On this guest-crowded remix album, the duo continues its wild, swerving path through memes, genres, and decades, making some of its originals sound like demos in the process.
In songs as slick and futuristic as the screens that surround us, the Danish electro-pop musician uses technology as a frame for deeply human feelings.
Mike Kinsella’s latest is his most relentlessly morose and objectively gorgeous work as Owen to date.
In a collaboration with the stunning singers Theo Bleckmann and Jodie Landau, the sharp young composer processes poems and strings into surprisingly magnetic meditations on time.
Listen to the the first episode of our new podcast, The Pitchfork Review
In this Rising interview, the lifelong New Yorker and member of the art-punk trio Palberta talks about building up the confidence to release her first official solo record.
FINNEAS explores the sounds that sparked his greatest musical breakthroughs in this episode of “Critical Breakthroughs”
When they recorded 2015’s late-career highlight The Waterfall, MMJ wrote enough material for two albums. If the original was about conflict, the new volume concerns the healing that comes after.
The singer and former G.O.O.D. Music signee returns with a palette of adult contemporary synth-pop and early-’10s R&B. It’s bright and open, built with sounds that move and breathe with the artist.
Working with a stripped-down palette of synthesizers and almost no drums, the UK producer reconnects with the fundamental sense of strangeness that runs through his best music.
On their second LP, the New Zealand indie rockers downshift into a muted, sleeker sound, sacrificing some of the energy that made their debut special.