Juliana Barwick’s revelatory new album asks us to picture healing at a moment when the task feels impossible.
With country as her foundation, the versatile singer and songwriter pivots toward classic rock. She sounds less like the honky-tonk rebel and more like the Nashville professional.
Blending free jazz with South African protest music and rigorous academic study, the Cape Town drummer connects jazz tradition to contemporary oppression, and points a way forward for the music.
The weirdest of all ATL weirdos returns with more songs about hippos and sex.
Listen to the the first episode of our new podcast, The Pitchfork Review
In this Rising interview, the lifelong New Yorker and member of the art-punk trio Palberta talks about building up the confidence to release her first official solo record.
FINNEAS explores the sounds that sparked his greatest musical breakthroughs in this episode of “Critical Breakthroughs”
On this guest-crowded remix album, the duo continues its wild, swerving path through memes, genres, and decades, making some of its originals sound like demos in the process.
In songs as slick and futuristic as the screens that surround us, the Danish electro-pop musician uses technology as a frame for deeply human feelings.
Mike Kinsella’s latest is his most relentlessly morose and objectively gorgeous work as Owen to date.
In a collaboration with the stunning singers Theo Bleckmann and Jodie Landau, the sharp young composer processes poems and strings into surprisingly magnetic meditations on time.