Here everyone has a place and a function. Here there are none so poor they cannot be robbed, none so insignificant they cannot be reviled, none so inoffensive they cannot be hated. This is the far end of Thatcherism. On Hermsprong they need no nanny state, they already take care of each other.’

Compared with this, Rasselas was a health resort.

Rather the Devil by Ian Rankin (2016)

“Rebus placed his knife and fork on the empty plate, then leaned back in his chair, studying the other diners in the restaurant.

‘Someone was murdered here, you know,’ he announced.

‘And they say romance is dead.’ Deborah Quant paused over her steak. Rebus had been about to comment that she carved it with the same care she took when using her scalpel on a cadaver. But then the murder had popped into his head and he’d considered it the better conversational gambit.

‘Sorry,’ he apologised, taking a sip of red wine. They sold beer here – he had seen waiters delivering it to a few of the tables – but he was trying to cut down.

A new start – it was why they were dining out in the first place, celebrating a week without cigarettes.

Seven whole days.”

“A hundred and sixty-eight hours.

(She didn’t need to know about the one he’d begged from a smoker outside an office block three days back. It had made him feel queasy anyway.)

‘You can taste the food better, can’t you?’ she asked now, not for the first time.

‘Oh aye,’ he acknowledged, stifling a cough.

She seemed to have given up on the steak and was dabbing her mouth with her napkin. They were in the Galvin Brasserie Deluxe, which was attached to the Caledonian Hotel – though these days it was really the Waldorf Astoria Caledonian. But those who’d grown up in Edinburgh knew it as the Caledonian, or ‘the Caley’. In the bar before dinner, Rebus had reeled off a few stories – the railway station next door, dismantled in the sixties; the time Roy Rogers had steered his horse Trigger up the main staircase for a photographer. Quant had listened dutifully, before telling him he could undo the top button of his shirt. He had been running a finger around the inside of the collar, trying to stretch the material a little.

‘You notice things,’ he had commented.

‘Cutting out cigarettes can add a few pounds.”

“Really?’ he’d answered, scooping up more peanuts from the bowl.

Now she had caught a waiter’s eye and their plates were being removed. The offer of dessert menus was dismissed. ‘We’ll just have coffee – decaf if you’ve got it.’

‘Two decafs?’ The waiter was looking at Rebus for guidance.

‘Absolutely,’ Rebus confirmed.

Quant pushed a lock of red hair away from one eye and smiled across the table. ‘You’re doing fine,’ she said.

‘Thanks, Mum.’

Another smile. ‘Go on then, tell me about this murder.’

He reached for his glass but started coughing again. ‘Just need to …’ signalling towards the toilets. 

He pushed the chair back and got up, rubbing at his chest with his hand. Once inside the gents, he made for a sink, leaning over it, hacking some of the gunk up from his lungs. There were the usual flecks of blood. Nothing to panic about, he’d been assured. More coughing, more mucus. COPD, they called it. Chronic obstructive pulmonary disease. When told, Deborah Quant had formed her lips into a thin line.

‘Not so surprising, is it?’

And the very next day she had brought him a glass specimen jar of ”

“indeterminate age. Its contents: a section of lung, showing the bronchial tubes.

‘Just so you know,’ she’d said, pointing out what he’d already been shown on a computer screen. She had left the jar with him.

‘On loan or to keep?’

‘For as long as you need it, John.”

Dog Eats Dog by Iain Levison (Bitter Lemon Press 2008)

Elias was so relieved to see a smile that he felt compelled to offer more information as fast as he could make it up, as if to cement a friendship that was forming between them. Between the guy who said bizarre untrue things about his pistol, and this intractable old bastard of a gun-shop owner.

“It was my father’s gun,” he said. “He just passed away. I just found it in the house. My father was a soldier in World War Two.”

“This gun isn’t military issue,” said the shopkeeper, shaking his head, as if bored with Elias’s lies. “This is chrome-plated. And it was manufactured well after that. If the serial number hadn’t been filed off, I could tell you exactly when, but I figure, oh, about 1950s.” He was looking at Elias now, as if he expected either honesty or silence. He slid a piece of black metal across the counter, then opened the box of bullets. “The war was over by then. You should learn about history,” he said.

Elias was so taken aback by this country bumpkin telling him to learn about history that he almost blurted out that he was a history professor who was about to get tenure and was going to be published in the National Historical Review. Then he remembered, from deceiving Denise, the joy and energy that came from playing dumb. “My dad must have bought it recently, I guess,” he said humbly.

