The trio’s first album in 14 years is a genuinely compelling new take on the punchy country sound that’s always made them stand out. But its links between the personal and the political are foggy.
With her fourth album, the pop songwriter reaches a welcome sense of self-assurance. But if this was supposed to be an introspective record, that’s not what’s happening musically.
Chrissie Hynde brings back some old bandmates for a brisk record that acknowledges The Pretenders are best when they’re direct and unadorned.
Under his oddball alter ego, Here We Go Magic’s Luke Temple presents himself as an Auto-Tune balladeer, Afrobeat enthusiast, and skilled craftsman of moody synth pop.
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In this Rising interview, the lifelong New Yorker and member of the art-punk trio Palberta talks about building up the confidence to release her first official solo record.
FINNEAS explores the sounds that sparked his greatest musical breakthroughs in this episode of “Critical Breakthroughs”
Recording in a studio, the Chicago DIY trio sound newly airy and lush, but no less direct and sincere. Their confidence in their concision is the best part.
This art-punk collective’s utopian first LP illuminates the joy, camaraderie, and compassion that can exist in even the most unforgiving, isolating circumstances.
Continuing a remarkable run of post-comeback releases, the secretive Japanese producer trades chilly dub techno for warm, almost chipper house music.
The minimalist composer trades his usual chamber ensemble for the comparatively monochromatic tones of the Farfisa organ.