Each Sunday, Pitchfork takes an in-depth look at a significant album from the past, and any record not in our archives is eligible. Today, we revisit the gnarly, psychedelic, and insurrectionary sound of the Portland punk band’s best album.
Summer Walker’s follow-up to her 2019 debut album offers a quick tour through the Atlanta singer’s world—a couple sultry strip club joints, a couple guitar-led ballads, and a playful reunion with PARTYNEXTDOOR.
In a vaporous swirl of voice and emotions, Massachusetts songwriter Woodson Black asks a profound question: Music can always make you feel better, but can it ever make you healed?
The talented young Seattle band plays sly and uncommonly melodic odes to ’70s sleaze-rock on its self-released debut.
Listen to the the first episode of our new podcast, The Pitchfork Review
In this Rising interview, the lifelong New Yorker and member of the art-punk trio Palberta talks about building up the confidence to release her first official solo record.
FINNEAS explores the sounds that sparked his greatest musical breakthroughs in this episode of “Critical Breakthroughs”
The debut album from the Pulp frontman’s new band uses a novel approach to recording that aims for the wild abandon of live music but only occasionally reaches it.
On their first release since 2013, the avant-rock group forego the escapism of their past work in order to provide a score for our present chaos.
Couching politically brazen lyrics about police repression and state hypocrisy in a highly stylized goth maximalism, the high-concept Moscow duo is one of Russia’s most exciting bands.
Tera Melos guitarist Nick Reinhart turns to grunge and power-pop, embracing the limitations of verse-chorus structure with some of his best songwriting to date.