The shopkeeper loaded bullets into the magazine. “This is how you load it,” he said, pressing each bullet down into the clip with a slow, deliberate gesture, looking up at Elias to make sure he was being heeded. “It takes seven slugs.” He slid the magazine into the grip. “This lever here drops the magazine back out of the grip when it’s empty.”

Elias nodded.

“Can you shoot, or do you need lessons?”

How To Rob An Armored Car by Iain Levison (Soho Press 2009)

“I can’t believe it was that easy. Dude, we ought to do this full time.”

Doug shrugged. “Do you want to? I mean, do this instead of robbing the armored car?”

Mitch started his car, mulling the idea over. Today had certainly been easy money but he knew that every day wouldn’t be that easy. They had just gotten lucky. And besides, Doug had all the skill, knowledge, and bargaining ability. Mitch really didn’t bring much to the table.

“Nah,” he said. “I mean, it was impressive and all, but you did everything. All I really did was give you a ride.”

“I could do this full time,” Doug said. “Maybe we should do this instead of robbing the armored car.”

“Are you having doubts?”

“I don’t know. I’m getting kind of scared about the whole thing,” Doug said. “I mean, I just need a little bit to live off. I don’t need to be rich and shit. I don’t need millions of dollars. Money doesn’t buy happiness.”

“Sure it does,” said Mitch cheerfully.

“Look at Kurt Cobain.”

Despite the giddiness of the moment, Mitch felt anger welling up. He hated this logic on which so many people operated, the quaint, pat little platitudes they used to comfort themselves, the bumper stickers and refrigerator magnets that supposedly summed up all their struggles. Money doesn’t buy happiness. God has a plan. It will all work out in the end. It was brainwashing, calculated and perfect, the final bitch-slapping to top off a lifetime of stocking shelves or filing papers or answering phones. If he was going to spend his life making money for someone else, Mitch thought, that was fine. It was inevitable. But don’t insult my intelligence by trying to convince me money is worthless, just so you can keep the whole fucking pile to yourself.

He knew that Doug was a man of simple needs and that he really would be happy with very little. So, for that matter, would Mitch. But it wasn’t all about the money. It was about Accu-mart, about the army, about Doug’s car getting impounded. It was about everything that had ever made him feel small, that had given him the message that he owed someone something, that he had to do more, that his behavior wasn’t good enough.

“Kurt Cobain was a drug addict,” Mitch snapped. “All the people who killed themselves when they got rich were drug addicts. Janis Joplin, Hendrix, Jim Morrison. Money doesn’t buy happiness for drug addicts because they can buy so many drugs all of a sudden that they just freak out.

Then rich people look at that and they say, ‘Money doesn’t buy happiness, fuckers. See what happened to Kurt Cobain? So stop asking for more money, ’cause it ain’t gonna help.’ They just use that bullshit as an excuse to not give us raises. Then they take the money and laugh on the beach in Bermuda. Dude, fuck that. If money doesn’t buy happiness, why do guys guard it with guns?”

He drew a deep breath, then continued his rant while Doug sat in the passenger seat staring at him. “They expect us to eat that shit up. They expect us to say, ‘Wow, money doesn’t buy happiness. Boy, I’m sure glad I don’t have any money. Otherwise, I’d just overdose on all the drugs I could buy. Yessiree, it’s much better if the rich people keep all the money, ’cause if I had any of it I’d just spend all day jamming heroin into my arm.’”

“Wow, dude,” Doug said, taken aback by Mitch’s sudden ferocity.

“Money buys happiness for everyone else. You fucking bet it does. It gives you mental peace, man. You know why? Because if you got money, you stop worrying. And not worrying all the time is happy enough for me.”

“You worry?” Doug asked. He sounded innocent, like a little boy, and Mitch felt a twinge of regret that he had cut short their celebration of the successful drug deal with an outburst of bitterness. But he hated seeing his friend act . . . brainwashed.

“Of course,” Mitch said. “Don’t you?”

“No,” Doug said softly. “I just figure everything will work out in the end.”

Mitch gritted his teeth. “I worry all the fucking time,” he said. “I worry about bills, about the rent, about not being able to ever afford anything. I can’t go anywhere or do anything. Shit, even any of that stuff you see people doing during the commercials in football games: mountain-biking, traveling, going to the beach, concerts, vacations. It’s like there’s this great big fucking world out there full of all this great shit, and man, we’re never gonna be a part of it. We can’t even have a little taste, you know? So, yes, I worry.”