New from The New Yorker Radio Hour: Chance the Rapper’s art and activism, and the perils of prison reform.
How a Star Professor Built a Distance-Learning Empire
Harvard’s David Malan, of the hit class CS50, was working to perfect online teaching long before the pandemic. Is his method a model for the future of higher education?
The Stranded Babies of the Coronavirus Disaster
A Brooklyn couple’s daughter was due to be born in April, to a surrogate in Ukraine. Then the virus struck.
Why Michael Bennett Is Retiring from the N.F.L.
“Obviously, Black lives matter within the capitalism of the N.F.L.,” the three-time Pro Bowler said. But what if players demanded more Black coaches, and more diversity in front offices and in ownership?
From 1964: The Struggle for Civil Rights in Mississippi
An encounter with Martin Luther King, Jr., during a summer of pressure.
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Spotlight
How the N.B.A. Has Changed Since “The Jordan Rules”
The sportswriter Sam Smith reveals his problems with “The Last Dance,” and discusses whether a book like his 1992 best-seller on Michael Jordan could be written today.
“Showbiz Kids” Weighs the Costs of Child Stardom
The “Bill & Ted” star turned documentarian, himself a former child actor, examines the psychological consequences of early fame in an HBO film.
Conspiracy Theories, Denial, and the Coronavirus
A quarter century after an atrocity in Europe, the United States is now the international calamity.
From 1967: Columbia’s Apology to Langston Hughes
Seven months after the death of the Black writer, Professor James P. Shenton acknowledged at a memorial, “For a while, there lived a poet down the street from Columbia, and Columbia never took the time to find out what he was about.”
From 2017: The Civil-Rights Luminary You’ve Never Heard Of
Pauli Murray was an architect of the civil-rights struggle—and the women’s movement. Why haven’t you heard of her?
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The Crossword: Monday, July 20, 2020
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The Latest
Join Me in My Blissful Seven-Day Yoga Challenge for Unsettling Times
Day Two’s practice even includes a djembe track, to drown out your children knocking on the door screaming for ham.
A. M. Homes Reads Shirley Jackson’s “The Lottery”
Homes reads and discusses Jackson’s story from 1948, which was republished in the July 27, 2020, bonus archive issue of the magazine.
Chance the Rapper’s Art and Activism
Chance is one of the biggest stars in hip-hop, and one of the most political musicians working today. He talks with David Remnick about the fight for racial justice in Chicago.
New Yorker Favorites
From This Week’s Issue
Eye-Catching Art for an Unprecedented Summer, in “Monuments Now”
The outdoor exhibition at Socrates Sculpture Park includes Jeffrey Gibson’s kaleidoscopic ziggurat “Because Once You Enter My House, It Becomes Our House,” performances by indigenous American artists, and more.
From 2013: The Desires of Margaret Fuller
The writer had a dazzling intelligence and was once the best-read woman in America, but a public hungry for transgressive heroines has failed to embrace her.
From 2020: Remembering Lorena Borjas, the Mother of a Trans Latinx Community
Borjas, who died in March, of complications from COVID-19, left behind a community of transgender women and countless L.G.B.T.-rights activists who looked to her for guidance, inspiration, and love.
From 1948: “The Lottery”
“The people had done it so many times that they only half listened to the directions; most of them were quiet, wetting their lips, not looking around.”
Video
Lucinda Williams and Steve Earle Perform Songs from Their Upcoming Albums
The singer-songwriters Lucinda Williams and Steve Earle speak with Amanda Petrusich about making art during quarantine and global protest movements.