The Chicago artist’s first posthumous release doesn’t feel like a final goodbye, but instead a continued look inside his world. It’s bleak and beautiful.
On the Streets’ first album in nine years, the UK rapper returns to the simple snark of his early music, but his youthful misadventures have been replaced by the jaded pronouncements of middle age.
Ian MacKaye and Amy Farina have a new band with an old friend—Fugazi bassist Joe Lally. Their debut is a shrewd distillation of some of the United States’ most insidious issues.
The guitarist and composer leads his adventurous backing band through immersive instrumentals, creating a tranquil atmosphere from classical minimalism, ambient synth, and nimble fusion.
Listen to the the first episode of our new podcast, The Pitchfork Review
In this Rising interview, the lifelong New Yorker and member of the art-punk trio Palberta talks about building up the confidence to release her first official solo record.
FINNEAS explores the sounds that sparked his greatest musical breakthroughs in this episode of “Critical Breakthroughs”
Juliana Barwick’s revelatory new album asks us to picture healing at a moment when the task feels impossible.
With country as her foundation, the versatile singer and songwriter pivots toward classic rock. She sounds less like the honky-tonk rebel and more like the Nashville professional.
Blending free jazz with South African protest music and rigorous academic study, the Cape Town drummer connects jazz tradition to contemporary oppression, and points a way forward for the music.
The weirdest of all ATL weirdos returns with more songs about hippos and sex.