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Read The New Yorker’s complete coverage of the coronavirus pandemic and Black Lives Matter protests.
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The Essential and Enduring Strength of John Lewis
What the late civil-rights leader and congressman taught the nation.
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John Lewis’s Legacy and America’s Redemption
The civil-rights leader, who died Friday, acknowledged the darkest chapters of the country’s history, yet insisted that change was always possible.
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Two Former Fed Chairs Offer a Lesson on Coronavirus Economics
The two former Fed chairs persuasively explained why Congress should extend supplementary unemployment payments and provide additional financial support to state and local governments.
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To Fight the Coronavirus, You Need an Army
In responding to COVID-19, doctors in Houston are discovering that their most precious resource is people.
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Trump Is Losing, but Republican Candidates Won’t Abandon Him
Spoiler alert: they aren’t.
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The Depression-Era Book That Wanted to Cancel the Rent
“Modern Housing,” by Catherine Bauer, argued—as many activists do today—that a decent home should be seen as a public utility and a basic right.
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Living Through Turbulent Times with Jane Austen
How six unexpectedly far-ranging novels carried me through eight years, two births, one death, and a changing world.
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How Trump Is Helping Tycoons Exploit the Pandemic
The secretive titan behind one of America’s largest poultry companies, who is also one of the President’s top donors, is ruthlessly leveraging the coronavirus crisis—and his vast fortune—to strip workers of protections.
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Andrew Cuomo’s Pandemic Poster
The governor’s latest civic-minded art work, “New York Tough,” reflects the same magical thinking that has characterized the country’s coronavirus response.
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Trump’s Losing, So When Are Republican Candidates Going to Abandon Him?
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Trump Replaces Mary Trump with Kayleigh McEnany as Niece
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With only three and a half months to go until the election, replacing family members could be seen as a sign of desperation, political insiders said.
What to Stream: “Come and Get It,” One of the Greatest Films by Howard Hawks
![A still from "Come and Get It," Frances Farmer, 1936.](http://web.archive.org./web/20200719051316im_/https://media.newyorker.com/photos/5f11fcfc236a3739185f1d3f/4:3/w_116,c_limit/Brody-ComeandGetIt.jpg)
The boisterous melodrama, from 1936, is a mysterious outpost of Hawks’s distinctive and original cinematic universe, a tale that seethes with perversity beneath its robust surfaces.
Chance the Rapper’s Art and Activism, and the Perils of Prison Reform
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David Remnick talks with the hip-hop star about political change at the local and national levels. And two prison abolitionists talk about reforms that may do as much harm as good.
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From This Week’s Issue
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The Fresh Relevance of the Dance on Camera Festival
The festival, now in its forty-eighth year, will stream films including Susan Misner’s “Bend” and Khadifa Wong’s “Uprooted: The Journey of Jazz Dance.”
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The Invention of the Police
Why did American policing get so big, so fast? The answer, mainly, is slavery.
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Jarvis Cocker Asks, “Must I Evolve?”
The Britpop icon and former Pulp front man chats about his thing for caves and his new record, “Beyond the Pale,” which just might have predicted the coronavirus lockdown.
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Why the Chicks Dropped Their “Dixie”
The all-female country band, which survived an instance of proto-cancel culture for its politics in the past, again wants to meet the current moment.
Video
For Mountain Bikers, Crashing Has Its Own Allure
Three women in competitive mountain biking examine their relationships with falling, both on and off the course.